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Andreas von Weizsäcker is a German artist. He comes from a prominent family in Germany, with his father being the former President of Germany, Richard von Weizsäcker.
Andreas von Weizsäcker's work focuses on the intersection of art and technology, and he is particularly interested in exploring the use of light and sound in his installations. He often incorporates technology such as computers, sensors, and video projections into his works to create immersive experiences for viewers.
Some of his notable installations include "Sound and Space" at the ZKM Center for Art and Media in Karlsruhe, Germany, and "Platon's Cave" at the Akademie der Künste in Berlin. He has also exhibited his work at various galleries and museums throughout Europe and the United States.
In addition to his work as an artist, Andreas von Weizsäcker is also a professor of Media Art at the Karlsruhe University of Arts and Design.
Andreas von Weizsäcker is a German artist. He comes from a prominent family in Germany, with his father being the former President of Germany, Richard von Weizsäcker.
Andreas von Weizsäcker's work focuses on the intersection of art and technology, and he is particularly interested in exploring the use of light and sound in his installations. He often incorporates technology such as computers, sensors, and video projections into his works to create immersive experiences for viewers.
Some of his notable installations include "Sound and Space" at the ZKM Center for Art and Media in Karlsruhe, Germany, and "Platon's Cave" at the Akademie der Künste in Berlin. He has also exhibited his work at various galleries and museums throughout Europe and the United States.
In addition to his work as an artist, Andreas von Weizsäcker is also a professor of Media Art at the Karlsruhe University of Arts and Design.
Franz Radziwill was a German artist of the twentieth century. He is known as a landscape painter, graphic artist and printmaker associated with the artistic movement of "new materiality".
Franz Radziwill created paintings that are characterized by careful elaboration and the use of glaze techniques borrowed from the Old Masters. He used elements of industrial buildings and modern technology, including ships and airplanes, in his landscapes. The results of his work can be categorized as magical realism.
In 1933 Radziwill became professor of painting at the Düsseldorf Academy of Art, but in 1935 the Nazis stripped him of this position, declaring his work degenerate art.
