dokumentarfotografie
Bernhard (Bernd) Becher and Hilla Becher were German conceptual artists and photographers working as a collaborative duo. They are best known for their extensive series of photographic images, or typologies, of industrial buildings and structures, often organised in grids. As the founders of what has come to be known as the 'Becher school' or the 'Düsseldorf School' they influenced generations of documentary photographers and artists. They have been awarded the Erasmus Prize and the Hasselblad Award.
Diane Arbus was an American photographer. Arbus's imagery helped to normalize marginalized groups and highlight the importance of proper representation of all people. She photographed a wide range of subjects including strippers, carnival performers, nudists, people with dwarfism, children, mothers, couples, elderly people, and middle-class families.
Sebastião Ribeiro Salgado is a Brazilian social documentary photographer and photojournalist.
He has traveled in over 120 countries for his photographic projects. Most of these have appeared in numerous press publications and books. Touring exhibitions of his work have been presented throughout the world.
Salgado is a UNICEF Goodwill Ambassador. He was awarded the W. Eugene Smith Memorial Fund Grant in 1982, Foreign Honorary Membership of the American Academy of Arts and Sciences in 1992 and the Royal Photographic Society's Centenary Medal and Honorary Fellowship (HonFRPS) in 1993. He has been a member of the Académie des Beaux-Arts at the Institut de France since April 2016.
Sebastião Ribeiro Salgado is a Brazilian social documentary photographer and photojournalist.
He has traveled in over 120 countries for his photographic projects. Most of these have appeared in numerous press publications and books. Touring exhibitions of his work have been presented throughout the world.
Salgado is a UNICEF Goodwill Ambassador. He was awarded the W. Eugene Smith Memorial Fund Grant in 1982, Foreign Honorary Membership of the American Academy of Arts and Sciences in 1992 and the Royal Photographic Society's Centenary Medal and Honorary Fellowship (HonFRPS) in 1993. He has been a member of the Académie des Beaux-Arts at the Institut de France since April 2016.
Sebastião Ribeiro Salgado is a Brazilian social documentary photographer and photojournalist.
He has traveled in over 120 countries for his photographic projects. Most of these have appeared in numerous press publications and books. Touring exhibitions of his work have been presented throughout the world.
Salgado is a UNICEF Goodwill Ambassador. He was awarded the W. Eugene Smith Memorial Fund Grant in 1982, Foreign Honorary Membership of the American Academy of Arts and Sciences in 1992 and the Royal Photographic Society's Centenary Medal and Honorary Fellowship (HonFRPS) in 1993. He has been a member of the Académie des Beaux-Arts at the Institut de France since April 2016.
Arthur (Usher) Fellig, known by his pseudonym Weegee, was a photographer and photojournalist, known for his stark black and white street photography in New York City.
Weegee worked in Manhattan's Lower East Side as a press photographer during the 1930s and 1940s and developed his signature style by following the city's emergency services and documenting their activity. Much of his work depicted unflinchingly realistic scenes of urban life, crime, injury and death. Weegee published photographic books and also worked in cinema, initially making his own short films and later collaborating with film directors such as Jack Donohue and Stanley Kubrick.
Robert Frank was a Swiss photographer and documentary filmmaker, who became an American binational. His most notable work, the 1958 book titled The Americans, earned Frank comparisons to a modern-day de Tocqueville for his fresh and nuanced outsider's view of American society. Critic Sean O'Hagan, writing in The Guardian in 2014, said The Americans "changed the nature of photography, what it could say and how it could say it. it remains perhaps the most influential photography book of the 20th century." Frank later expanded into film and video and experimented with manipulating photographs and photomontage.
Henri Cartier-Bresson was a French artist renowned for his groundbreaking work in photography, particularly in the realms of photojournalism and street photography. Born on August 22, 1908, in Chanteloup, France, Cartier-Bresson's early artistic endeavors were in painting, which he began studying at the age of five. His transition to photography was marked by his adoption of a 35mm Leica camera in 1931, a tool that became synonymous with his work.
Henri Cartier-Bresson's photography is celebrated for its unique blend of spontaneity and composition, capturing moments that reveal deeper truths about their subjects. His theory of "the decisive moment" – that is, capturing an event that is ephemeral and spontaneous, yet significant – has had a profound influence on the field of photography. His work has been exhibited in prestigious venues such as the Museum of Modern Art in New York and is held in high esteem in art collections worldwide.
In addition to his personal achievements, Henri Cartier-Bresson was a co-founder of Magnum Photos in 1947, a cooperative agency for worldwide photographers that significantly influenced photojournalism. Later in his career, Cartier-Bresson returned to painting and drawing, demonstrating his lifelong commitment to the arts.
For art collectors and experts, Henri Cartier-Bresson's work offers a pivotal exploration of 20th-century photography, blending artistic vision with the unguarded moments of life. His influence extends beyond his images, shaping the way we perceive and engage with visual narratives.
To explore more about Henri Cartier-Bresson's influential career and works, and to stay updated on exhibitions or sales featuring his photography, you might consider subscribing to updates from art institutions or galleries that frequently showcase his work.
Robert Frank was a Swiss photographer and documentary filmmaker, who became an American binational. His most notable work, the 1958 book titled The Americans, earned Frank comparisons to a modern-day de Tocqueville for his fresh and nuanced outsider's view of American society. Critic Sean O'Hagan, writing in The Guardian in 2014, said The Americans "changed the nature of photography, what it could say and how it could say it. it remains perhaps the most influential photography book of the 20th century." Frank later expanded into film and video and experimented with manipulating photographs and photomontage.
Henri Cartier-Bresson was a French artist renowned for his groundbreaking work in photography, particularly in the realms of photojournalism and street photography. Born on August 22, 1908, in Chanteloup, France, Cartier-Bresson's early artistic endeavors were in painting, which he began studying at the age of five. His transition to photography was marked by his adoption of a 35mm Leica camera in 1931, a tool that became synonymous with his work.
Henri Cartier-Bresson's photography is celebrated for its unique blend of spontaneity and composition, capturing moments that reveal deeper truths about their subjects. His theory of "the decisive moment" – that is, capturing an event that is ephemeral and spontaneous, yet significant – has had a profound influence on the field of photography. His work has been exhibited in prestigious venues such as the Museum of Modern Art in New York and is held in high esteem in art collections worldwide.
In addition to his personal achievements, Henri Cartier-Bresson was a co-founder of Magnum Photos in 1947, a cooperative agency for worldwide photographers that significantly influenced photojournalism. Later in his career, Cartier-Bresson returned to painting and drawing, demonstrating his lifelong commitment to the arts.
For art collectors and experts, Henri Cartier-Bresson's work offers a pivotal exploration of 20th-century photography, blending artistic vision with the unguarded moments of life. His influence extends beyond his images, shaping the way we perceive and engage with visual narratives.
To explore more about Henri Cartier-Bresson's influential career and works, and to stay updated on exhibitions or sales featuring his photography, you might consider subscribing to updates from art institutions or galleries that frequently showcase his work.
Robert Frank was a Swiss photographer and documentary filmmaker, who became an American binational. His most notable work, the 1958 book titled The Americans, earned Frank comparisons to a modern-day de Tocqueville for his fresh and nuanced outsider's view of American society. Critic Sean O'Hagan, writing in The Guardian in 2014, said The Americans "changed the nature of photography, what it could say and how it could say it. it remains perhaps the most influential photography book of the 20th century." Frank later expanded into film and video and experimented with manipulating photographs and photomontage.
Robert Frank was a Swiss photographer and documentary filmmaker, who became an American binational. His most notable work, the 1958 book titled The Americans, earned Frank comparisons to a modern-day de Tocqueville for his fresh and nuanced outsider's view of American society. Critic Sean O'Hagan, writing in The Guardian in 2014, said The Americans "changed the nature of photography, what it could say and how it could say it. it remains perhaps the most influential photography book of the 20th century." Frank later expanded into film and video and experimented with manipulating photographs and photomontage.
Henri Cartier-Bresson was a French artist renowned for his groundbreaking work in photography, particularly in the realms of photojournalism and street photography. Born on August 22, 1908, in Chanteloup, France, Cartier-Bresson's early artistic endeavors were in painting, which he began studying at the age of five. His transition to photography was marked by his adoption of a 35mm Leica camera in 1931, a tool that became synonymous with his work.
Henri Cartier-Bresson's photography is celebrated for its unique blend of spontaneity and composition, capturing moments that reveal deeper truths about their subjects. His theory of "the decisive moment" – that is, capturing an event that is ephemeral and spontaneous, yet significant – has had a profound influence on the field of photography. His work has been exhibited in prestigious venues such as the Museum of Modern Art in New York and is held in high esteem in art collections worldwide.
In addition to his personal achievements, Henri Cartier-Bresson was a co-founder of Magnum Photos in 1947, a cooperative agency for worldwide photographers that significantly influenced photojournalism. Later in his career, Cartier-Bresson returned to painting and drawing, demonstrating his lifelong commitment to the arts.
For art collectors and experts, Henri Cartier-Bresson's work offers a pivotal exploration of 20th-century photography, blending artistic vision with the unguarded moments of life. His influence extends beyond his images, shaping the way we perceive and engage with visual narratives.
To explore more about Henri Cartier-Bresson's influential career and works, and to stay updated on exhibitions or sales featuring his photography, you might consider subscribing to updates from art institutions or galleries that frequently showcase his work.
Henri Cartier-Bresson was a French artist renowned for his groundbreaking work in photography, particularly in the realms of photojournalism and street photography. Born on August 22, 1908, in Chanteloup, France, Cartier-Bresson's early artistic endeavors were in painting, which he began studying at the age of five. His transition to photography was marked by his adoption of a 35mm Leica camera in 1931, a tool that became synonymous with his work.
Henri Cartier-Bresson's photography is celebrated for its unique blend of spontaneity and composition, capturing moments that reveal deeper truths about their subjects. His theory of "the decisive moment" – that is, capturing an event that is ephemeral and spontaneous, yet significant – has had a profound influence on the field of photography. His work has been exhibited in prestigious venues such as the Museum of Modern Art in New York and is held in high esteem in art collections worldwide.
In addition to his personal achievements, Henri Cartier-Bresson was a co-founder of Magnum Photos in 1947, a cooperative agency for worldwide photographers that significantly influenced photojournalism. Later in his career, Cartier-Bresson returned to painting and drawing, demonstrating his lifelong commitment to the arts.
For art collectors and experts, Henri Cartier-Bresson's work offers a pivotal exploration of 20th-century photography, blending artistic vision with the unguarded moments of life. His influence extends beyond his images, shaping the way we perceive and engage with visual narratives.
To explore more about Henri Cartier-Bresson's influential career and works, and to stay updated on exhibitions or sales featuring his photography, you might consider subscribing to updates from art institutions or galleries that frequently showcase his work.
Henri Cartier-Bresson was a French artist renowned for his groundbreaking work in photography, particularly in the realms of photojournalism and street photography. Born on August 22, 1908, in Chanteloup, France, Cartier-Bresson's early artistic endeavors were in painting, which he began studying at the age of five. His transition to photography was marked by his adoption of a 35mm Leica camera in 1931, a tool that became synonymous with his work.
Henri Cartier-Bresson's photography is celebrated for its unique blend of spontaneity and composition, capturing moments that reveal deeper truths about their subjects. His theory of "the decisive moment" – that is, capturing an event that is ephemeral and spontaneous, yet significant – has had a profound influence on the field of photography. His work has been exhibited in prestigious venues such as the Museum of Modern Art in New York and is held in high esteem in art collections worldwide.
In addition to his personal achievements, Henri Cartier-Bresson was a co-founder of Magnum Photos in 1947, a cooperative agency for worldwide photographers that significantly influenced photojournalism. Later in his career, Cartier-Bresson returned to painting and drawing, demonstrating his lifelong commitment to the arts.
For art collectors and experts, Henri Cartier-Bresson's work offers a pivotal exploration of 20th-century photography, blending artistic vision with the unguarded moments of life. His influence extends beyond his images, shaping the way we perceive and engage with visual narratives.
To explore more about Henri Cartier-Bresson's influential career and works, and to stay updated on exhibitions or sales featuring his photography, you might consider subscribing to updates from art institutions or galleries that frequently showcase his work.
Walker Evans was an American photographer and photojournalist best known for his work for the Farm Security Administration (FSA) documenting the effects of the Great Depression. Much of Evans' work from the FSA period uses the large-format, 8×10-inch (200×250 mm) view camera. He said that his goal as a photographer was to make pictures that are "literate, authoritative, transcendent".
Many of his works are in the permanent collections of museums and have been the subject of retrospectives at such institutions as the Metropolitan Museum of Art or the George Eastman Museum.
Thomas Struth is a German photographer who is best known for his Museum Photographs series, family portraits and black and white photographs of the streets of Düsseldorf and New York taken in the 1970s. Struth lives and works in Berlin and New York.
William Eggleston is an American photographer. He is widely credited with increasing recognition for color photography as a legitimate artistic medium. Eggleston's books include William Eggleston's Guide (1976) and The Democratic Forest (1989).
Robert Heinecken was an American artist and educator. He is known for his pioneering work in the field of photography, particularly his use of found images and his experimentation with photographic processes.
Heinecken studied at the University of California, Los Angeles, and later became a professor of art at UCLA, where he taught for over 30 years. He exhibited his work extensively throughout his career, including at the Museum of Modern Art in New York, the Whitney Museum of American Art, and the San Francisco Museum of Modern Art.
Heinecken's work often involved appropriating images from mass media sources, such as magazines and television, and recontextualizing them in his art. He was also known for his "paraphotography," a term he coined to describe his use of photographic materials and techniques to create works that were not necessarily photographs in the traditional sense. For example, he would use photographic paper to create abstract, three-dimensional sculptures, or he would manipulate images with chemicals to create surreal, dreamlike compositions.
Heinecken's work has been praised for its critical engagement with the role of photography in contemporary culture, as well as its wit, playfulness, and subversive edge. He was a major influence on the development of conceptual art and postmodernism in the United States, and his legacy continues to be felt in contemporary art today.