rahmen (54,5 x 54,5cm)
Karin Kneffel is one of Europe's most outstanding contemporary artists.
Joan Miró, a celebrated Spanish artist, was a master in painting, sculpture, and ceramics, renowned for his unique style that blurred the lines between Surrealism, Fauvism, and Expressionism. Born in Barcelona to a family of a goldsmith and a watchmaker, Miró grew up immersed in the rich cultural heritage of the Barri Gòtic neighborhood. His artistic journey began with drawing classes at the age of seven and continued at the prestigious La Llotja art academy. Despite an initial venture into the business world, Miró's passion for art prevailed, leading him to abandon his clerical career after a nervous breakdown.
Miró's work is noted for its exploration of the subconscious, often depicting a childlike perspective. This approach was both a critique of traditional painting methods and a means of expressing Catalan pride. His art, challenging to categorize, often featured symbolic elements and nationalistic qualities. One of his notable early works, "The Farm," reflects a transition to a more individual style, blending elements of his Catalan roots with broader artistic influences. This piece, later purchased by Ernest Hemingway, encapsulated the essence of Spain in its imagery.
In Paris, Miró joined the Surrealist movement in 1924, where his work began to reflect the influence of automatism, emphasizing spontaneous, automatic, or subconscious creation. He experimented with various mediums, including painting-poetry and collage, and even ventured into set and costume design for Sergei Diaghilev's Ballets Russes.
During World War II, Miró remained in Spain, and his work from this period, including the 22 Constellations series, reflected an interest in the night, music, and stars. His forms became increasingly abstracted, and he experimented with various techniques, often incorporating primary colors and evocative titles.
Miró's career spanned several decades, during which he continually evolved his style and explored new mediums. His contributions to art were recognized with numerous awards and retrospectives, including a major career retrospective at MoMA in 1941 and the Spanish Gold Medal for Fine Arts in 1980. Among his last major works was a tapestry for the World Trade Center in New York City, created in 1974.
For art collectors and enthusiasts, Joan Miró remains a figure of immense interest, not only for his distinct style and contributions to Surrealism but also for his ability to blend poetic imagery with political commentary. To stay updated on new product sales and auction events related to Joan Miró, sign up for our updates and immerse yourself in the world of this extraordinary artist.
Georg Baselitz is a German painter, sculptor and graphic artist. In the 1960s he became well known for his figurative, expressive paintings. In 1969 he began painting his subjects upside down in an effort to overcome the representational, content-driven character of his earlier work and stress the artifice of painting. Drawing from myriad influences, including art of Soviet era illustration art, the Mannerist period and African sculptures, he developed his own, distinct artistic language.
David Teniers the Younger was a Flemish Baroque painter, printmaker, draughtsman, miniaturist painter, staffage painter, copyist and art curator. He was an extremely versatile artist known for his prolific output. He was an innovator in a wide range of genres such as history painting, genre painting, landscape painting, portrait and still life. He is now best remembered as the leading Flemish genre painter of his day. Teniers is particularly known for developing the peasant genre, the tavern scene, pictures of collections and scenes with alchemists and physicians.
He was court painter and the curator of the collection of Archduke Leopold Wilhelm, the art-loving Governor General of the Habsburg Netherlands. He created a printed catalogue of the collections of the Archduke. He was the founder of the Antwerp Academy, where young artists were trained to draw and sculpt in the hope of reviving Flemish art after its decline following the death of the leading Flemish artists Rubens and Anthony van Dyck in the early 1640s. He influenced the next generation of Northern genre painters as well as French Rococo painters such as Antoine Watteau.
Otto Herbert Hajek was a German abstractionist painter, graphic artist and sculptor.
August Lüdecke-Cleve was a German animal and landscape painter.
August studied at the Düsseldorf and Munich Academies of Fine Arts. He painted mainly peaceful Rhine landscapes, often with grazing herds.
August Lüdecke-Cleve was a member of the Laetitia art group in Düsseldorf, the Munich Artists' Cooperative and the Munich Allotria Artists' Society.
Yvonne Canu was a French painter and neo-impressionist who used pointillism and divisionism in her work. She studied at the Ecole des Arts Décoratifs in Paris and the Académie de la Grand Chaumiere.
Yvonne Canu's paintings were mainly landscapes and still lifes. Her works displayed a meticulous attention to detail and an emphasis on capturing the effects of light and colour. Using pointillism, she achieved a luminous quality in her paintings, with colours optically blending into one another when viewed from a distance.
Max Clarenbach was a German painter of the first half of the twentieth century. He is known as a painter, landscape painter, genre painter and teacher and is considered one of the most important representatives of Rhenish painting of his time.
Max Clarenbach made study trips to Italy and Holland early in his career, where he formed his genre preferences and became a landscape painter. His work reflected the influence of the Hague School and the French Barbizonians. The artist skillfully depicted winter scenes and the nature of western Germany. He also painted sports and street scenes.
Clarenbach was one of the organizers of the Düsseldorf Sonderbund and taught at the Düsseldorf Academy of Art.
Heinz Trökes was a German painter, printmaker and art teacher.
Eduard Bargheer was a German painter and printmaker. His early oeuvre had a close affinity to Expressionism.
Eduard Bargheer was a German painter and printmaker. His early oeuvre had a close affinity to Expressionism.
Jan Hermansz. van Bijlert, or Jan van Bijlert, or Giovanni Bilardo, is a Dutch painter of the Dutch Golden Age, considered one of the Caravaggio school in Utrecht. He spent about four years in Italy and was one of the founders of the Bentvueghels circle of northern artists in Rome, where he was nicknamed Aeneas. Van Beilert was one of the most famous artists of the city of Utrecht. He mainly painted religious and mythological scenes, genre scenes of public places and musical parties, but he was also a portraitist.
Thomas Huber is a Swiss contemporary artist renowned for his ability to weave metaphysical narratives and architectural elements into his figurative paintings. Thomas Huber has cultivated a unique artistic language that explores the relationship between space, reality, and perception through a blend of surreal scenarios and precise perspective.
Thomas Huber's work is characterized by its introspective quality, often described as "paintings about paintings," reflecting on the nature of art itself. His style, marked by clean lines and a cool, detached aesthetic, uses architecture and space to question the boundaries between illusion and reality. This approach has led to a body of work that is both ironic and timeless, inviting viewers into a fantasy world constructed from complex symbols and contradictory elements.
Throughout his career, Huber has received numerous accolades, including the prestigious Prix Meret Oppenheim in 2013 and the Art Prize of the Heitland Foundation in 2005. His works are part of significant collections in both Germany and France, and he has been featured in solo and group exhibitions worldwide.
One of Thomas Huber's recent exhibitions, "Lago Maggiore" at MASI Lugano, showcases a series of large-scale paintings and watercolors inspired by the breathtaking views of Lake Maggiore. This body of work represents a pictorial homecoming for Huber, reflecting a shift in his artistic focus towards nature and the landscapes of his youth. The exhibition not only highlights Huber's transition from architectural to natural themes but also maintains his signature exploration of the imaginary and real through meticulous composition and atmospheric depth.
For collectors and experts in art and antiques, Thomas Huber's oeuvre offers a rich exploration of the intersections between art, architecture, and the metaphysical. His ability to challenge and redefine perceptions of reality through his work makes him a significant figure in contemporary art.
To discover more about Thomas Huber's work and to stay updated on new sales and auction events related to his art, signing up for updates is highly recommended. This subscription is a valuable resource for anyone interested in the evolving landscape of contemporary art and the unique contributions of Thomas Huber.
Neo Rauch is a German artist whose paintings mine the intersection of his personal history with the politics of industrial alienation. His work reflects the influence of socialist realism, and owes a debt to Surrealists Giorgio de Chirico and René Magritte, although Rauch hesitates to align himself with surrealism. He studied at the Hochschule für Grafik und Buchkunst Leipzig, and he lives in Markkleeberg near Leipzig, Germany and works as the principal artist of the New Leipzig School. The artist is represented by Galerie EIGEN + ART Leipzig/Berlin and David Zwirner, New York.
Rauch's paintings suggest a narrative intent but, as art historian Charlotte Mullins explains, closer scrutiny immediately presents the viewer with enigmas: "Architectural elements peter out; men in uniform from throughout history intimidate men and women from other centuries; great struggles occur but their reason is never apparent; styles change at a whim."
Max Beckmann, a German painter, printmaker, sculptor, and writer, stood out in the early 20th century for his profound contributions to modern art. Beckmann's career spanned a tumultuous period in history, deeply influencing his thematic and stylistic choices. Unlike many of his contemporaries who embraced non-representational painting, Max Beckmann persisted with and evolved the tradition of figurative painting, drawing inspiration from a wide array of artists spanning from Cézanne and Van Gogh to medieval masters like Bosch and Bruegel.
Max Beckmann's experiences, particularly those related to the World Wars, significantly shaped his work. Following Adolf Hitler's rise to power and the subsequent condemnation of modern art as "degenerate," Beckmann fled Germany, spending a decade in self-imposed exile in Amsterdam before eventually relocating to the United States. His art from this period, especially his large triptychs, is considered some of his most potent, offering a stark reflection on humanity and the chaos of the times.
One of Max Beckmann's most personally allegorical works, "Beginning" (1949), encapsulates his knack for blending real and imagined elements from his life to comment on the broader human condition. This piece, alongside others, underscores Beckmann's enduring fascination with the existential struggles modern society faces, teetering between desire and societal roles.
Max Beckmann's legacy is cemented not just by his unique approach to modernism but also by his influence on subsequent generations of artists, particularly in the United States, where he spent his final years teaching and working. Despite a path that often diverged from the mainstream narratives of art history, Beckmann's work continues to resonate, housed in prestigious institutions like The Museum of Modern Art and The Metropolitan Museum of Art in New York.
For collectors and experts in art and antiques, Max Beckmann's oeuvre offers a compelling exploration of 20th-century art and history. To stay informed about new discoveries, sales, and auction events related to Max Beckmann, consider signing up for updates. This subscription ensures access to the latest opportunities to engage with the work of one of modernism's most individual voices.
Eduard Bargheer was a German painter and printmaker. His early oeuvre had a close affinity to Expressionism.
