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Emilie Preyer was a German painter of the last third of the nineteenth and first third of the twentieth centuries. She is known as a painter and a master of still life.
Emilie Preyer studied painting under her father Johann Wilhelm Preyer and worked in the same meticulous technique. She created still lifes with fruit and flowers. Over 250 of her paintings are in the Metropolitan Museum of Art in New York and the Philadelphia Museum of Art, as well as in private collections in the United Kingdom and the United States.
Emilie Preyer was a German painter of the last third of the nineteenth and first third of the twentieth centuries. She is known as a painter and a master of still life.
Emilie Preyer studied painting under her father Johann Wilhelm Preyer and worked in the same meticulous technique. She created still lifes with fruit and flowers. Over 250 of her paintings are in the Metropolitan Museum of Art in New York and the Philadelphia Museum of Art, as well as in private collections in the United Kingdom and the United States.
Jacob van Hulsdonck was a Flemish painter who played a role in the early development of the genre of still lifes of fruit, banquets and flowers.
Emilie Preyer was a German painter of the last third of the nineteenth and first third of the twentieth centuries. She is known as a painter and a master of still life.
Emilie Preyer studied painting under her father Johann Wilhelm Preyer and worked in the same meticulous technique. She created still lifes with fruit and flowers. Over 250 of her paintings are in the Metropolitan Museum of Art in New York and the Philadelphia Museum of Art, as well as in private collections in the United Kingdom and the United States.
Balthasar van der Ast was a Dutch Golden Age painter who specialized in still lifes of flowers and fruit, as well as painting a number of remarkable shell still lifes; he is considered to be a pioneer in the genre of shell painting. His still lifes often contain insects and lizards.
Osias Beert the Elder, a Flemish painter born around 1580 and active until his death in 1623, was a key figure in the development of still life painting in Northern Europe. His work, primarily focused on flower and banquet (or "breakfast") pieces, showcased a pioneering approach to these genres, setting a precedent for future artists.
Beert's technique involved painting on oak panels and copper, employing a glazing method that layered very fluid oil paints to achieve transparency and a rich color palette. This method allowed him to create still lifes that were not only visually appealing but also rich in detail and depth. He was known for his intricate compositions that often featured a high viewpoint and compact arrangements, providing a better sense of spatial coherence in his later works.
Despite the significant impact of his work, only a few signed pieces by Beert are known, making the attribution of his works challenging. His influence extended to his pupils and his nephew Frans Ykens, as well as other Antwerp artists such as Jacob Foppens van Es and Jacob van Hulsdonck, indicating his pivotal role in the early still life painting tradition in Flanders.
For collectors and experts in art and antiques, Osias Beert the Elder's contributions to the evolution of still life painting represent an essential chapter in the history of art. His ability to depict the transient beauty of flowers and the lavish detail of banquet scenes continues to captivate audiences and serves as a testament to his skill and creativity.
To delve deeper into the fascinating work of Osias Beert the Elder and to stay informed about new discoveries or auction events related to his oeuvre, consider signing up for updates tailored to enthusiasts of art history and antique collections. This subscription will ensure you are well-informed about the latest developments and opportunities related to this influential artist's work.
Alexander Coosemans was a Flemish painter of the Baroque period.
Coosemans studied under the masters of still life painting and became a member of the Guild of St. Luke of Antwerp in 1645.
Coosemans painted lush, fruit- and flower-rich still lifes, vanitas-style still lifes that evoke the transience of life. His compositions are often thought to have hidden, allegorical meanings: lobsters, wine and lemons - each subject is filled with references to biblical themes and history.
In collaboration with other artists, Coosemans created so-called garland paintings - a portrait or religious subject surrounded by garlands of flowers and fruit. The artist also decorated the villas of the nobility of Genoa and Rome with his works.
Peter Binoit was a German still life painter active during the early Baroque era at the beginning of the 17th century, who worked in Frankfurt am Main and Cologne.
Peter Binoit was a German still life painter active during the early Baroque era at the beginning of the 17th century, who worked in Frankfurt am Main and Cologne.
Jan Davidsz. de Heem was a still life painter who was active in Utrecht and Antwerp. He is a major representative of that genre in both Dutch and Flemish Baroque painting.
Jan Davidsz. de Heem was a still life painter who was active in Utrecht and Antwerp. He is a major representative of that genre in both Dutch and Flemish Baroque painting.
