fil de métal
Marie de Rabutin-Chantal, marquise de Sévigné was a 17th-century French writer of epistolary genre.
Marie came from a noble family, but was orphaned at the age of six and raised by her uncle Philippe II de Coulanges. She received a good education and married Henri de Sévigné in 1644. In 1651 he was killed in a duel, and Madame de Sevigne was left a widow with two children. She led an ordinary social life, and only the marriage of her daughter, painful separation from her and loneliness suddenly revealed in the Marquise literary gift.
Since 1671 for thirty years, Madame de Sévigné wrote to her daughter about 1700 letters, and this correspondence has both historical and literary significance. In her letters, the woman relates current news and events of secular society, describes prominent people, comments on all of these, and reports on the details of her own life. Her letters reflect the intellectual sophistication of the salon culture of the period. Madame de Sévigné also touches on serious philosophical and religious topics, nature, art, morality, and psychology.
Her letters were read out in the salons, passed from hand to hand. Gradually they turned into a collection, the first edition of which was published in 1726, gradually expanding and supplementing. The popularity of the Letters of Madame de Sévigné grew over the years, becoming a source of historical study of the era and language. Francophone educational institutions in many countries around the world have included Sevigné's works in their curricula. The crater Sevigné on Venus is named in her honor.
Alexander Calder was an American artist celebrated for his revolutionary contributions to modern sculpture, including his invention of the mobile. Born into a family of artists on July 22, 1898, in Lawnton, Pennsylvania, and passing away on November 11, 1976, in New York, Calder harnessed his background in mechanical engineering to create kinetic sculptures that moved with air currents, alongside his monumental stationary sculptures known as "stabiles".
Calder's early life was marked by his creation of toys and various objects, showcasing his inherent talent and creativity from a young age. Despite initially pursuing a career in mechanical engineering, Calder's true calling in the arts was undeniable. He moved to New York City, where he enrolled at the Art Students League, laying the groundwork for his iconic artistic style. In 1926, Calder relocated to Paris, which became a pivotal moment in his career, leading to the creation of "Calder's Circus," a whimsical assembly of wire figures that gained him entry into the avant-garde art circles of Europe.
Throughout the 1930s and beyond, Calder's work evolved from figurative painting to abstract sculptures that brought motion into the realm of art, a transition influenced by his visit to Piet Mondrian's studio. His innovative mobiles and stabiles were celebrated for their ingenuity and aesthetic appeal, earning Calder international recognition and numerous accolades. Among his well-known public commissions are the .125 mobile for John F. Kennedy Airport and the monumental red-painted steel stabile, "Flamingo," for the Federal Center Plaza in Chicago.
Calder's legacy extends far beyond his sculptures; his work encompassed painting, printmaking, jewelry design, and even set and costume design for theatre productions. His influence on modern art is profound, inspiring future generations of artists to explore the kinetic possibilities of sculpture.
For art enthusiasts and collectors interested in Alexander Calder's groundbreaking work, staying informed about upcoming sales and auctions is essential. Sign up for updates to never miss an opportunity to own a piece by this influential American sculptor, highlighting his unique contributions to the art world.
Alexander Calder was an American artist celebrated for his revolutionary contributions to modern sculpture, including his invention of the mobile. Born into a family of artists on July 22, 1898, in Lawnton, Pennsylvania, and passing away on November 11, 1976, in New York, Calder harnessed his background in mechanical engineering to create kinetic sculptures that moved with air currents, alongside his monumental stationary sculptures known as "stabiles".
Calder's early life was marked by his creation of toys and various objects, showcasing his inherent talent and creativity from a young age. Despite initially pursuing a career in mechanical engineering, Calder's true calling in the arts was undeniable. He moved to New York City, where he enrolled at the Art Students League, laying the groundwork for his iconic artistic style. In 1926, Calder relocated to Paris, which became a pivotal moment in his career, leading to the creation of "Calder's Circus," a whimsical assembly of wire figures that gained him entry into the avant-garde art circles of Europe.
Throughout the 1930s and beyond, Calder's work evolved from figurative painting to abstract sculptures that brought motion into the realm of art, a transition influenced by his visit to Piet Mondrian's studio. His innovative mobiles and stabiles were celebrated for their ingenuity and aesthetic appeal, earning Calder international recognition and numerous accolades. Among his well-known public commissions are the .125 mobile for John F. Kennedy Airport and the monumental red-painted steel stabile, "Flamingo," for the Federal Center Plaza in Chicago.
Calder's legacy extends far beyond his sculptures; his work encompassed painting, printmaking, jewelry design, and even set and costume design for theatre productions. His influence on modern art is profound, inspiring future generations of artists to explore the kinetic possibilities of sculpture.
For art enthusiasts and collectors interested in Alexander Calder's groundbreaking work, staying informed about upcoming sales and auctions is essential. Sign up for updates to never miss an opportunity to own a piece by this influential American sculptor, highlighting his unique contributions to the art world.
Jean-François de Troy was a French Rococo easel and fresco painter, draughtsman and tapestry designer. One of France's leading history painters in his time, he was equally successful with his decorative paintings, genre scenes and portraits. He was the inventor of the tableaux de modes ('paintings of fashions'), which attempted to provide a spirited portrayal of contemporary fashions, pastimes and manners.
He was the Director of the French Academy in Rome from 1738.
Bonifacio Veronese, a Venetian painter born in 1487 and active until his death in 1553, was a masterful exponent of the High Renaissance style. His work, deeply rooted in the rich art and culture of Venice, exemplified the era's fascination with color, light, and religious themes.
Bonifacio's paintings are celebrated for their vivid portrayal of religious narratives, often infused with a sense of grace and serenity. His use of vibrant colors and ability to create depth and emotion through his characters set him apart from his contemporaries. One of his notable works, the "Virgin and Child with Saints," showcases his skill in composition and his delicate treatment of figures and landscapes.
His contributions to Venetian painting were significant, helping to shape the course of art history during a period teeming with artistic innovation. Bonifacio's works, found in various museums and galleries, offer a glimpse into the artistic fervor that characterized Venice during the Renaissance.
For collectors and connoisseurs, Bonifacio Veronese's art represents a pivotal chapter in the history of painting. His mastery in depicting religious themes with a unique blend of realism and emotion makes his works a valuable addition to any collection.
To stay informed about upcoming sales and auction events featuring Bonifacio Veronese's works, sign up for our updates. This service ensures you receive timely information on new acquisitions and opportunities to add to your collection, focusing exclusively on Bonifacio Veronese's art.
