monte-plats
Hans Platschek was a German artist, art critic and writer.
Hans Platschek gained recognition as an artist of Tachism or Informel. But by the time the abstract, automatic art of Informel had gained international recognition, he had already shown an interest in the new figuration. He was fiercely critical of pop art as 'consumer art'.
Placzek's essays, which only on the surface appear to be polemical, made him a household name among the art interested public outside Germany from the 1960s onwards. Even today many connoisseurs consider his texts to be of great freshness and clarity.
Hans Platschek was a German artist, art critic and writer.
Hans Platschek gained recognition as an artist of Tachism or Informel. But by the time the abstract, automatic art of Informel had gained international recognition, he had already shown an interest in the new figuration. He was fiercely critical of pop art as 'consumer art'.
Placzek's essays, which only on the surface appear to be polemical, made him a household name among the art interested public outside Germany from the 1960s onwards. Even today many connoisseurs consider his texts to be of great freshness and clarity.
Hans Platschek was a German artist, art critic and writer.
Hans Platschek gained recognition as an artist of Tachism or Informel. But by the time the abstract, automatic art of Informel had gained international recognition, he had already shown an interest in the new figuration. He was fiercely critical of pop art as 'consumer art'.
Placzek's essays, which only on the surface appear to be polemical, made him a household name among the art interested public outside Germany from the 1960s onwards. Even today many connoisseurs consider his texts to be of great freshness and clarity.
Hans Platschek was a German artist, art critic and writer.
Hans Platschek gained recognition as an artist of Tachism or Informel. But by the time the abstract, automatic art of Informel had gained international recognition, he had already shown an interest in the new figuration. He was fiercely critical of pop art as 'consumer art'.
Placzek's essays, which only on the surface appear to be polemical, made him a household name among the art interested public outside Germany from the 1960s onwards. Even today many connoisseurs consider his texts to be of great freshness and clarity.
Hans Platschek was a German artist, art critic and writer.
Hans Platschek gained recognition as an artist of Tachism or Informel. But by the time the abstract, automatic art of Informel had gained international recognition, he had already shown an interest in the new figuration. He was fiercely critical of pop art as 'consumer art'.
Placzek's essays, which only on the surface appear to be polemical, made him a household name among the art interested public outside Germany from the 1960s onwards. Even today many connoisseurs consider his texts to be of great freshness and clarity.
Hans Platschek was a German artist, art critic and writer.
Hans Platschek gained recognition as an artist of Tachism or Informel. But by the time the abstract, automatic art of Informel had gained international recognition, he had already shown an interest in the new figuration. He was fiercely critical of pop art as 'consumer art'.
Placzek's essays, which only on the surface appear to be polemical, made him a household name among the art interested public outside Germany from the 1960s onwards. Even today many connoisseurs consider his texts to be of great freshness and clarity.
![MONTREUX, Nicolas de dit Ollenis du Mont-Sacré (1561-1610). Les Bergeries de Julliette. [relié avec] Le Premier livre des Bergeries de Julliette. Tours : George Drobet, 1592 [relié avec] Athlette pastourelle ou fable bocagère. Tours :](/assets/image/picture_1320974/491f9/18bf081fa204c08569f32fefb7c6bf5e1616454000jpg__fix_374_244.jpeg)
![MONTREUX, Nicolas de dit Ollenis du Mont-Sacré (1561-1610). Les Bergeries de Julliette. [relié avec] Le Premier livre des Bergeries de Julliette. Tours : George Drobet, 1592 [relié avec] Athlette pastourelle ou fable bocagère. Tours :](https://veryimportantlot.com/assets/image/picture_1320974/491f9/18bf081fa204c08569f32fefb7c6bf5e1616454000jpg__fix_374_244.jpeg)
Taryn Simon is an American photographer. She is known for her conceptual photography, which explores themes of power, control, and the hidden structures that shape our world.
Simon's work often involves extensive research and collaboration with experts in various fields. Her photographs are often large-scale and meticulously composed, featuring subjects ranging from political figures and cultural icons to everyday objects and places.
Some of Simon's most famous projects include "An American Index of the Hidden and Unfamiliar," which documented hidden sites and organizations throughout the United States, and "Contraband," a series of photographs of items seized by customs officials at JFK International Airport.
Simon's work has been exhibited in major museums and galleries around the world, and she has received numerous awards and honors for her contributions to the field of photography. She continues to produce new work and is widely regarded as one of the most important photographers of her generation.
Ettore Sottsass was a 20th century Italian architect, noted for also designing furniture, jewellery, glass, lighting, home and office wares, as well as numerous buildings and interiors — often defined by bold colours.
Giovanni (Gio) Ponti was an Italian architect, industrial designer, furniture designer, artist, teacher, writer and publisher.
