moyen âge
![[POULLAIN DE LA BARRE, François (1647-1723)]](/assets/image/picture_3807235/adcf7/cc29dd598f58a7ee11d3eeba051f63d81710234000jpg__fix_374_244.jpeg)
![[POULLAIN DE LA BARRE, François (1647-1723)]](https://veryimportantlot.com/assets/image/picture_3807235/adcf7/cc29dd598f58a7ee11d3eeba051f63d81710234000jpg__fix_374_244.jpeg)
Jean Colombe was a French miniaturist and manuscript illustrator. He founded a dynasty of illuminators, including a son and grandson who continued his work even after his death.
Colombe is known to have decorated a large number of manuscripts. He was commissioned to illustrate both secular and religious texts, and he depicted scenes with many characters in elaborate architectural structures or landscapes. His illuminated manuscripts were decorated with gold or silver, brilliant colors, intricate drawings, or miniature images. Jean Colombe was patronized by Charlotte of Savoy, wife of Louis XI and a noted bibliophile. He illustrated manuscripts for the queen, her daughter Anne Beaujault, and members of the court. Colombe also entered the service of her nephew, Charles I, Duke of Savoy, who commissioned him to complete two unfinished manuscripts in his library: the magnificent Apocalypse of Jean Baptiste and Perronet Lamy and probably the most famous of all the Chapels, The Rich Estates of the Duke of Berry by the brothers de Limbourg.
Pierre Reymond was a French painter and enameler.
Reymond ran a large workshop in Limoges, where one of his apprentices was Pierre Court. He specialized in tableware decorated with mythological scenes, including cups, plates, bowls and platters.
Maurice Denis, a French painter and writer, was an influential figure in the transition from impressionism to modern art. Born on November 25, 1870, in Granville, France, Denis's artistic journey began at the Académie Julian in Paris. Here, he met future collaborators like Paul Sérusier and Pierre Bonnard, with whom he later formed the Nabis group, a collective deriving its name from the Hebrew word "Nabi," meaning "Prophet".
Denis's style evolved from neoimpressionism, influenced by artists like Seurat, to a more decorative and colorful approach under the influence of Gauguin. This shift is evident in works like "Taches du soleil sur la terrace" (1890). He famously stated, "Art is no longer a visual sensation... it is a creation of our spirit," highlighting his belief in art as an idealistic expression, transcending mere imitation of nature.
Denis was also impacted by Japanese art, which influenced his compositions and styles, contributing to his unique and recognizable approach. His philosophy on art, encapsulated in his 1890 essay published in "Art et Critique," emphasized the importance of color and form in creating emotional depth, a notion that laid the groundwork for modernism. He argued that a painting's essence lies in its colors and composition, rather than its subject matter.
Throughout his career, Denis's work evolved towards a more classical approach. His involvement with the Ateliers d'Art Sacré, founded in 1919, demonstrated his interest in religious art and decoration. His notable works include "The Legend of Saint Hubert" (1897) and "The History of Music" for the Théâtre des Champs Elysées (1912-1913).
Tragically, Maurice Denis's life ended on November 13, 1943, when he was struck by a truck during the German occupation of Paris. However, his legacy endures through his contributions to modern art and symbolism, his influence on fellow artists, and his works displayed in various museums and galleries.
For collectors and art experts, Denis's work offers a unique glimpse into the evolution of modern art. His blend of symbolism, color, and form marks a significant shift in art history. To stay updated on new sales and auction events related to Maurice Denis's work, sign up for our newsletter. This subscription will keep you informed about the latest developments in the world of this remarkable artist.
