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Ben Nicholson, an English artist, is celebrated for his significant contributions to abstract art. Born into an artistic family, Nicholson's work evolved from figurative art to embrace and lead in the development of abstract art in Britain. His early career was marked by experimentation with Cubism and interaction with influential artists like Barbara Hepworth, Henry Moore, Piet Mondrian, and Pablo Picasso, which profoundly shaped his artistic direction.
Nicholson's art is notable for its sensitive balance of tone and texture, employing dynamic and rhythmic lines that abstractly reference architectural forms and societal structures. His technique involved meticulous carving, painting, and the innovative use of color, especially in his later works where he explored the interplay of light and form to create poetic, abstract landscapes. His contributions were not just confined to his own practice; through collaborative projects and influential writings, he played a pivotal role in the discourse of modernist art, advocating for abstract art's broader appreciation.
Noteworthy pieces of Nicholson's work, including "March 1963 (Archimedes)" and "June 1961 (green goblet and blue square)," among others, are housed in prestigious collections like the Tate Gallery, Tate St Ives, Kettle's Yard Art Gallery in Cambridge, The Hepworth Wakefield, Pallant House Gallery in Chichester, and the Pier Arts Centre in Stromness, Orkney.
Nicholson's legacy as a pioneer of abstract art in the UK is secured through his innovative approaches and influential partnerships, which have left an indelible mark on the landscape of 20th-century art. His work continues to inspire and resonate, reflecting a deep understanding of the abstract's power to express the complexities of human experience and the natural world.
For collectors and experts in art and antiques interested in the pivotal movements of 20th-century art, Ben Nicholson's oeuvre offers a rich field of study and appreciation. To stay updated on new product sales and auction events related to Ben Nicholson's work, signing up for updates is a step towards deepening your understanding and appreciation of this key figure in modernist art.
Master of the Troyes Missal de Troyes was a French book illustrator who worked in Troyes in the mid-15th century.
The artist got his name from the missal (liturgical book) he illustrated, which is now preserved in Paris. The master is considered one of Troyes' most brilliant illustrators circa 1450. Contemporaries described him as "the most prominent figure in Troyes' illuminations of the mid-15th century. Troyes was the main center of book production in Champagne during the second half of the 15th century, when the region's lavish manuscripts made it an alternative to Paris, and the master of Troyes books was the most sought-after artist in that city. The widespread demand among devout laymen for the Book of Hours (the most popular liturgical text of the Middle Ages) brought the Troyes master many commissions.
Elegantly elongated figures with flat faces, richly brocaded tapestries, and checkered green floors are hallmarks of the artist's work.
Isaac Newton was an English mathematician, physicist, astronomer, alchemist, theologian, and author (described in his time as a "natural philosopher"), widely recognised as one of the greatest mathematicians and physicists and among the most influential scientists of all time. He was a key figure in the philosophical revolution known as the Enlightenment. His book Philosophiæ Naturalis Principia Mathematica (Mathematical Principles of Natural Philosophy), first published in 1687, established classical mechanics. Newton also made seminal contributions to optics, and shares credit with German mathematician Gottfried Wilhelm Leibniz for developing infinitesimal calculus.
In the Principia, Newton formulated the laws of motion and universal gravitation that formed the dominant scientific viewpoint until it was superseded by the theory of relativity. Newton used his mathematical description of gravity to derive Kepler's laws of planetary motion, account for tides, the trajectories of comets, the precession of the equinoxes and other phenomena, eradicating doubt about the Solar System's heliocentricity. He demonstrated that the motion of objects on Earth and celestial bodies could be accounted for by the same principles. Newton's inference that the Earth is an oblate spheroid was later confirmed by the geodetic measurements of Maupertuis, La Condamine, and others, convincing most European scientists of the superiority of Newtonian mechanics over earlier systems.
