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Ernst Ludwig Kirchner was a pivotal figure in the art world, known for his profound impact on 20th-century Expressionism. Born in Bavaria, Germany, on May 6, 1880, Kirchner's journey into art began with architecture studies before he found his true calling in painting and printmaking. In 1905, alongside fellow architecture students, he co-founded Die Brücke ("The Bridge"), a group that sought to revolutionize art by bridging the gap between traditional academic styles and modern artistic expression. This group was instrumental in the development of Expressionism, advocating for intense emotion conveyed through vivid colors and bold lines.
Kirchner's work, characterized by its expressive intensity and often exploring themes of urban life and the human psyche, reflects a deep engagement with the cultural and social upheavals of his time. Notably, his experiences during World War I, including a mental breakdown and subsequent discharge from military service, deeply influenced his art. Works like "Self-Portrait as a Soldier" (1915) poignantly encapsulate the personal and societal trauma of the era.
After the war, Kirchner sought solace in Davos, Switzerland, where the tranquil landscapes inspired a new direction in his work, showcasing a more serene and reflective approach. Despite his contributions to modern art, Kirchner's later years were marred by the Nazi regime's denunciation of his work as "degenerate," leading to the destruction and dispersal of many pieces. Tragically, this persecution contributed to his decision to end his life on June 15, 1938.
Kirchner's legacy is preserved through his influential body of work, from vivid urban scenes to tranquil landscapes, all marked by a distinctive, expressive style that continues to captivate art collectors and experts. His works are held in major museums worldwide, including the Museum of Modern Art in New York and the National Gallery of Art in Washington, underscoring his enduring influence on the art world.
For those interested in the profound impact of Ernst Ludwig Kirchner on modern art and Expressionism, subscribing to updates on new product sales and auction events related to his work can provide valuable insights. This subscription is an opportunity for collectors and art experts to stay informed about the availability of Kirchner's influential pieces and related events.
Leonhart Fuchs was a German humanist scientist, botanist, and physician.
Fuchs received a humanistic education under Catholic guidance, but later became a Protestant. He studied medicine and became a professor in Tübingen. He was most interested in the medicinal properties of plants. Well acquainted with the Greek and Latin classics and an excellent observer, he gave precise descriptions, and his beautiful engravings of plants established the tradition of depicting plants with precise illustrations and in alphabetical order.
In 1542 Fuchs published his most important work, De Historia Stirpium Commentarii Insignes (Famous Commentaries on the History of Plants). The book was a great success, especially because of the magnificent woodcuts and the 487 plants, which were described for the first time in such a systematic form. De Historia Stirpium survived several editions and was translated into Dutch and German.
Leonhart Fuchs was a German humanist scientist, botanist, and physician.
Fuchs received a humanistic education under Catholic guidance, but later became a Protestant. He studied medicine and became a professor in Tübingen. He was most interested in the medicinal properties of plants. Well acquainted with the Greek and Latin classics and an excellent observer, he gave precise descriptions, and his beautiful engravings of plants established the tradition of depicting plants with precise illustrations and in alphabetical order.
In 1542 Fuchs published his most important work, De Historia Stirpium Commentarii Insignes (Famous Commentaries on the History of Plants). The book was a great success, especially because of the magnificent woodcuts and the 487 plants, which were described for the first time in such a systematic form. De Historia Stirpium survived several editions and was translated into Dutch and German.
