gold order
Carl Fabergé (Russian: Карл Гу́ставович Фаберже́) was a 19th- and 20th-century Russian jeweler, entrepreneur, and artist of German descent. He ran a family jewelry company for almost 50 years, which became world-famous for its products - Easter eggs made of precious metals, stones, and enamel.
Carl Fabergé met the Russian Emperor Alexander III at the All-Russian Exhibition in Moscow in 1882, which was a landmark event in the jeweler's career. The emperor ordered an Easter egg from the master for his wife, which the empress loved. From this moment on Fabergé, who became the jeweller to the Court, became responsible for the annual production of Easter eggs for the imperial court. Members of the imperial family also ordered jewelry from Fabergé for their many European relatives. This turned the Fabergé family company into one of the leaders of the world jewelry market.
Fabergé produced not only high-end jewelry products, but also items for the average buyer. In 2005, at Sotheby's in New York, several stone figurines were sold for $850,000 to $1,800,000.
Charles Le Bastier, son of a Paris mercer of the same name, was apprenticed on 3 October 1738 at the age of 14, to Gabriel Vougny, marchand-orfèvre-joaillier. With the sponsorship of Jean Moynat, himself a noted gold box maker, Le Bastier became master goldsmith on 20 December 1754. He worked from the same premises in the rue Thévenot, near the rue St-Denis, until last recorded in 1783. Le Bastier was a successful and prolific maker of gold boxes who also supplied other retailers such as Jean-François Garand and Grancher of Du Petit Dunkerque, whose name or shop name appear engraved on the rims of several of Le Bastier's boxes. In the special tax list of 1774, he was listed 9th in order of the importance of his business. Since a number of Le Bastier's boxes survive in various collections (most notably in the Louvre and the Thurn und Taxis Museum, Regensburg), it is possible to trace the progression of his work from the earliest silver boxes with coloured gold ornament through a series of richly chased but comparatively plain gold boxes to the almost immediately recognisable gold and enamel boxes of his maturity.
