literature abroad
Jacopo Filippo di Bergamo, or Giacomo Filippo Forèsti (Latin: Iacobus Philippus Bergomensis) was an Italian Augustinian monk, theologian and chronicler.
Jacopo di Bergamo was born into a noble family, received his ecclesiastical education at the local monastery, and early showed a penchant for literary work. After traveling in Europe, he took the tonsure and was abbot of monasteries, engaged in their improvement.
He is known as the author of a number of significant early printed works, a chronicler and biblical scholar. His Supplementum chronicarum (1483) is a universal chronicle that survived many subsequent editions. And De claris mulieribus, published in 1497, contains the first account of the voyage of the discoverer Columbus.
Joseph Mallord William Turner, a seminal figure in British painting, was born in 1775 and left an indelible mark on the Romantic movement. Known for his expressive coloration, imaginative landscapes, and turbulent marine paintings, Turner's work transcends the traditional boundaries of art to capture the sublime force of nature. His career was distinguished by early talent, evidenced by his acceptance into the Royal Academy at the young age of 14, and a prolific output that included over 2,000 paintings and 19,000 drawings and sketches.
William Turner's unique approach to landscape painting, characterized by dramatic skies and atmospheric effects, set a new standard for capturing mood and emotion on canvas. His innovative use of light and color influenced countless artists, elevating landscape painting to rival the status of history painting. Turner's legacy is also marked by his eccentricity and reclusiveness, traits that only added to the mystique surrounding his artistic genius.
Among his most famous works are "The Fighting Temeraire," symbolizing the passing of the old world, and "Rain, Steam and Speed," capturing the Industrial Revolution's impact. These paintings not only showcase William Turner's technical skill but also his philosophical engagement with the changing world around him.
For collectors and experts in art and antiques, William Turner's works represent the pinnacle of Romantic art, offering insight into the 19th-century aesthetic and philosophical landscape. His influence on subsequent generations of artists underscores his position as a pivotal figure in the history of Western art.
To stay informed about Joseph Mallord William Turner's works and related events, signing up for updates from reputable art institutions can provide valuable insights into new discoveries and auction events related to this master of the British landscape.
John Singer Sargent was an American artist celebrated for his captivating portraits, which mirrored the luxury of the Edwardian era. Born to American parents in Florence, Italy, Sargent was a well-traveled individual, fluent in multiple languages, and exposed to European art from a young age. His early artistic training came under the tutelage of Carolus-Duran in Paris, which significantly influenced his style and approach to art. Sargent's work, characterized by its striking realism and attention to detail, gained international acclaim, especially among the aristocracy in England and the United States.
Noteworthy is John Singer Sargent's "Carnation, Lily, Lily, Rose," a piece that, after its display at the Royal Academy in 1887, solidified his status in the London art scene. This painting, along with many others, showcases his ability to capture the essence of his subjects, earning him numerous commissions from prominent figures of his time. However, by the early 20th century, Sargent shifted his focus to watercolors and murals, seeking respite from the demands of portrait commissions. His mural works, like those for the Boston Public Library, highlight his versatility and commitment to art beyond portraiture.
For collectors and art experts, understanding John Singer Sargent's journey—from his early days in Florence and Paris to his ultimate success as a portraitist and muralist—offers valuable insights into his artistic evolution and the historical context of his work. His pieces, housed in prestigious institutions worldwide, continue to captivate audiences with their elegance and technical prowess.
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Peter Brüning was an internationally renowned German modernist painter and sculptor. His works of the 1950s can be classified as Informel.
Xu Beihong (Chinese: 徐悲鴻; Wade–Giles: Hsü Pei-hung; 19 July 1895 – 26 September 1953), also known as Ju Péon, was a Chinese painter.
He was primarily known for his Chinese ink paintings of horses and birds and was one of the first Chinese artists to articulate the need for artistic expressions that reflected a modern China at the beginning of the 20th century. He was also regarded as one of the first to create monumental oil paintings with epic Chinese themes – a show of his high proficiency in an essential Western art technique. He was one of the four pioneers of Chinese modern art who earned the title of "The Four Great Academy Presidents".
Xu Beihong (Chinese: 徐悲鴻; Wade–Giles: Hsü Pei-hung; 19 July 1895 – 26 September 1953), also known as Ju Péon, was a Chinese painter.
He was primarily known for his Chinese ink paintings of horses and birds and was one of the first Chinese artists to articulate the need for artistic expressions that reflected a modern China at the beginning of the 20th century. He was also regarded as one of the first to create monumental oil paintings with epic Chinese themes – a show of his high proficiency in an essential Western art technique. He was one of the four pioneers of Chinese modern art who earned the title of "The Four Great Academy Presidents".
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Qi Baishi was a Chinese painter, noted for the whimsical, often playful style of his works. Born to a peasant family from Xiangtan, Hunan, Qi taught himself to paint, sparked by the Manual of the Mustard Seed Garden. After he turned 40, he traveled, visiting various scenic spots in China. After 1917 he settled in Beijing. Some of Qi's major influences include the early Qing dynasty painter Bada Shanren (八大山人) and the Ming dynasty artist Xu Wei (徐渭).
The subjects of his paintings include almost everything, commonly animals, scenery, figures, toys, vegetables, and so on. He theorized that "paintings must be something between likeness and unlikeness, much like today's vulgarians, but not like to cheat popular people". In his later years, many of his works depict mice, shrimp or birds. He was also good at seal carving and called himself "the rich man of three hundred stone seals" (三百石印富翁). In 1953, he was elected president of the China Artists Association (中國美術家協會).
Xu Beihong (Chinese: 徐悲鴻; Wade–Giles: Hsü Pei-hung; 19 July 1895 – 26 September 1953), also known as Ju Péon, was a Chinese painter.
He was primarily known for his Chinese ink paintings of horses and birds and was one of the first Chinese artists to articulate the need for artistic expressions that reflected a modern China at the beginning of the 20th century. He was also regarded as one of the first to create monumental oil paintings with epic Chinese themes – a show of his high proficiency in an essential Western art technique. He was one of the four pioneers of Chinese modern art who earned the title of "The Four Great Academy Presidents".
Xu Beihong (Chinese: 徐悲鴻; Wade–Giles: Hsü Pei-hung; 19 July 1895 – 26 September 1953), also known as Ju Péon, was a Chinese painter.
He was primarily known for his Chinese ink paintings of horses and birds and was one of the first Chinese artists to articulate the need for artistic expressions that reflected a modern China at the beginning of the 20th century. He was also regarded as one of the first to create monumental oil paintings with epic Chinese themes – a show of his high proficiency in an essential Western art technique. He was one of the four pioneers of Chinese modern art who earned the title of "The Four Great Academy Presidents".
Xu Beihong (Chinese: 徐悲鴻; Wade–Giles: Hsü Pei-hung; 19 July 1895 – 26 September 1953), also known as Ju Péon, was a Chinese painter.
He was primarily known for his Chinese ink paintings of horses and birds and was one of the first Chinese artists to articulate the need for artistic expressions that reflected a modern China at the beginning of the 20th century. He was also regarded as one of the first to create monumental oil paintings with epic Chinese themes – a show of his high proficiency in an essential Western art technique. He was one of the four pioneers of Chinese modern art who earned the title of "The Four Great Academy Presidents".
Qi Baishi was a Chinese painter, noted for the whimsical, often playful style of his works. Born to a peasant family from Xiangtan, Hunan, Qi taught himself to paint, sparked by the Manual of the Mustard Seed Garden. After he turned 40, he traveled, visiting various scenic spots in China. After 1917 he settled in Beijing. Some of Qi's major influences include the early Qing dynasty painter Bada Shanren (八大山人) and the Ming dynasty artist Xu Wei (徐渭).
The subjects of his paintings include almost everything, commonly animals, scenery, figures, toys, vegetables, and so on. He theorized that "paintings must be something between likeness and unlikeness, much like today's vulgarians, but not like to cheat popular people". In his later years, many of his works depict mice, shrimp or birds. He was also good at seal carving and called himself "the rich man of three hundred stone seals" (三百石印富翁). In 1953, he was elected president of the China Artists Association (中國美術家協會).
Mary Stevenson Cassatt was an influential American painter and printmaker known for her pivotal role in the Impressionist movement. Born on May 22, 1844, in Allegheny City, Pennsylvania, Cassatt spent much of her adult life in France, where she formed a significant professional relationship with Edgar Degas and exhibited with other Impressionists. Despite her family's initial reluctance, Cassatt pursued art from a young age, attending the Pennsylvania Academy of the Fine Arts at fifteen and later moving to Paris to continue her education under private tutors, including the renowned Jean-Léon Gérôme.
Cassatt's art mainly focused on women and children, encapsulating intimate moments with a profound sense of dignity and depth. Her works, such as "The Boating Party" and "Mother and Child," showcase her skill in portraying the nuanced interactions of everyday life. Cassatt's technique evolved from the light brushstrokes of early Impressionism to a more structured form, emphasizing solid figures and clear contours.
A prominent figure not just in art but also in art advocacy, Cassatt was instrumental in advising American collectors, including the Havemeyers, which helped enrich public and private American art collections significantly. Despite challenges related to her gender and later, her failing eyesight, Cassatt's contributions to art remain influential, reflecting her unique perspective and unyielding dedication to Impressionism.
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John White Alexander was an American portrait, figure, and decorative painter and illustrator.
Canaletto, born Giovanni Antonio Canal, was an illustrious Italian painter celebrated for his masterful cityscapes, particularly of Venice and London. Emerging as a topographical painter after 1719, Canaletto became renowned for his detailed and atmospheric views, known as vedute, which captured the essence of Venice and London with a unique blend of accuracy and artistic embellishment. Despite using a camera obscura to achieve precision in his architectural details, Canaletto often infused his paintings with creative adjustments to enhance their appeal.
His early works, such as "The Stonemason's Yard," are particularly prized for their vivid portrayal of Venice's daily life and architectural beauty. Canaletto's paintings were highly sought after by English aristocrats during their Grand Tours, leading him to spend a significant period in England, where he continued to produce esteemed works capturing the English landscape and urban scenes.
Despite his international success, Canaletto's work was less appreciated in his native Venice during his lifetime, only gaining broader recognition and appreciation in later years. His legacy, however, has had a lasting impact on landscape painting, influencing future generations of artists.
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Ilya Yefimovich Repin (Russian: Илья Ефимович Репин) was a preeminent Russian artist, celebrated for his profound influence on the world of art, particularly painting. Born in 1844 in the Russian Empire, Repin distinguished himself as a pivotal figure in bringing Russian art to the forefront of the European scene. His works, characterized by their vivid realism and profound emotional depth, offer a window into the cultural, social, and historical landscapes of 19th-century Russia.
Repin's oeuvre is a testament to his exceptional skill in capturing the essence of his subjects, ranging from the peasantry to the elite, and his commitment to portraying the Russian spirit. His paintings, such as "Barge Haulers on the Volga" and "Ivan the Terrible and His Son Ivan," are lauded for their meticulous detail, dynamic compositions, and the way they convey powerful narratives and emotions. These masterpieces are housed in prestigious museums and galleries worldwide, including the State Russian Museum and the Tretyakov Gallery, affirming Repin's enduring legacy in the annals of art history.
For collectors and experts in art and antiques, Repin's works represent not only significant cultural and historical value but also a deep emotional resonance that transcends time. His ability to intertwine the beauty and tragedy of human experience with the rich tapestry of Russian culture makes his art a compelling exploration for enthusiasts and scholars alike. To stay informed about new product sales and auction events related to Ilya Yefimovich Repin, we invite you to sign up for updates. This subscription is a gateway to exclusive insights and opportunities in the realm of art and antiques, focusing solely on Repin's illustrious work.
Washington Irving was an American Romantic writer, historian, and diplomat.
Irving has been called "the first American writer" to be recognized in Europe. In 1815, he traveled to England on family business. A huge success in England and the United States was The Sketch Book, published in several installments during 1819-1820, which contained two of the author's most famous works, Rip Van Winkle and The Legend of Sleepy Hollow, and which made him a literary star in both England and the United States.
He continued his literary endeavors and worked at the U.S. Embassy of Great Britain. Returning to the United States in 1832, Irving visited some little-known territories near the western fringes of the country, and this journey inspired his works Journey on the Prairie (1835), Astoria (1836), and The Adventures of Captain Bonneville (1837). Late in life he published several historical and biographical works, including the five-volume Life of George Washington (1855-1859).
Joseph Mallord William Turner, a seminal figure in British painting, was born in 1775 and left an indelible mark on the Romantic movement. Known for his expressive coloration, imaginative landscapes, and turbulent marine paintings, Turner's work transcends the traditional boundaries of art to capture the sublime force of nature. His career was distinguished by early talent, evidenced by his acceptance into the Royal Academy at the young age of 14, and a prolific output that included over 2,000 paintings and 19,000 drawings and sketches.
William Turner's unique approach to landscape painting, characterized by dramatic skies and atmospheric effects, set a new standard for capturing mood and emotion on canvas. His innovative use of light and color influenced countless artists, elevating landscape painting to rival the status of history painting. Turner's legacy is also marked by his eccentricity and reclusiveness, traits that only added to the mystique surrounding his artistic genius.
Among his most famous works are "The Fighting Temeraire," symbolizing the passing of the old world, and "Rain, Steam and Speed," capturing the Industrial Revolution's impact. These paintings not only showcase William Turner's technical skill but also his philosophical engagement with the changing world around him.
For collectors and experts in art and antiques, William Turner's works represent the pinnacle of Romantic art, offering insight into the 19th-century aesthetic and philosophical landscape. His influence on subsequent generations of artists underscores his position as a pivotal figure in the history of Western art.
To stay informed about Joseph Mallord William Turner's works and related events, signing up for updates from reputable art institutions can provide valuable insights into new discoveries and auction events related to this master of the British landscape.
