no. 147
Albrecht Dürer, born on May 21, 1471 in Nuremberg, Germany, is widely regarded as the greatest German Renaissance painter. His contribution to painting and engraving is quite significant and has left a notable mark on the art world. Dürer's early life was spent in Nuremberg, a city that played a crucial role in his development as an artist and was also the site of his death on April 6, 1528. He was the son of the goldsmith Albrecht Dürer the Elder, from whom he initially learned the basics of drawing and metalworking.
Dürer's work is characterized by a combination of Gothic elements with the emerging Renaissance style, which is evident in his woodcuts and engravings. His oeuvre encompasses many themes, including religious works, altarpieces, portraits, and self-portraits. His outstanding prints, such as The Knight, Death and the Devil (1513), St. Jerome in his Study (1514) and Melencolia I (1514), are known for their intricate detail and artistic skill. Dürer was also one of the earliest European landscape painters, as evidenced by his watercolor paintings.
Equally significant are his theoretical writings on mathematics, perspective, and ideal proportions in art. Dürer was not only an artist but also a keen intellectual, his interests encompassing various aspects of culture and science. He served as court painter to Holy Roman Emperors Maximilian I and Charles V, completing several significant art projects for them. Dürer's keen mind and versatile interests brought him into contact with the most prominent figures of his time, including theologians and scientists of the Reformation era.
Dürer's self-portraits are particularly famous, demonstrating not only his artistic skill but also his self-awareness and personal style. These portraits attest to his growing success and confidence as an artist. Dürer's legacy is immense; he influenced not only the art of his time, but also left an indelible mark on the history of European art.
For those interested in the work and legacy of Albrecht Dürer, we recommend subscribing to our updates. Our subscription service is designed to provide information about new sales and auction events related to this remarkable artist. Join us to keep up to date on the latest art and antiques related to Albrecht Dürer.
Lucas Cranach the Elder was a pivotal figure in German Renaissance art. As a leading painter of Saxony, his influence spanned across the 16th century, making significant contributions through his paintings, woodcuts, and engravings. His artistic journey began under the tutelage of his father, Hans Maler, and saw him becoming court painter to the Elector of Saxony, where he produced a vast array of works including altarpieces, court portraits, and notably, portraits of Protestant Reformers.
Cranach's artistry was not confined to any single genre. He was renowned for his portraits of the aristocracy, deeply symbolic religious paintings, and engaging mythological scenes. His ability to capture the essence of the Protestant Reformation, notably through his portraits of Martin Luther, showcases his close connection to the movement and his role as a key figure in conveying its ideals through art.
A significant part of Cranach's legacy is his workshop in Wittenberg, which was a hub of artistic production. This workshop produced numerous works that bore his distinctive winged serpent signature, a mark of quality and innovation in the art of the period. Cranach's workshop was known for its efficient operation, enabling the production of a large volume of works that catered to the high demand of his time.
For collectors and experts in art and antiques, Lucas Cranach the Elder's work represents an intriguing intersection of art, culture, and history. His contributions to Renaissance art and his unique portrayal of religious and mythological themes continue to captivate audiences, making his work highly sought after in the world of art collection.
To explore more about Lucas Cranach the Elder's fascinating contributions to art and to stay updated on new discoveries or auction events related to his works, consider signing up for specialized updates. This subscription is designed for enthusiasts keen on delving deeper into the rich tapestry of Renaissance art and history, ensuring they remain well-informed of relevant sales and scholarly insights.
Mariotto Albertinelli, an Italian painter born in 1474, was a prominent figure in the High Renaissance, celebrated for his contribution to the Florentine school of painting. Albertinelli's work is distinguished by its adherence to the principles of the Renaissance, characterized by a profound appreciation for classical beauty, balanced compositions, and a deep engagement with religious themes.
Known for his collaboration with Fra Bartolommeo, Albertinelli's artistry was marked by a harmonious blend of spirituality and naturalism. His paintings are revered for their delicate handling of religious subjects, brought to life with vivid realism and emotional depth. This unique approach made him a pivotal figure in the evolution of Renaissance art, bridging the gap between the divine and the human.
Among his renowned works, the "Visitation of the Virgin Mary" stands out as a masterpiece, showcasing his skillful use of color and perspective to enhance the narrative. Albertinelli's contributions can be found in several prestigious museums and collections around the world, offering a testament to his enduring legacy.
For collectors and connoisseurs of art and antiques, Mariotto Albertinelli represents the quintessence of Renaissance artistry. His works not only capture the aesthetic ideals of his time but also reflect the cultural and spiritual aspirations of the era.
To delve deeper into the life and art of Mariotto Albertinelli and stay informed about upcoming exhibitions, sales, and auctions featuring his work, signing up for updates is essential. This subscription ensures that enthusiasts and collectors alike remain connected to the vibrant legacy of this Renaissance master, offering exclusive insights and opportunities to enhance their appreciation and collection.
Jan Gossaert was a French-speaking painter from the Low Countries also known as Jan Mabuse (the name he adopted from his birthplace, Maubeuge) or Jennyn van Hennegouwe (Hainaut), as he called himself when he matriculated in the Guild of Saint Luke, at Antwerp, in 1503. He was one of the first painters of Dutch and Flemish Renaissance painting to visit Italy and Rome, which he did in 1508–09, and a leader of the style known as Romanism, which brought elements of Italian Renaissance painting to the north, sometimes with a rather awkward effect. He achieved fame across at least northern Europe, and painted religious subjects, including large altarpieces, but also portraits and mythological subjects, including some nudity.
Jan Gossaert was a French-speaking painter from the Low Countries also known as Jan Mabuse (the name he adopted from his birthplace, Maubeuge) or Jennyn van Hennegouwe (Hainaut), as he called himself when he matriculated in the Guild of Saint Luke, at Antwerp, in 1503. He was one of the first painters of Dutch and Flemish Renaissance painting to visit Italy and Rome, which he did in 1508–09, and a leader of the style known as Romanism, which brought elements of Italian Renaissance painting to the north, sometimes with a rather awkward effect. He achieved fame across at least northern Europe, and painted religious subjects, including large altarpieces, but also portraits and mythological subjects, including some nudity.
Michelangelo di Lodovico Buonarroti Simoni, known simply as Michelangelo, was an Italian sculptor, painter, architect, and poet who played a significant role in the High Renaissance period. Born on March 6, 1475, in Caprese, Italy, Michelangelo's works are a testament to his mastery in various artistic realms, defining him as a quintessential Renaissance man.
Michelangelo's fame began early in his career, most notably with his sculptures "Pietà" (1499) and "David" (1501), both completed before he turned thirty. Despite his self-perception primarily as a sculptor, Michelangelo made an indelible mark in painting, particularly with the frescoes in the Sistine Chapel. These works include the scenes from Genesis on the chapel's ceiling and "The Last Judgment" on its altar wall, showcasing his innovative use of physical realism and psychological tension.
Among his most famous works, the "David" statue, now housed in the Accademia Gallery in Florence, and the "Pietà," located in St. Peter's Basilica, stand out for their intricate detail and emotional depth. Michelangelo's ability to imbue life into marble and his thoughtful consideration of light and shadow in painting were revolutionary. His techniques in fresco painting, such as the buon fresco method used in the Sistine Chapel, where he painted on wet plaster, were groundbreaking for their time.
Despite his temperamental nature, Michelangelo was deeply religious and dedicated to his art, often eschewing the use of assistants. His works were not only recognized and admired in Italy but also attracted attention from abroad, including the Ottoman Empire. Michelangelo's influence extended beyond his lifetime, significantly impacting the development of Mannerism and the Baroque style.
For art collectors and experts, Michelangelo's works remain a pinnacle of artistic achievement. His ability to blend realism with expressive physicality in both sculpture and painting set new standards in art. His works in major museums and galleries worldwide continue to inspire and awe viewers, reflecting the enduring legacy of his genius.
For those interested in the world of art and antiques, staying informed about Michelangelo's works and their influence on modern art is essential. To receive updates on new product sales and auction events related to Michelangelo, sign up for our newsletter. This subscription is an excellent opportunity for enthusiasts and experts alike to stay connected with the ongoing legacy of one of history's greatest artists.
Lucas Cranach the Elder was a pivotal figure in German Renaissance art. As a leading painter of Saxony, his influence spanned across the 16th century, making significant contributions through his paintings, woodcuts, and engravings. His artistic journey began under the tutelage of his father, Hans Maler, and saw him becoming court painter to the Elector of Saxony, where he produced a vast array of works including altarpieces, court portraits, and notably, portraits of Protestant Reformers.
Cranach's artistry was not confined to any single genre. He was renowned for his portraits of the aristocracy, deeply symbolic religious paintings, and engaging mythological scenes. His ability to capture the essence of the Protestant Reformation, notably through his portraits of Martin Luther, showcases his close connection to the movement and his role as a key figure in conveying its ideals through art.
A significant part of Cranach's legacy is his workshop in Wittenberg, which was a hub of artistic production. This workshop produced numerous works that bore his distinctive winged serpent signature, a mark of quality and innovation in the art of the period. Cranach's workshop was known for its efficient operation, enabling the production of a large volume of works that catered to the high demand of his time.
For collectors and experts in art and antiques, Lucas Cranach the Elder's work represents an intriguing intersection of art, culture, and history. His contributions to Renaissance art and his unique portrayal of religious and mythological themes continue to captivate audiences, making his work highly sought after in the world of art collection.
To explore more about Lucas Cranach the Elder's fascinating contributions to art and to stay updated on new discoveries or auction events related to his works, consider signing up for specialized updates. This subscription is designed for enthusiasts keen on delving deeper into the rich tapestry of Renaissance art and history, ensuring they remain well-informed of relevant sales and scholarly insights.
Nicolaus Copernicus (Polish: Mikołaj Kopernik) was a Polish and German scientist, astronomer, mathematician, mechanic, economist, and Renaissance canonist. He was the author of the heliocentric system of the world, which initiated the first scientific revolution.
Copernicus studied the humanities, including astronomy and astrology, at the University of Krakow and at the University of Bologna in Italy. Together with other astronomers, including Domenico Maria de Novara (1454-1504), he was engaged in observing the stars and planets, recording their movements and eclipses. At the time, medicine was closely related to astrology, as the stars were believed to influence the human body, and Copernicus also studied medicine at the University of Padua between 1501 and 1503.
Nicolaus Copernicus, based on his knowledge and observations, was the first to suggest that the Earth is a planet that not only revolves around the sun every year, but also rotates once a day on its axis. This was in the early 16th century when people believed the Earth to be the center of the universe. The scientist also suggested that the Earth's rotation explained the rising and setting of the Sun, the movement of the stars, and that the cycle of the seasons was caused by the Earth's rotation around itself. Finally, he correctly concluded that the Earth's motion in space causes the planets to move backwards across the night sky, the so-called retrograde direction.
Although Copernicus' model was not completely correct, it laid a solid foundation for future scientists, such as Galileo, who developed and improved mankind's understanding of the motion of celestial bodies. Copernicus completed the first manuscript of his book De Revolutionibus Orbium Coelestium (On the Rotation of the Celestial Spheres) in 1532. In it, the astronomer outlined his model of the solar system and the paths of the planets. However, he published the book only in 1543, just two months before his death, and dedicated it to Pope Paul III. Perhaps for this reason, and also because the subject matter was too difficult to understand, but the church did not finally ban the book until 1616.
Thomas More was a British lawyer, humanist philosopher, writer and statesman.
As the son of a London judge of the Royal High Court, Thomas studied at Oxford and then in London with the best lawyers. More also studied the works of the ancient classics, improved in Greek and Latin languages, composed his works. In 1497 More met and became friends with Erasmus of Rotterdam, became a member of his humanist circle.
In 1510-1518 Thomas More was deputy sheriff of London, and in 1517 entered the service of the king, becoming one of the most effective and trusted civil servants of Henry VIII. He acted as his secretary, interpreter, speech writer, chief diplomat, counselor, and confidant. He was knighted in 1521, became Speaker of the House of Commons in 1523, and in 1525. - Chancellor of the Duchy of Lancaster. Around 1515. More wrote The History of Richard III, and in 1516 he published his most significant work, Utopia, in which he described an imaginary ideal state.
Thomas More opposed the divorce of King Henry VIII from Catherine of Aragon and refused to recognize the king as the head of the Church of England, as required by the Act of Supremacy in 1534. For his refusal, he was beheaded in the Tower of London in 1535. 400 years later, in 1935 Thomas More was canonized by the Catholic Church, and in 1980 the Church of England recognized him as a "saint and hero of the Christian Church."
Lucas Cranach the Elder was a pivotal figure in German Renaissance art. As a leading painter of Saxony, his influence spanned across the 16th century, making significant contributions through his paintings, woodcuts, and engravings. His artistic journey began under the tutelage of his father, Hans Maler, and saw him becoming court painter to the Elector of Saxony, where he produced a vast array of works including altarpieces, court portraits, and notably, portraits of Protestant Reformers.
Cranach's artistry was not confined to any single genre. He was renowned for his portraits of the aristocracy, deeply symbolic religious paintings, and engaging mythological scenes. His ability to capture the essence of the Protestant Reformation, notably through his portraits of Martin Luther, showcases his close connection to the movement and his role as a key figure in conveying its ideals through art.
A significant part of Cranach's legacy is his workshop in Wittenberg, which was a hub of artistic production. This workshop produced numerous works that bore his distinctive winged serpent signature, a mark of quality and innovation in the art of the period. Cranach's workshop was known for its efficient operation, enabling the production of a large volume of works that catered to the high demand of his time.
For collectors and experts in art and antiques, Lucas Cranach the Elder's work represents an intriguing intersection of art, culture, and history. His contributions to Renaissance art and his unique portrayal of religious and mythological themes continue to captivate audiences, making his work highly sought after in the world of art collection.
To explore more about Lucas Cranach the Elder's fascinating contributions to art and to stay updated on new discoveries or auction events related to his works, consider signing up for specialized updates. This subscription is designed for enthusiasts keen on delving deeper into the rich tapestry of Renaissance art and history, ensuring they remain well-informed of relevant sales and scholarly insights.
Fra Bartolomeo was an Italian painter, a notable figure of the High Renaissance. Known for his religious artworks, Fra Bartolommeo's style was deeply influenced by his spiritual journey and association with the Dominican Order.
After receiving his early artistic training from Cosimo Rosselli, Bartolommeo's style initially exhibited influences from artists like Piero di Cosimo, Domenico Ghirlandaio, and Filippino Lippi. However, his encounter with Savonarola, a Dominican friar and reformer, in the late 1490s led to a significant spiritual transformation. This encounter influenced him to enter the Dominican monastery at San Domenico in Prato as a novice in 1500, and he temporarily renounced painting. It wasn't until 1504, when he resumed painting as the head of the monastery workshop, that his style saw a significant transformation.
In his works, Fra Bartolomeo beautifully integrated the styles of Leonardo da Vinci and Raphael, especially in his altarpieces, which are imbued with a sense of pietism reminiscent of Fra Angelico. His work is notable for the skilled massing of light and shade, richness in coloring, and delicate handling of drapery. The introduction and use of the lay-figure with joints in his compositions were innovations he is credited with. His masterpiece, St. Mark Evangelist, and the undraped figure of Saint Sebastian, are particularly noted for their expressive power.
Some of his notable works include "Vision of St. Bernard" (1507), "The Holy Family with John the Baptist," and "Virgin and Child with Saints." His art can be found in prestigious galleries, including the Pinacoteca Vaticana, Palazzo Pitti in Florence, and the National Gallery in London.
For art collectors and enthusiasts, Fra Bartolomeo's works represent a blend of spiritual depth and artistic innovation during the pinnacle of the Renaissance period. His legacy in religious art continues to inspire and captivate audiences worldwide.
To stay informed about exhibitions and sales featuring works of Fra Bartolomeo, sign up for updates to explore more about this master's contributions to Renaissance art.
Albrecht Dürer, born on May 21, 1471 in Nuremberg, Germany, is widely regarded as the greatest German Renaissance painter. His contribution to painting and engraving is quite significant and has left a notable mark on the art world. Dürer's early life was spent in Nuremberg, a city that played a crucial role in his development as an artist and was also the site of his death on April 6, 1528. He was the son of the goldsmith Albrecht Dürer the Elder, from whom he initially learned the basics of drawing and metalworking.
Dürer's work is characterized by a combination of Gothic elements with the emerging Renaissance style, which is evident in his woodcuts and engravings. His oeuvre encompasses many themes, including religious works, altarpieces, portraits, and self-portraits. His outstanding prints, such as The Knight, Death and the Devil (1513), St. Jerome in his Study (1514) and Melencolia I (1514), are known for their intricate detail and artistic skill. Dürer was also one of the earliest European landscape painters, as evidenced by his watercolor paintings.
Equally significant are his theoretical writings on mathematics, perspective, and ideal proportions in art. Dürer was not only an artist but also a keen intellectual, his interests encompassing various aspects of culture and science. He served as court painter to Holy Roman Emperors Maximilian I and Charles V, completing several significant art projects for them. Dürer's keen mind and versatile interests brought him into contact with the most prominent figures of his time, including theologians and scientists of the Reformation era.
Dürer's self-portraits are particularly famous, demonstrating not only his artistic skill but also his self-awareness and personal style. These portraits attest to his growing success and confidence as an artist. Dürer's legacy is immense; he influenced not only the art of his time, but also left an indelible mark on the history of European art.
For those interested in the work and legacy of Albrecht Dürer, we recommend subscribing to our updates. Our subscription service is designed to provide information about new sales and auction events related to this remarkable artist. Join us to keep up to date on the latest art and antiques related to Albrecht Dürer.
Albrecht Dürer, born on May 21, 1471 in Nuremberg, Germany, is widely regarded as the greatest German Renaissance painter. His contribution to painting and engraving is quite significant and has left a notable mark on the art world. Dürer's early life was spent in Nuremberg, a city that played a crucial role in his development as an artist and was also the site of his death on April 6, 1528. He was the son of the goldsmith Albrecht Dürer the Elder, from whom he initially learned the basics of drawing and metalworking.
Dürer's work is characterized by a combination of Gothic elements with the emerging Renaissance style, which is evident in his woodcuts and engravings. His oeuvre encompasses many themes, including religious works, altarpieces, portraits, and self-portraits. His outstanding prints, such as The Knight, Death and the Devil (1513), St. Jerome in his Study (1514) and Melencolia I (1514), are known for their intricate detail and artistic skill. Dürer was also one of the earliest European landscape painters, as evidenced by his watercolor paintings.
Equally significant are his theoretical writings on mathematics, perspective, and ideal proportions in art. Dürer was not only an artist but also a keen intellectual, his interests encompassing various aspects of culture and science. He served as court painter to Holy Roman Emperors Maximilian I and Charles V, completing several significant art projects for them. Dürer's keen mind and versatile interests brought him into contact with the most prominent figures of his time, including theologians and scientists of the Reformation era.
Dürer's self-portraits are particularly famous, demonstrating not only his artistic skill but also his self-awareness and personal style. These portraits attest to his growing success and confidence as an artist. Dürer's legacy is immense; he influenced not only the art of his time, but also left an indelible mark on the history of European art.
For those interested in the work and legacy of Albrecht Dürer, we recommend subscribing to our updates. Our subscription service is designed to provide information about new sales and auction events related to this remarkable artist. Join us to keep up to date on the latest art and antiques related to Albrecht Dürer.
Albrecht Dürer, born on May 21, 1471 in Nuremberg, Germany, is widely regarded as the greatest German Renaissance painter. His contribution to painting and engraving is quite significant and has left a notable mark on the art world. Dürer's early life was spent in Nuremberg, a city that played a crucial role in his development as an artist and was also the site of his death on April 6, 1528. He was the son of the goldsmith Albrecht Dürer the Elder, from whom he initially learned the basics of drawing and metalworking.
Dürer's work is characterized by a combination of Gothic elements with the emerging Renaissance style, which is evident in his woodcuts and engravings. His oeuvre encompasses many themes, including religious works, altarpieces, portraits, and self-portraits. His outstanding prints, such as The Knight, Death and the Devil (1513), St. Jerome in his Study (1514) and Melencolia I (1514), are known for their intricate detail and artistic skill. Dürer was also one of the earliest European landscape painters, as evidenced by his watercolor paintings.
Equally significant are his theoretical writings on mathematics, perspective, and ideal proportions in art. Dürer was not only an artist but also a keen intellectual, his interests encompassing various aspects of culture and science. He served as court painter to Holy Roman Emperors Maximilian I and Charles V, completing several significant art projects for them. Dürer's keen mind and versatile interests brought him into contact with the most prominent figures of his time, including theologians and scientists of the Reformation era.
Dürer's self-portraits are particularly famous, demonstrating not only his artistic skill but also his self-awareness and personal style. These portraits attest to his growing success and confidence as an artist. Dürer's legacy is immense; he influenced not only the art of his time, but also left an indelible mark on the history of European art.
For those interested in the work and legacy of Albrecht Dürer, we recommend subscribing to our updates. Our subscription service is designed to provide information about new sales and auction events related to this remarkable artist. Join us to keep up to date on the latest art and antiques related to Albrecht Dürer.
Estienne de la Roche, also known as Estienne de Villefranche, was a French mathematician.
He is known for having taught mathematics in Lyon for 25 years as a professor of mathematics. In 1520 he published the Arismatics, considered at the time the best reference book on algebra.
Lucas Cranach the Elder was a pivotal figure in German Renaissance art. As a leading painter of Saxony, his influence spanned across the 16th century, making significant contributions through his paintings, woodcuts, and engravings. His artistic journey began under the tutelage of his father, Hans Maler, and saw him becoming court painter to the Elector of Saxony, where he produced a vast array of works including altarpieces, court portraits, and notably, portraits of Protestant Reformers.
Cranach's artistry was not confined to any single genre. He was renowned for his portraits of the aristocracy, deeply symbolic religious paintings, and engaging mythological scenes. His ability to capture the essence of the Protestant Reformation, notably through his portraits of Martin Luther, showcases his close connection to the movement and his role as a key figure in conveying its ideals through art.
A significant part of Cranach's legacy is his workshop in Wittenberg, which was a hub of artistic production. This workshop produced numerous works that bore his distinctive winged serpent signature, a mark of quality and innovation in the art of the period. Cranach's workshop was known for its efficient operation, enabling the production of a large volume of works that catered to the high demand of his time.
For collectors and experts in art and antiques, Lucas Cranach the Elder's work represents an intriguing intersection of art, culture, and history. His contributions to Renaissance art and his unique portrayal of religious and mythological themes continue to captivate audiences, making his work highly sought after in the world of art collection.
To explore more about Lucas Cranach the Elder's fascinating contributions to art and to stay updated on new discoveries or auction events related to his works, consider signing up for specialized updates. This subscription is designed for enthusiasts keen on delving deeper into the rich tapestry of Renaissance art and history, ensuring they remain well-informed of relevant sales and scholarly insights.
