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David Davidovich Burliuk (Russian: Давид Давидович Бурлюк), a pioneering figure of the Russian Futurist movement, was a Ukrainian poet, artist, and publicist, born in 1882 in Semirotovshchina, Kharkov, Ukraine, and died in 1967 on Long Island, N.Y., U.S. Known for his eclectic contributions that spanned poetry, painting, criticism, and publishing, Burliuk's work was instrumental in introducing the Russian avant-garde to Europe and the United States. Despite having a lesser volume of work in poetry and painting compared to his contemporaries, Burliuk's knack for discovering talent and promoting it was unparalleled. He was among the first to publish the works of Velimir Khlebnikov and to recognize the genius of Vladimir Mayakovsky, significantly contributing to their renown.
Burliuk's artistic journey was marked by his involvement with the Futurist and Neo-Primitivist movements. His early work, including an exhibition with the group Zveno ("The Link") in Kiev in 1908 and his participation in the Hylaea group, set the stage for his later achievements. He was a co-author of the influential Futurist manifesto "A Slap in the Face of Public Taste" in 1912, advocating for a break from traditional art forms and the embrace of modernity. Burliuk's commitment to Futurism was evident in his publishing endeavors and his collaborations with notable artists of the time.
In his later years, after emigrating to the United States in 1922, Burliuk continued to engage with the art world, contributing to pro-Soviet groups and publishing his works and those of his contemporaries. His efforts were recognized in several exhibitions, including a significant show at the Brooklyn Museum's 1926 International Exhibition of Modern Art. Despite facing challenges, such as being denied permission to visit his homeland by the Soviet government, Burliuk's influence remained steadfast. His legacy as a central figure in Russian Futurism and his contributions to the broader art movement are celebrated to this day.
To stay informed about updates and events related to David Davidovich Burliuk, including sales of his works and auction events, sign up for our newsletter. This subscription will ensure you're the first to know about new discoveries and opportunities to engage with Burliuk's enduring legacy.
Max Schwimmer is a German painter, graphic artist, and illustrator, a member of the Academy of Arts in Berlin.
Ettore Sottsass was a 20th century Italian architect, noted for also designing furniture, jewellery, glass, lighting, home and office wares, as well as numerous buildings and interiors — often defined by bold colours.
Thomas Baumgartner was a German painter, recognized for his evocative portrayals of rural life. Born in Munich in 1892, he was celebrated for his detailed and vibrant depictions of Bavarian customs and countryside, earning him a place among notable 20th-century German painters.
After training at the Munich Academy and various travels in Europe, Baumgartner established himself with a distinctive style that blended traditional Bavarian influences with his unique artistic vision. His works often featured robust, earthy scenes of peasant life, which not only showcased his technical skill but also conveyed a deep affection for his homeland's landscapes and customs.
Throughout his career, Baumgartner's paintings were widely exhibited and appreciated, particularly for their craftsmanship and the way they captured the essence of rural Germany. His art is a testament to the cultural heritage of Bavaria, resonating with those who value the preservation of regional histories and lifestyles.
Baumgartner's legacy is preserved in art collections and has been featured in major exhibitions, often commanding attention in both national and international art circles. His dedication to depicting the simplicity and beauty of peasant life helps keep the rural traditions of Germany alive in the collective memory of the art world.
For those interested in exploring the serene beauty of traditional German art, Thomas Baumgartner's works offer a timeless journey into the heart of Bavaria's countryside and culture.
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David Davidovich Burliuk (Russian: Давид Давидович Бурлюк), a pioneering figure of the Russian Futurist movement, was a Ukrainian poet, artist, and publicist, born in 1882 in Semirotovshchina, Kharkov, Ukraine, and died in 1967 on Long Island, N.Y., U.S. Known for his eclectic contributions that spanned poetry, painting, criticism, and publishing, Burliuk's work was instrumental in introducing the Russian avant-garde to Europe and the United States. Despite having a lesser volume of work in poetry and painting compared to his contemporaries, Burliuk's knack for discovering talent and promoting it was unparalleled. He was among the first to publish the works of Velimir Khlebnikov and to recognize the genius of Vladimir Mayakovsky, significantly contributing to their renown.
Burliuk's artistic journey was marked by his involvement with the Futurist and Neo-Primitivist movements. His early work, including an exhibition with the group Zveno ("The Link") in Kiev in 1908 and his participation in the Hylaea group, set the stage for his later achievements. He was a co-author of the influential Futurist manifesto "A Slap in the Face of Public Taste" in 1912, advocating for a break from traditional art forms and the embrace of modernity. Burliuk's commitment to Futurism was evident in his publishing endeavors and his collaborations with notable artists of the time.
In his later years, after emigrating to the United States in 1922, Burliuk continued to engage with the art world, contributing to pro-Soviet groups and publishing his works and those of his contemporaries. His efforts were recognized in several exhibitions, including a significant show at the Brooklyn Museum's 1926 International Exhibition of Modern Art. Despite facing challenges, such as being denied permission to visit his homeland by the Soviet government, Burliuk's influence remained steadfast. His legacy as a central figure in Russian Futurism and his contributions to the broader art movement are celebrated to this day.
To stay informed about updates and events related to David Davidovich Burliuk, including sales of his works and auction events, sign up for our newsletter. This subscription will ensure you're the first to know about new discoveries and opportunities to engage with Burliuk's enduring legacy.
![[Fitzgerald, F. Scott — The Great Gatsby] | “So we beat on, boats against the current, borne back ceaselessly into the past.”](/assets/image/picture_2293432/3547e/hxkdhtdma1gj3-b95slzgn5mblkefxbya3dqkznehomdaob5qs6svhlgj5ujt1658411173jpg__fix_374_244.jpeg)
![[Fitzgerald, F. Scott — The Great Gatsby] | “So we beat on, boats against the current, borne back ceaselessly into the past.”](https://veryimportantlot.com/assets/image/picture_2293432/3547e/hxkdhtdma1gj3-b95slzgn5mblkefxbya3dqkznehomdaob5qs6svhlgj5ujt1658411173jpg__fix_374_244.jpeg)
Paul Sérusier was a French Post-Impressionist painter and theorist, notable for his significant contributions to the art movement known as the Nabis. Born in Paris on November 9, 1864, Sérusier's work is characterized by its expressive use of color and pattern, inspired by the techniques of Paul Gauguin. He is best known for his exploration of color, sensation, and abstraction, particularly evident in works like "Le Talisman, the Aven River at the Bois d'Amour" (1888). This painting marks a departure from the Impressionists' more faithful representation of observed reality, focusing instead on translating sensations onto the canvas with vibrant brushstrokes and an emphasis on emotional expression over visual accuracy.
Sérusier's paintings often feature the landscapes and people of Brittany, notable for their contemplative mood achieved through firm contours and blocks of unmodulated color. His style evolved under the influence of Synthetism and Cloisonnism, favoring flattened forms and large swathes of color, as seen in "Farmhouse at le Pouldu" (1890). This approach reflects a decorative organization of objects, emphasizing the craft and execution of the scene.
Some of Sérusier's notable works are housed in prestigious museums such as the Musée d'Orsay in Paris, including "Portrait of Paul Ranson in Nabi Costume" (1890) and "Landscape" (1912). His legacy extends beyond his own artworks; he was a key figure in the formation of the Nabis movement, and his theoretical contributions have had a lasting impact on the art world.
For collectors and experts in art and antiques, Sérusier's work represents a unique blend of post-impressionist and symbolist styles, making his pieces highly valued both for their historical significance and their aesthetic appeal. To stay updated on new product sales and auction events related to Paul Sérusier, sign up for our updates. This subscription service is exclusively focused on providing information related to Sérusier's work, ensuring you remain informed about opportunities to acquire pieces by this influential artist.
Paul Gauguin, a French artist born in Paris in 1848, is renowned for his significant contributions to Post-Impressionism, Primitivism, and Synthetism. Gauguin's art is distinguished by his experimental use of color and style, which set him apart from the traditional Impressionist movement.
Gauguin's early life was marked by a period in Peru, which influenced his artistic perspective. Initially, he pursued a career in stockbroking but soon turned to art, driven by financial necessity and a growing passion. His artistic journey began under the mentorship of Impressionist artist Camille Pissarro and through exposure to the works of other avant-garde artists.
The hallmark of Gauguin's work is his exploration of non-Western cultures, particularly during his time in Tahiti and the Marquesas Islands. This period saw the creation of some of his most famous works, including "Where Do We Come From? What Are We? Where Are We Going?" His paintings from this era, characterized by vivid colors and Symbolist themes, reflect a fusion of cultural influences and his quest for a "primitive" expression of spiritual and emotional states.
Despite his innovative style, Gauguin struggled with financial difficulties and health issues throughout his life. His work received little recognition during his lifetime, but posthumously, he gained acclaim for influencing modern artists like Pablo Picasso and Henri Matisse.
Today, Gauguin's works are celebrated in galleries and museums worldwide for their unique blend of cultural influences and artistic innovation. His enduring legacy is a testament to his unique vision and the profound impact he had on the art world.
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Egon Leo Adolf Ludwig Schiele, an Austrian Expressionist painter, is a figure whose work stands out for its raw intensity and exploration of sexuality, including a remarkable series of self-portraits that often featured nudity. Born in 1890 in Tulln, Lower Austria, Schiele's early life was marked by a fascination with trains and a troubled relationship with his family, especially following his father's death from syphilis when Schiele was just 15 years old. This event propelled him into the care of his uncle, who recognized Schiele's artistic talent despite his lack of interest in traditional academia, leading to Schiele's education at the Vienna Academy of Fine Arts.
Schiele's artistic journey was deeply influenced by his mentor Gustav Klimt, who introduced him to the Vienna Secession and the Wiener Werkstätte, enriching his art with elements of Art Nouveau and paving the way for his distinct style that evolved beyond the influence of his mentor. Schiele's art, characterized by its emotional and sexual honesty, utilized figural distortion to challenge conventional ideals of beauty, making his work groundbreaking for its time.
Throughout his career, Schiele focused on self-portraiture, the human body, and sexuality, often leading to controversy due to the explicit nature of his work. Despite his brief life, cut short by the Spanish flu in 1918 at the age of 28, Schiele's body of work left a lasting impact on the art world. His contributions are celebrated in numerous museums and galleries worldwide, with the Leopold Museum in Vienna housing the most extensive collection of his works, featuring over 43 paintings and 200 watercolors, drawings, and prints. Schiele's work remains influential, offering a stark, introspective look into the human condition and the existential crises of his time.
For collectors and experts in art and antiques, Schiele's work offers a profound exploration of expressionism, culture, and the avant-garde movements of early 20th-century Europe. His legacy is a testament to the power of art to challenge societal norms and to explore the depths of human emotion and sexuality.
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