peintures à l&
August Lüdecke-Cleve was a German animal and landscape painter.
August studied at the Düsseldorf and Munich Academies of Fine Arts. He painted mainly peaceful Rhine landscapes, often with grazing herds.
August Lüdecke-Cleve was a member of the Laetitia art group in Düsseldorf, the Munich Artists' Cooperative and the Munich Allotria Artists' Society.
Noël Peirce Coward was an English playwright, composer, director, actor, and singer, known for his wit, flamboyance, and what Time magazine called «a sense of personal style, a combination of cheek and chic, pose and poise».
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Joseph Fernand Henri Léger was a French artist renowned for his innovative approach to Cubism and his transition towards a figurative, populist style. Born in Argentan, Orne, Lower Normandy, Léger's early career was marked by a stint as an architectural draftsman and a series of educational pursuits that eventually led him to Paris, where he embraced painting seriously. His artistic journey was significantly influenced by the bold abstractions of Cubism, characterized by geometric shapes and a vibrant palette, distinguishing his work from his contemporaries with what came to be known as "Tubism".
Léger's service in World War I profoundly impacted his artistic direction, leading him to adopt a 'mechanical' style that depicted the modern industrial world with sleek, tubular forms. This period saw creations like "Soldier with a Pipe" and "The Card Players," reflecting his war experiences and the mechanical aesthetics of the time. The post-war era encouraged Léger to explore the mechanical style further, evident in works like "The Bargeman" and "Mechanical Elements," highlighting the pace of technological advancement.
Throughout his career, Léger's work evolved, notably in the 1920s, where he aligned with Purist ideas, blending classicism with modernity. This phase is exemplified in "Woman with a Cat," showcasing a classical form with a modern, polished finish. By the 1930s, Léger's art took a more figurative, populist turn, aiming to democratize contemporary art and make it more accessible. His commitment to art education, especially for the common worker, underscored his belief in the social role of art.
For those intrigued by Joseph Fernand Henri Léger's groundbreaking contributions to modern art, his works can be found in prestigious museums worldwide. His legacy continues to inspire art collectors and enthusiasts alike. To stay updated on exhibitions and auction events featuring Léger's work, sign up for updates and embrace the unique opportunity to explore the richness of his artistic endeavors.
Joseph Fernand Henri Léger was a French artist renowned for his innovative approach to Cubism and his transition towards a figurative, populist style. Born in Argentan, Orne, Lower Normandy, Léger's early career was marked by a stint as an architectural draftsman and a series of educational pursuits that eventually led him to Paris, where he embraced painting seriously. His artistic journey was significantly influenced by the bold abstractions of Cubism, characterized by geometric shapes and a vibrant palette, distinguishing his work from his contemporaries with what came to be known as "Tubism".
Léger's service in World War I profoundly impacted his artistic direction, leading him to adopt a 'mechanical' style that depicted the modern industrial world with sleek, tubular forms. This period saw creations like "Soldier with a Pipe" and "The Card Players," reflecting his war experiences and the mechanical aesthetics of the time. The post-war era encouraged Léger to explore the mechanical style further, evident in works like "The Bargeman" and "Mechanical Elements," highlighting the pace of technological advancement.
Throughout his career, Léger's work evolved, notably in the 1920s, where he aligned with Purist ideas, blending classicism with modernity. This phase is exemplified in "Woman with a Cat," showcasing a classical form with a modern, polished finish. By the 1930s, Léger's art took a more figurative, populist turn, aiming to democratize contemporary art and make it more accessible. His commitment to art education, especially for the common worker, underscored his belief in the social role of art.
For those intrigued by Joseph Fernand Henri Léger's groundbreaking contributions to modern art, his works can be found in prestigious museums worldwide. His legacy continues to inspire art collectors and enthusiasts alike. To stay updated on exhibitions and auction events featuring Léger's work, sign up for updates and embrace the unique opportunity to explore the richness of his artistic endeavors.
Nicolas de Staël was a Russian-born French artist known for his abstract and figurative paintings. He was born in 1914 in St. Petersburg, Russia and grew up in a wealthy family. In 1919, his family fled Russia and settled in Poland before eventually moving to Brussels, Belgium.
De Staël began studying painting at the Académie Royale des Beaux-Arts in Brussels in 1932. After several years of studying and traveling, he settled in Paris in 1938, where he became associated with the group of artists known as the School of Paris.
During the 1940s and 1950s, de Staël developed a distinctive style that blended elements of abstraction and figuration. He used a palette knife and bold, thick brushstrokes to create abstract landscapes and seascapes that were often inspired by his travels to the south of France and the Mediterranean.
In the early 1950s, de Staël began to incorporate figurative elements into his work, creating portraits and still lifes that were characterized by their simplified forms and bold colors. He also experimented with different mediums, including lithography and stained glass.
De Staël's work was well-received by critics and collectors during his lifetime, and he participated in numerous exhibitions in France and internationally. However, he struggled with depression and committed suicide. His legacy has continued to inspire artists and art lovers around the world, and his paintings are held in the collections of major museums, including the Centre Georges Pompidou in Paris and the Museum of Modern Art in New York.
Nicolas de Staël was a Russian-born French artist known for his abstract and figurative paintings. He was born in 1914 in St. Petersburg, Russia and grew up in a wealthy family. In 1919, his family fled Russia and settled in Poland before eventually moving to Brussels, Belgium.
De Staël began studying painting at the Académie Royale des Beaux-Arts in Brussels in 1932. After several years of studying and traveling, he settled in Paris in 1938, where he became associated with the group of artists known as the School of Paris.
During the 1940s and 1950s, de Staël developed a distinctive style that blended elements of abstraction and figuration. He used a palette knife and bold, thick brushstrokes to create abstract landscapes and seascapes that were often inspired by his travels to the south of France and the Mediterranean.
In the early 1950s, de Staël began to incorporate figurative elements into his work, creating portraits and still lifes that were characterized by their simplified forms and bold colors. He also experimented with different mediums, including lithography and stained glass.
De Staël's work was well-received by critics and collectors during his lifetime, and he participated in numerous exhibitions in France and internationally. However, he struggled with depression and committed suicide. His legacy has continued to inspire artists and art lovers around the world, and his paintings are held in the collections of major museums, including the Centre Georges Pompidou in Paris and the Museum of Modern Art in New York.
Joseph Fernand Henri Léger was a French artist renowned for his innovative approach to Cubism and his transition towards a figurative, populist style. Born in Argentan, Orne, Lower Normandy, Léger's early career was marked by a stint as an architectural draftsman and a series of educational pursuits that eventually led him to Paris, where he embraced painting seriously. His artistic journey was significantly influenced by the bold abstractions of Cubism, characterized by geometric shapes and a vibrant palette, distinguishing his work from his contemporaries with what came to be known as "Tubism".
Léger's service in World War I profoundly impacted his artistic direction, leading him to adopt a 'mechanical' style that depicted the modern industrial world with sleek, tubular forms. This period saw creations like "Soldier with a Pipe" and "The Card Players," reflecting his war experiences and the mechanical aesthetics of the time. The post-war era encouraged Léger to explore the mechanical style further, evident in works like "The Bargeman" and "Mechanical Elements," highlighting the pace of technological advancement.
Throughout his career, Léger's work evolved, notably in the 1920s, where he aligned with Purist ideas, blending classicism with modernity. This phase is exemplified in "Woman with a Cat," showcasing a classical form with a modern, polished finish. By the 1930s, Léger's art took a more figurative, populist turn, aiming to democratize contemporary art and make it more accessible. His commitment to art education, especially for the common worker, underscored his belief in the social role of art.
For those intrigued by Joseph Fernand Henri Léger's groundbreaking contributions to modern art, his works can be found in prestigious museums worldwide. His legacy continues to inspire art collectors and enthusiasts alike. To stay updated on exhibitions and auction events featuring Léger's work, sign up for updates and embrace the unique opportunity to explore the richness of his artistic endeavors.
Léopold Survage was a French painter of Finnish origin. Trained in Moscow, he identified with the Russian avant-garde before moving to Paris, where he shared a studio with Amedeo Modigliani and experimented with abstract movies. He also gained commissions for Serge Diaghilev's Ballets Russes.
Roger Gressl is a contemporary Austrian painter. His overpaintings are well known. Gressl has been working as a freelance painter and graphic artist since 1987. His works have been shown in numerous solo exhibitions in Berlin, Krems, St. Pölten, Innsbruck, Vienna, Frankfurt, Heidelberg, Mannheim, Feldkirch, Bergamo, Wels and London. Since 1988 he has been regularly represented at international art fairs in Basel, Barcelona, Frankfurt, Florence, Ghent, Los Angeles and Nuremberg. Gressl's recognizability lies in the consistent use and treatment of his color combinations and the acrylic mixing technique used. The artist tries to achieve an effect through complementary colours, to form axes and knows how to create a closed, harmonious color composition based on aggressive colors using shades of gray and white.
Roger Gressl is a contemporary Austrian painter. His overpaintings are well known. Gressl has been working as a freelance painter and graphic artist since 1987. His works have been shown in numerous solo exhibitions in Berlin, Krems, St. Pölten, Innsbruck, Vienna, Frankfurt, Heidelberg, Mannheim, Feldkirch, Bergamo, Wels and London. Since 1988 he has been regularly represented at international art fairs in Basel, Barcelona, Frankfurt, Florence, Ghent, Los Angeles and Nuremberg. Gressl's recognizability lies in the consistent use and treatment of his color combinations and the acrylic mixing technique used. The artist tries to achieve an effect through complementary colours, to form axes and knows how to create a closed, harmonious color composition based on aggressive colors using shades of gray and white.
Roger Gressl is a contemporary Austrian painter. His overpaintings are well known. Gressl has been working as a freelance painter and graphic artist since 1987. His works have been shown in numerous solo exhibitions in Berlin, Krems, St. Pölten, Innsbruck, Vienna, Frankfurt, Heidelberg, Mannheim, Feldkirch, Bergamo, Wels and London. Since 1988 he has been regularly represented at international art fairs in Basel, Barcelona, Frankfurt, Florence, Ghent, Los Angeles and Nuremberg. Gressl's recognizability lies in the consistent use and treatment of his color combinations and the acrylic mixing technique used. The artist tries to achieve an effect through complementary colours, to form axes and knows how to create a closed, harmonious color composition based on aggressive colors using shades of gray and white.
Roger Gressl is a contemporary Austrian painter. His overpaintings are well known. Gressl has been working as a freelance painter and graphic artist since 1987. His works have been shown in numerous solo exhibitions in Berlin, Krems, St. Pölten, Innsbruck, Vienna, Frankfurt, Heidelberg, Mannheim, Feldkirch, Bergamo, Wels and London. Since 1988 he has been regularly represented at international art fairs in Basel, Barcelona, Frankfurt, Florence, Ghent, Los Angeles and Nuremberg. Gressl's recognizability lies in the consistent use and treatment of his color combinations and the acrylic mixing technique used. The artist tries to achieve an effect through complementary colours, to form axes and knows how to create a closed, harmonious color composition based on aggressive colors using shades of gray and white.
Roger Gressl is a contemporary Austrian painter. His overpaintings are well known. Gressl has been working as a freelance painter and graphic artist since 1987. His works have been shown in numerous solo exhibitions in Berlin, Krems, St. Pölten, Innsbruck, Vienna, Frankfurt, Heidelberg, Mannheim, Feldkirch, Bergamo, Wels and London. Since 1988 he has been regularly represented at international art fairs in Basel, Barcelona, Frankfurt, Florence, Ghent, Los Angeles and Nuremberg. Gressl's recognizability lies in the consistent use and treatment of his color combinations and the acrylic mixing technique used. The artist tries to achieve an effect through complementary colours, to form axes and knows how to create a closed, harmonious color composition based on aggressive colors using shades of gray and white.
Roger Gressl is a contemporary Austrian painter. His overpaintings are well known. Gressl has been working as a freelance painter and graphic artist since 1987. His works have been shown in numerous solo exhibitions in Berlin, Krems, St. Pölten, Innsbruck, Vienna, Frankfurt, Heidelberg, Mannheim, Feldkirch, Bergamo, Wels and London. Since 1988 he has been regularly represented at international art fairs in Basel, Barcelona, Frankfurt, Florence, Ghent, Los Angeles and Nuremberg. Gressl's recognizability lies in the consistent use and treatment of his color combinations and the acrylic mixing technique used. The artist tries to achieve an effect through complementary colours, to form axes and knows how to create a closed, harmonious color composition based on aggressive colors using shades of gray and white.
Roger Gressl is a contemporary Austrian painter. His overpaintings are well known. Gressl has been working as a freelance painter and graphic artist since 1987. His works have been shown in numerous solo exhibitions in Berlin, Krems, St. Pölten, Innsbruck, Vienna, Frankfurt, Heidelberg, Mannheim, Feldkirch, Bergamo, Wels and London. Since 1988 he has been regularly represented at international art fairs in Basel, Barcelona, Frankfurt, Florence, Ghent, Los Angeles and Nuremberg. Gressl's recognizability lies in the consistent use and treatment of his color combinations and the acrylic mixing technique used. The artist tries to achieve an effect through complementary colours, to form axes and knows how to create a closed, harmonious color composition based on aggressive colors using shades of gray and white.
Roger Gressl is a contemporary Austrian painter. His overpaintings are well known. Gressl has been working as a freelance painter and graphic artist since 1987. His works have been shown in numerous solo exhibitions in Berlin, Krems, St. Pölten, Innsbruck, Vienna, Frankfurt, Heidelberg, Mannheim, Feldkirch, Bergamo, Wels and London. Since 1988 he has been regularly represented at international art fairs in Basel, Barcelona, Frankfurt, Florence, Ghent, Los Angeles and Nuremberg. Gressl's recognizability lies in the consistent use and treatment of his color combinations and the acrylic mixing technique used. The artist tries to achieve an effect through complementary colours, to form axes and knows how to create a closed, harmonious color composition based on aggressive colors using shades of gray and white.
Markus Lüpertz is a German painter, sculptor, graphic artist, and writer. He also publishes a magazine, and plays jazz piano. He is one of the best-known German contemporary artists. His subjects are characterized by suggestive power and archaic monumentality. Lüpertz insists on capturing the object of representation with an archetypal statement of his existence. His art work is associated to neo-expressionism. Known for his eccentricity, German press has stylized him as a «painter prince».
Markus Lüpertz is a German painter, sculptor, graphic artist, and writer. He also publishes a magazine, and plays jazz piano. He is one of the best-known German contemporary artists. His subjects are characterized by suggestive power and archaic monumentality. Lüpertz insists on capturing the object of representation with an archetypal statement of his existence. His art work is associated to neo-expressionism. Known for his eccentricity, German press has stylized him as a «painter prince».
Jean-Léon Gérôme was a prominent 19th-century French painter, a representative of the academic school of painting. His paintings are notable for their impeccable composition and exquisite colour palette.
Jean-Léon Gérôme did not accept the work of the Impressionists, whom he considered to be the ignominy of French art. This has earned him a controversial reputation as a fierce supporter of academism and a persecutor of new movements.
Jean-Léon Gérôme was a prominent 19th-century French painter, a representative of the academic school of painting. His paintings are notable for their impeccable composition and exquisite colour palette.
Jean-Léon Gérôme did not accept the work of the Impressionists, whom he considered to be the ignominy of French art. This has earned him a controversial reputation as a fierce supporter of academism and a persecutor of new movements.
Joseph Fernand Henri Léger was a French artist renowned for his innovative approach to Cubism and his transition towards a figurative, populist style. Born in Argentan, Orne, Lower Normandy, Léger's early career was marked by a stint as an architectural draftsman and a series of educational pursuits that eventually led him to Paris, where he embraced painting seriously. His artistic journey was significantly influenced by the bold abstractions of Cubism, characterized by geometric shapes and a vibrant palette, distinguishing his work from his contemporaries with what came to be known as "Tubism".
Léger's service in World War I profoundly impacted his artistic direction, leading him to adopt a 'mechanical' style that depicted the modern industrial world with sleek, tubular forms. This period saw creations like "Soldier with a Pipe" and "The Card Players," reflecting his war experiences and the mechanical aesthetics of the time. The post-war era encouraged Léger to explore the mechanical style further, evident in works like "The Bargeman" and "Mechanical Elements," highlighting the pace of technological advancement.
Throughout his career, Léger's work evolved, notably in the 1920s, where he aligned with Purist ideas, blending classicism with modernity. This phase is exemplified in "Woman with a Cat," showcasing a classical form with a modern, polished finish. By the 1930s, Léger's art took a more figurative, populist turn, aiming to democratize contemporary art and make it more accessible. His commitment to art education, especially for the common worker, underscored his belief in the social role of art.
For those intrigued by Joseph Fernand Henri Léger's groundbreaking contributions to modern art, his works can be found in prestigious museums worldwide. His legacy continues to inspire art collectors and enthusiasts alike. To stay updated on exhibitions and auction events featuring Léger's work, sign up for updates and embrace the unique opportunity to explore the richness of his artistic endeavors.
Nicolas de Staël was a Russian-born French artist known for his abstract and figurative paintings. He was born in 1914 in St. Petersburg, Russia and grew up in a wealthy family. In 1919, his family fled Russia and settled in Poland before eventually moving to Brussels, Belgium.
De Staël began studying painting at the Académie Royale des Beaux-Arts in Brussels in 1932. After several years of studying and traveling, he settled in Paris in 1938, where he became associated with the group of artists known as the School of Paris.
During the 1940s and 1950s, de Staël developed a distinctive style that blended elements of abstraction and figuration. He used a palette knife and bold, thick brushstrokes to create abstract landscapes and seascapes that were often inspired by his travels to the south of France and the Mediterranean.
In the early 1950s, de Staël began to incorporate figurative elements into his work, creating portraits and still lifes that were characterized by their simplified forms and bold colors. He also experimented with different mediums, including lithography and stained glass.
De Staël's work was well-received by critics and collectors during his lifetime, and he participated in numerous exhibitions in France and internationally. However, he struggled with depression and committed suicide. His legacy has continued to inspire artists and art lovers around the world, and his paintings are held in the collections of major museums, including the Centre Georges Pompidou in Paris and the Museum of Modern Art in New York.