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Jean Charlier de Gerson was a French academic, theologian, preacher and politician of the 14th and 15th centuries.
Jean Charlier de Gerson was Chancellor of the University of Paris from 1395 until 1415, and as such played a major role in the political troubles between the Duke of Orleans and the Duke of Burgundy, subsequently known as the Armagnacs and Burgundians, as well as in the crisis arising from the Great Western Schism.
Jean Charlier de Gerson was a French academic, theologian, preacher and politician of the 14th and 15th centuries.
Jean Charlier de Gerson was Chancellor of the University of Paris from 1395 until 1415, and as such played a major role in the political troubles between the Duke of Orleans and the Duke of Burgundy, subsequently known as the Armagnacs and Burgundians, as well as in the crisis arising from the Great Western Schism.
Gerson Fehrenbach was a German sculptor.
Stylistically, Fehrenbach's sculptures can be classified as Informel. He processed the study of nature and ancient art together with suggestions from classical modernism and influences from his teacher Karl Hartung to create an individual pictorial language.
He processed his impressions into autonomous, organically proliferating forms based on intensive study of nature. Many of his works are characterised by horizontal and vertical axes on the one hand and "knob-like" protrusions on the other. His main materials were stone, bronze and concrete. Fehrenbach took his motifs from mythology and religion.
Jean Charlier de Gerson was a French academic, theologian, preacher and politician of the 14th and 15th centuries.
Jean Charlier de Gerson was Chancellor of the University of Paris from 1395 until 1415, and as such played a major role in the political troubles between the Duke of Orleans and the Duke of Burgundy, subsequently known as the Armagnacs and Burgundians, as well as in the crisis arising from the Great Western Schism.
Jean Charlier de Gerson was a French academic, theologian, preacher and politician of the 14th and 15th centuries.
Jean Charlier de Gerson was Chancellor of the University of Paris from 1395 until 1415, and as such played a major role in the political troubles between the Duke of Orleans and the Duke of Burgundy, subsequently known as the Armagnacs and Burgundians, as well as in the crisis arising from the Great Western Schism.
Gerson Fehrenbach was a German sculptor.
Stylistically, Fehrenbach's sculptures can be classified as Informel. He processed the study of nature and ancient art together with suggestions from classical modernism and influences from his teacher Karl Hartung to create an individual pictorial language.
He processed his impressions into autonomous, organically proliferating forms based on intensive study of nature. Many of his works are characterised by horizontal and vertical axes on the one hand and "knob-like" protrusions on the other. His main materials were stone, bronze and concrete. Fehrenbach took his motifs from mythology and religion.
Barbara Hepworth was an English artist and sculptor. Her work exemplifies Modernism and in particular modern sculpture. Along with artists such as Ben Nicholson and Naum Gabo, Hepworth was a leading figure in the colony of artists who resided in St Ives during the Second World War.
William Turnbull was a Scottish artist.
Kurt Hermann Eduard Karl Julius Schwitters was a German artist who was born in Hanover, Germany.
Schwitters worked in several genres and media, including dadaism, constructivism, surrealism, poetry, sound, painting, sculpture, graphic design, typography, and what came to be known as installation art. He is most famous for his collages, called Merz Pictures.
Jacques Lipchitz was a Cubist sculptor. Lipchitz retained highly figurative and legible components in his work leading up to 1915-16, after which naturalist and descriptive elements were muted, dominated by a synthetic style of Crystal Cubism. In 1920 Lipchitz held his first solo exhibition, at Léonce Rosenberg's Galerie L'Effort Moderne in Paris. Fleeing the Nazis he moved to the US and settled in New York City and eventually Hastings-on-Hudson.
Robert Motherwell was an American artist and painter, renowned for his significant contributions to the Abstract Expressionism movement. Born in Aberdeen, Washington, in 1915, Motherwell's work is celebrated for its expressive use of form and color, which he utilized to convey deep emotional and philosophical themes. His approach to art was both intellectual and deeply personal, making him a pivotal figure in 20th-century art.
Motherwell's dedication to exploring the relationship between philosophy, literature, and visual art set him apart from his contemporaries. He was not just an artist but also an articulate spokesman for the Abstract Expressionist movement, emphasizing the importance of spontaneity and the expression of the subconscious. His series "Elegies to the Spanish Republic" is among his most famous works, exemplifying his skill in using black and white to evoke powerful emotions and reflections on human tragedy and resilience.
His art is held in high esteem worldwide, with pieces displayed in major museums and galleries, including the Museum of Modern Art (MoMA) in New York and the Tate Modern in London. Motherwell's ability to blend abstract elements with profound thematic content has made his work enduringly relevant to both collectors and scholars in the fields of art and antiques.
For those keen on delving deeper into the world of modern art and Abstract Expressionism, Robert Motherwell's oeuvre offers a rich vein of exploration. His works not only encapsulate the dynamism and innovation of mid-20th-century American art but also provide insight into the intellectual and emotional depths from which they sprang. To stay informed about new sales and auction events related to Robert Motherwell, sign up for our updates. This subscription is a gateway to the vibrant and evolving market of art collecting, ensuring you never miss an opportunity to engage with the legacy of this monumental artist.
Jacques Lipchitz was a Cubist sculptor. Lipchitz retained highly figurative and legible components in his work leading up to 1915-16, after which naturalist and descriptive elements were muted, dominated by a synthetic style of Crystal Cubism. In 1920 Lipchitz held his first solo exhibition, at Léonce Rosenberg's Galerie L'Effort Moderne in Paris. Fleeing the Nazis he moved to the US and settled in New York City and eventually Hastings-on-Hudson.
Jacques Lipchitz was a Cubist sculptor. Lipchitz retained highly figurative and legible components in his work leading up to 1915-16, after which naturalist and descriptive elements were muted, dominated by a synthetic style of Crystal Cubism. In 1920 Lipchitz held his first solo exhibition, at Léonce Rosenberg's Galerie L'Effort Moderne in Paris. Fleeing the Nazis he moved to the US and settled in New York City and eventually Hastings-on-Hudson.
Lesser Ury was a German painter of the late nineteenth and first third of the twentieth centuries of Jewish origin. He is known as an impressionist painter, graphic artist and printmaker, a representative of the Düsseldorf school of painting.
Ury painted rural and urban landscapes, still lifes and monumental paintings on biblical themes. His works depicting the streets of Berlin and views of Brandenburg are particularly notable. Ury mastered both oil colors, creating floral paintings and urban scenes, and pastels, conveying an atmosphere of air and light in landscapes.
