king of saxony
Pietro Antonio Rotari was an Italian painter born in Verona on September 30, 1707. His early artistic development was influenced by his studies under Antonio Balestra and later Francesco Trevisani and Francesco Solimena in Rome and Naples. Rotari's style evolved from history painting to focus primarily on portraitures, particularly of women, which garnered him significant acclaim.
Rotari's career spanned various European cities, with significant periods in Venice, Rome, and eventually Saint Petersburg, Russia, where he was invited by Empress Elizabeth in 1756 to become a court painter. His works are known for their emotional depth and the delicate portrayal of his subjects, often depicted in elegant, idealized manners that emphasized expressions of melancholy, surprise, or joy.
Many of Rotari's most celebrated works are portraits of young women in ethnic or regional costumes, displaying a range of subtle emotions. These works, often referred to as "character heads," are notable examples of his contribution to the rococo style, blending Italian artistry with international elements. His paintings are housed in several prominent collections, including the Cabinet of the Muses at Peterhof in Russia.
For those interested in the works and legacy of Pietro Antonio Rotari, particularly collectors and art historians, staying informed about exhibitions and auctions can enhance appreciation and opportunities to acquire his art. Sign up for updates on new sales and auction events featuring Rotari's works.
Caspar Netscher was a Dutch painter of the Golden Age of Dutch painting, known for his portraits. Netscher chose subjects from the life of the Dutch elegant and wealthy class; he painted many small portraits - mostly of women; some of them historical. After spending some time in Paris, he painted several persons belonging to the court of Louis XIV. In addition to the above-mentioned usual subjects, he depicted sometimes historical and biblical scenes.
Caspar Netscher's paintings were kept in many art galleries: in the Louvre, Amsterdam, Florence, in several private collections in England and in many other places. In the Hermitage at the beginning of the 20th century there were six of his paintings, including a portrait of the artist himself and a portrait of Mary Stuart, painted in 1683; today only two works have survived.
