roger greßl
Roger Gressl is a contemporary Austrian painter. His overpaintings are well known. Gressl has been working as a freelance painter and graphic artist since 1987. His works have been shown in numerous solo exhibitions in Berlin, Krems, St. Pölten, Innsbruck, Vienna, Frankfurt, Heidelberg, Mannheim, Feldkirch, Bergamo, Wels and London. Since 1988 he has been regularly represented at international art fairs in Basel, Barcelona, Frankfurt, Florence, Ghent, Los Angeles and Nuremberg. Gressl's recognizability lies in the consistent use and treatment of his color combinations and the acrylic mixing technique used. The artist tries to achieve an effect through complementary colours, to form axes and knows how to create a closed, harmonious color composition based on aggressive colors using shades of gray and white.
Roger Gressl is a contemporary Austrian painter. His overpaintings are well known. Gressl has been working as a freelance painter and graphic artist since 1987. His works have been shown in numerous solo exhibitions in Berlin, Krems, St. Pölten, Innsbruck, Vienna, Frankfurt, Heidelberg, Mannheim, Feldkirch, Bergamo, Wels and London. Since 1988 he has been regularly represented at international art fairs in Basel, Barcelona, Frankfurt, Florence, Ghent, Los Angeles and Nuremberg. Gressl's recognizability lies in the consistent use and treatment of his color combinations and the acrylic mixing technique used. The artist tries to achieve an effect through complementary colours, to form axes and knows how to create a closed, harmonious color composition based on aggressive colors using shades of gray and white.
Roger Gressl is a contemporary Austrian painter. His overpaintings are well known. Gressl has been working as a freelance painter and graphic artist since 1987. His works have been shown in numerous solo exhibitions in Berlin, Krems, St. Pölten, Innsbruck, Vienna, Frankfurt, Heidelberg, Mannheim, Feldkirch, Bergamo, Wels and London. Since 1988 he has been regularly represented at international art fairs in Basel, Barcelona, Frankfurt, Florence, Ghent, Los Angeles and Nuremberg. Gressl's recognizability lies in the consistent use and treatment of his color combinations and the acrylic mixing technique used. The artist tries to achieve an effect through complementary colours, to form axes and knows how to create a closed, harmonious color composition based on aggressive colors using shades of gray and white.
Roger Gressl is a contemporary Austrian painter. His overpaintings are well known. Gressl has been working as a freelance painter and graphic artist since 1987. His works have been shown in numerous solo exhibitions in Berlin, Krems, St. Pölten, Innsbruck, Vienna, Frankfurt, Heidelberg, Mannheim, Feldkirch, Bergamo, Wels and London. Since 1988 he has been regularly represented at international art fairs in Basel, Barcelona, Frankfurt, Florence, Ghent, Los Angeles and Nuremberg. Gressl's recognizability lies in the consistent use and treatment of his color combinations and the acrylic mixing technique used. The artist tries to achieve an effect through complementary colours, to form axes and knows how to create a closed, harmonious color composition based on aggressive colors using shades of gray and white.
Roger Gressl is a contemporary Austrian painter. His overpaintings are well known. Gressl has been working as a freelance painter and graphic artist since 1987. His works have been shown in numerous solo exhibitions in Berlin, Krems, St. Pölten, Innsbruck, Vienna, Frankfurt, Heidelberg, Mannheim, Feldkirch, Bergamo, Wels and London. Since 1988 he has been regularly represented at international art fairs in Basel, Barcelona, Frankfurt, Florence, Ghent, Los Angeles and Nuremberg. Gressl's recognizability lies in the consistent use and treatment of his color combinations and the acrylic mixing technique used. The artist tries to achieve an effect through complementary colours, to form axes and knows how to create a closed, harmonious color composition based on aggressive colors using shades of gray and white.
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Joseph Fernand Henri Léger was a French artist renowned for his innovative approach to Cubism and his transition towards a figurative, populist style. Born in Argentan, Orne, Lower Normandy, Léger's early career was marked by a stint as an architectural draftsman and a series of educational pursuits that eventually led him to Paris, where he embraced painting seriously. His artistic journey was significantly influenced by the bold abstractions of Cubism, characterized by geometric shapes and a vibrant palette, distinguishing his work from his contemporaries with what came to be known as "Tubism".
Léger's service in World War I profoundly impacted his artistic direction, leading him to adopt a 'mechanical' style that depicted the modern industrial world with sleek, tubular forms. This period saw creations like "Soldier with a Pipe" and "The Card Players," reflecting his war experiences and the mechanical aesthetics of the time. The post-war era encouraged Léger to explore the mechanical style further, evident in works like "The Bargeman" and "Mechanical Elements," highlighting the pace of technological advancement.
Throughout his career, Léger's work evolved, notably in the 1920s, where he aligned with Purist ideas, blending classicism with modernity. This phase is exemplified in "Woman with a Cat," showcasing a classical form with a modern, polished finish. By the 1930s, Léger's art took a more figurative, populist turn, aiming to democratize contemporary art and make it more accessible. His commitment to art education, especially for the common worker, underscored his belief in the social role of art.
For those intrigued by Joseph Fernand Henri Léger's groundbreaking contributions to modern art, his works can be found in prestigious museums worldwide. His legacy continues to inspire art collectors and enthusiasts alike. To stay updated on exhibitions and auction events featuring Léger's work, sign up for updates and embrace the unique opportunity to explore the richness of his artistic endeavors.
Roger Hilton was a pioneer of abstract art in post-Second World War Britain. Often associated with the 'middle generation' of St Ives painters – Terry Frost, Patrick Heron, Peter Lanyon & Bryan Wynter – he spent much of his career in London, where his work was deeply influenced by European avante-garde movements such as tachisme and CoBrA.
Roger Bissière was a French artist. He designed stained glass windows for Metz cathedral and several other churches.
Roger de la Fresnaye was a French painter, a representative of Cubism in painting.
He studied at the Académie Julian in Paris and was fascinated by the art of Paul Cézanne. In his works Fresnaye synthesized lyrical color with geometric simplifications of Cubism.
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Georges Seurat was a French painter, renowned as the founder of the 19th-century French school of Neo-Impressionism. His groundbreaking technique, Pointillism, involved the use of tiny, contrasting color brushstrokes that, when viewed together, created a luminous quality in his compositions. Seurat's life was a blend of rigorous academic training and innovative artistic exploration.
Born on December 2, 1859, in Paris, Seurat demonstrated an early interest in art. He received formal training at the École des Beaux-Arts under Henri Lehmann, a disciple of the Neo-Classical painter Ingres, where he honed his skills in drawing and composition. Seurat was deeply influenced by color theories and the science of optics, which became central to his artistic approach. He was particularly inspired by the work of Michel-Eugène Chevreul and Ogden N. Rood, whose writings on color contrast and harmony greatly influenced his painting technique.
One of Seurat's most famous works, "A Sunday Afternoon on the Island of La Grande Jatte" (1884–1886), showcased his Pointillism technique. This painting, now housed in the Art Institute of Chicago, portrays members of different social classes engaged in various activities in a park setting. The work is notable for its use of small, juxtaposed dots of multi-colored paint, which allow the viewer's eye to blend colors optically. This technique was a significant departure from the traditional methods of color mixing on the canvas.
Another notable work by Seurat is "Bathers at Asnières" (1884), displayed at the National Gallery in London. This large canvas depicts young men relaxing by the Seine in a working-class suburb of Paris. The painting reflects Seurat's neoclassical training, with its smooth, simplified textures and carefully outlined figures.
Seurat's final painting, "The Circus" (1890-91), represents a shift to a more dynamic representation of movement and is typical of his late style. Unfortunately, Seurat's life was cut short when he died suddenly in March 1891, leaving "The Circus" unfinished. This painting is now part of the collection at the Musée d'Orsay in Paris.
Seurat's innovative techniques and his exploration of color theory and optics had a lasting impact on the art world, influencing subsequent generations of artists. His work remains a testament to the fusion of scientific principles with artistic expression, making him a pivotal figure in the transition from Impressionism to Post-Impressionism and modern art.
For those captivated by the genius of Georges Seurat and his revolutionary art, there's an exclusive opportunity waiting for you. By signing up for our updates, you'll be the first to know about new product sales and auction events related to Seurat's works and legacy. This subscription is tailored for enthusiasts, collectors, and experts in the field of art and antiques, ensuring you receive only the most relevant and curated information. Don't miss out on the chance to enhance your collection and deepen your understanding of Seurat's impact on the art world. Sign up now and stay ahead in the world of fine art and antiques.
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Maurice de Vlaminck was a French artist renowned for his vibrant use of color and contribution to the Fauvist movement. Born in Paris in 1876, Vlaminck's early work was marked by a passionate application of paint and a bold palette, drawing inspiration from Vincent van Gogh and Henri Matisse. His participation in the 1905 Salon d'Automne, alongside other Fauvist painters, was met with critical disdain, leading to the term "fauves" (wild beasts) being coined to describe their unorthodox use of intense color.
Vlaminck's career was characterized by a continuous exploration of color and form. Early on, he depicted scenes of daily life, landscapes, and portraits, imbuing them with a sense of motion through his dynamic brushwork. Notable works from this period include "Sur le zinc" (At the Bar) and "L'homme a la pipe" (Man Smoking a Pipe), which highlighted his departure from traditional portraiture and landscapes towards more expressive and mood-driven compositions. His landscapes, in particular, showcased a disregard for detail in favor of conveying atmosphere, a technique that was revolutionary at the time.
Throughout his life, Vlaminck's style evolved, showing influences from Post-Impressionism and later, a more monochromatic palette reminiscent of Paul Cézanne. Despite this evolution, he maintained a critical stance towards Cubism and its leading figure, Pablo Picasso, believing that Cubism had led French painting into a "wretched dead end". In his later years, Vlaminck's work adopted a darker palette and more naturalistic style, moving away from the Fauvist emphasis on color to explore the dramatic and expressive potential of landscapes and seascapes.
Vlaminck's impact on modern art is undeniable. His works are held in prestigious collections worldwide, including the Hermitage Museum in Saint Petersburg and the Minneapolis Institute of Art, attesting to his enduring influence and the continued fascination with his bold, expressive approach to painting.
For collectors and experts in art and antiques, Vlaminck's oeuvre represents a pivotal moment in the history of modern art, where the emotional intensity and visual impact of color were explored as never before. To stay informed on new product sales and auction events related to Maurice de Vlaminck, signing up for updates is recommended, offering exclusive insights into the vibrant world of Fauvism and modernist painting.
Paul Delvaux, a Belgian painter, stands out in the history of art for his dreamlike scenes that weave together elements of surrealism with classical influences. Born on September 23, 1897, Delvaux's early works were influenced by Flemish Expressionists and the palette of James Ensor, showcasing nudes in landscapes characterized by a somewhat stiff portrayal. His style evolved significantly over time, with a pivotal change around 1933 under the influence of Giorgio de Chirico's metaphysical art, leading to his hallmark style of semi-nude figures in classical ruins or dark forests.
Delvaux's unique approach to art was not confined to the traditional bounds of the Surrealist movement, despite the similarities in thematic content. His work is distinguished by the inclusion of motifs like skeletons and idealized female nudes, set against backgrounds that often feature classical architecture or eerie night scenes. This blend of motifs reflects Delvaux's lifelong fascination with themes of memory, dreams, and the subconscious, a fascination further inspired by the works of René Magritte, though Delvaux maintained a respectful but uneasy relationship with him.
Despite his influences, Delvaux was cautious about aligning too closely with any single art movement or 'ism,' including Surrealism. His visit to an exhibition of Giorgio de Chirico's work in 1926 left a lasting impression, shaping his aesthetic towards creating enigmatic landscapes filled with anachronistic elements. Yet, he kept a distance from the Surrealists, preferring to explore his unique blend of reality and fantasy.
Delvaux's artistry is also deeply personal, drawing heavily from his youth and early experiences. The impact of his childhood, including encounters with medical curiosities at the Midi Fair in Brussels and the poetry of Homer, can be seen in the recurring themes of his work. These personal motifs, alongside his sophisticated use of light and shadow, lend his paintings a poetic dimension that transcends the mere visual to evoke a deeper emotional resonance.
Paul Delvaux's contributions to art are celebrated worldwide, with his works residing in prestigious galleries, including the Tate collection, underscoring his significance in the art world. His ability to blend the surreal with the classical, the personal with the universal, has cemented his legacy as an artist who transcended the boundaries of his time to explore the endless possibilities of imagination and memory.
For collectors and art experts interested in the nuanced realms of culture, art, and the legacy of influential painters like Paul Delvaux, staying informed about new discoveries, sales, and auction events related to his work is essential. Signing up for updates can provide exclusive insights into the evolving appreciation of Delvaux's contributions to modern art.
Paul Gauguin, a French artist born in Paris in 1848, is renowned for his significant contributions to Post-Impressionism, Primitivism, and Synthetism. Gauguin's art is distinguished by his experimental use of color and style, which set him apart from the traditional Impressionist movement.
Gauguin's early life was marked by a period in Peru, which influenced his artistic perspective. Initially, he pursued a career in stockbroking but soon turned to art, driven by financial necessity and a growing passion. His artistic journey began under the mentorship of Impressionist artist Camille Pissarro and through exposure to the works of other avant-garde artists.
The hallmark of Gauguin's work is his exploration of non-Western cultures, particularly during his time in Tahiti and the Marquesas Islands. This period saw the creation of some of his most famous works, including "Where Do We Come From? What Are We? Where Are We Going?" His paintings from this era, characterized by vivid colors and Symbolist themes, reflect a fusion of cultural influences and his quest for a "primitive" expression of spiritual and emotional states.
Despite his innovative style, Gauguin struggled with financial difficulties and health issues throughout his life. His work received little recognition during his lifetime, but posthumously, he gained acclaim for influencing modern artists like Pablo Picasso and Henri Matisse.
Today, Gauguin's works are celebrated in galleries and museums worldwide for their unique blend of cultural influences and artistic innovation. His enduring legacy is a testament to his unique vision and the profound impact he had on the art world.
Collectors and experts in art and antiques, stay updated on new product sales and auction events related to Paul Gauguin. Sign up now for exclusive updates and immerse yourself in the world of this visionary artist.
Edward Morgan Forster, English novelist, essayist, and critic, was a prominent literary figure of the early twentieth century. Born on 1 January 1879 in London and died on 7 June 1970 in Coventry, Forster's work was celebrated for its profound critique of social conventions, class distinctions and hypocrisy in British society. A member of the influential Bloomsbury group, Forster did not confine himself to novels, but also wrote essays, gave speeches and hosted programmes.
E. M. Forster was characterised by wit and a fine sense of irony. His novels, particularly A Room with a View, Howards End and A Passage to India, were recognised for their well-crafted plots and insightful social commentary. Not only have these works earned them a place in literature, but they have also been nominated for the Nobel Prize for Literature. The films A Room with a View and Howards End won Academy Awards and have been recognised and celebrated in film archives and retrospectives by film institutions.
Edward Morgan Forster's novels serve as critical social commentary of their time and remain relevant to this day. Those interested in the intersection of literary art and its influence on film can look to first editions of his works or objects associated with acclaimed film adaptations to add to their collections.
