north-german painters
Paul Müller-Kaempff was a German painter, illustrator and lithographer. He is associated with the Düsseldorf school of painting.
Hans Peter Feddersen the Younger is a German painter, master of landscape and genre painting of Friesland.
Hermann Ottomar Herzog was a German-born American landscape painter. He represented the Dusseldorf School of painting and was a member of the Hudson River School. He quickly achieved commercial success and began to earn good money, which allowed him to travel a great deal.
Herman Herzog settled in the United States at the end of the 1860s. He devoted a considerable part of his work to his journey through the western states to California in 1873. He also frequently visited and worked in Maine and Florida.
Joseph Mallord William Turner, a seminal figure in British painting, was born in 1775 and left an indelible mark on the Romantic movement. Known for his expressive coloration, imaginative landscapes, and turbulent marine paintings, Turner's work transcends the traditional boundaries of art to capture the sublime force of nature. His career was distinguished by early talent, evidenced by his acceptance into the Royal Academy at the young age of 14, and a prolific output that included over 2,000 paintings and 19,000 drawings and sketches.
William Turner's unique approach to landscape painting, characterized by dramatic skies and atmospheric effects, set a new standard for capturing mood and emotion on canvas. His innovative use of light and color influenced countless artists, elevating landscape painting to rival the status of history painting. Turner's legacy is also marked by his eccentricity and reclusiveness, traits that only added to the mystique surrounding his artistic genius.
Among his most famous works are "The Fighting Temeraire," symbolizing the passing of the old world, and "Rain, Steam and Speed," capturing the Industrial Revolution's impact. These paintings not only showcase William Turner's technical skill but also his philosophical engagement with the changing world around him.
For collectors and experts in art and antiques, William Turner's works represent the pinnacle of Romantic art, offering insight into the 19th-century aesthetic and philosophical landscape. His influence on subsequent generations of artists underscores his position as a pivotal figure in the history of Western art.
To stay informed about Joseph Mallord William Turner's works and related events, signing up for updates from reputable art institutions can provide valuable insights into new discoveries and auction events related to this master of the British landscape.
Jules Pascin, born Julius Mordecai Pincas, was a Bulgarian-born American painter and draftsman. He studied art in Vienna, Munich, and Paris, where he settled in 1905.
Pascin became known for his portraits and nudes, which often featured elongated figures and fluid lines. He was also noted for his use of watercolors and his depictions of Parisian nightlife, cafes, and brothels. His work was influenced by the Fauvists and the German Expressionists.
Pascin was a member of the Montparnasse artistic community in Paris, and he was friends with many of the leading artists and writers of the day, including Pablo Picasso, Henri Matisse, and Ernest Hemingway. He was married twice, but his personal life was marked by numerous affairs and a struggle with alcoholism.
His work is held in many major collections, including the Museum of Modern Art in New York and the Art Institute of Chicago.
Hans am Ende was a German Impressionist painter.
In 1889 he co-founded the artists' colony in Worpswede with Fritz Overbeck, Otto Modersohn, and Heinrich Vogeler. In 1895 this group exhibited in the Kunsthalle Bremen and at the Glaspalast in Munich, which brought them national recognition. In 1900 the poet Rainer Maria Rilke travelled to Worpswede and befriended the artist's colony, eventually writing essays about each of its members.
Hans am Ende was a German Impressionist painter.
In 1889 he co-founded the artists' colony in Worpswede with Fritz Overbeck, Otto Modersohn, and Heinrich Vogeler. In 1895 this group exhibited in the Kunsthalle Bremen and at the Glaspalast in Munich, which brought them national recognition. In 1900 the poet Rainer Maria Rilke travelled to Worpswede and befriended the artist's colony, eventually writing essays about each of its members.
Albert Flamm was a German artist of the Düsseldorf school. He studied architecture at the Dusseldorf Academy of Art and in Antwerp. In 1841 he turned to painting and became a pupil of Andreas Achenbach. In 1848 Flamm became one of the founders of the Malkasten artists' association.
Albert Flamm painted mainly Italian landscapes, recognised for their truthfulness of nature, their vivid colours and their virtuosic treatments. He often chose an elevated viewing position to be able to create wide panoramic perspectives in warm, bright sunlight and with finely rendered detail.
Albert Flamm was a German artist of the Düsseldorf school. He studied architecture at the Dusseldorf Academy of Art and in Antwerp. In 1841 he turned to painting and became a pupil of Andreas Achenbach. In 1848 Flamm became one of the founders of the Malkasten artists' association.
Albert Flamm painted mainly Italian landscapes, recognised for their truthfulness of nature, their vivid colours and their virtuosic treatments. He often chose an elevated viewing position to be able to create wide panoramic perspectives in warm, bright sunlight and with finely rendered detail.
Albert Flamm was a German artist of the Düsseldorf school. He studied architecture at the Dusseldorf Academy of Art and in Antwerp. In 1841 he turned to painting and became a pupil of Andreas Achenbach. In 1848 Flamm became one of the founders of the Malkasten artists' association.
Albert Flamm painted mainly Italian landscapes, recognised for their truthfulness of nature, their vivid colours and their virtuosic treatments. He often chose an elevated viewing position to be able to create wide panoramic perspectives in warm, bright sunlight and with finely rendered detail.
Albert Flamm was a German artist of the Düsseldorf school. He studied architecture at the Dusseldorf Academy of Art and in Antwerp. In 1841 he turned to painting and became a pupil of Andreas Achenbach. In 1848 Flamm became one of the founders of the Malkasten artists' association.
Albert Flamm painted mainly Italian landscapes, recognised for their truthfulness of nature, their vivid colours and their virtuosic treatments. He often chose an elevated viewing position to be able to create wide panoramic perspectives in warm, bright sunlight and with finely rendered detail.
Albert Flamm was a German artist of the Düsseldorf school. He studied architecture at the Dusseldorf Academy of Art and in Antwerp. In 1841 he turned to painting and became a pupil of Andreas Achenbach. In 1848 Flamm became one of the founders of the Malkasten artists' association.
Albert Flamm painted mainly Italian landscapes, recognised for their truthfulness of nature, their vivid colours and their virtuosic treatments. He often chose an elevated viewing position to be able to create wide panoramic perspectives in warm, bright sunlight and with finely rendered detail.
Andreas Achenbach was a German landscape and seascape painter in the Romantic style. He is considered to be one of the founders of the Düsseldorf School.[citation needed] His brother, Oswald, was also a well known landscape painter. Together, based on their initials, they were known as the "Alpha and Omega" of landscape painters.
Oswald Achenbach was a German painter associated with the Düsseldorf school of painting. Though little known today, during his lifetime he was counted among the most important landscape painters of Europe. Through his teaching activities, he influenced the Kunstakademie Düsseldorf. His brother, Andreas Achenbach, who was twelve years older, was also among the most important German landscape painters of the 19th century. The two brothers were humorously called "the A and O of Landscapes" (a reference to their initials matching a common German reference to the Alpha and Omega).
Carl Spitzweg was a German romanticist painter, especially of genre subjects. He is considered to be one of the most important artists of the Biedermeier era.
Jakob Philipp Hackert was a German painter of the second half of the 18th and early 19th centuries. He is known as a landscape painter and printmaker, a representative of neoclassicism and romanticism.
Hackert reached the peak of creative activity in 1770-1780. He was recognized by the European aristocracy, and for a time served as court painter to King Ferdinand IV of Naples, as well as receiving commissions from representatives of the Russian imperial family, such as Empress Catherine II and the heir to the throne, Paul Petrovich. His work, according to critics, was characterized by high craftsmanship and aristocratic elegance.
Carl August Heinrich Ferdinand Oesterley is a German painter whose favorite subject is the mountain landscapes of Norway. His father was the painter Carl Friedrich Wilhelm Oesterley.
Hermann Kauffmann (the elder) was a German painter and lithographer, and one of the main representatives of the Hamburger Schule.