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Jean-François Millet was a French artist and one of the founders of the Barbizon school in rural France. Millet is noted for his paintings of peasant farmers and can be categorized as part of the Realism art movement. Toward the end of his career, he became increasingly interested in painting pure landscapes. He is known best for his oil paintings but is also noted for his pastels, conte crayon drawings, and etchings.
Jean-François Millet was a French artist and one of the founders of the Barbizon school in rural France. Millet is noted for his paintings of peasant farmers and can be categorized as part of the Realism art movement. Toward the end of his career, he became increasingly interested in painting pure landscapes. He is known best for his oil paintings but is also noted for his pastels, conte crayon drawings, and etchings.
Théodore Rousseau was a prominent French painter, celebrated for his pioneering contributions to the Barbizon school of landscape art. His dedication to capturing nature's essence made him a pivotal figure in landscape painting's evolution. Rousseau's technique involved painting directly from nature, a method that infused his works with a profound sense of realism and vitality. This approach was notably evident in his masterpiece "An Avenue of Trees, Forest of l'Isle-Adam," where he meticulously captured a scene entirely outdoors, a testament to his commitment to authenticity and detail.
Théodore Rousseau's artistry wasn't confined to painting alone; his drawings, like the detailed "Study of an Oak Tree," demonstrate his versatility and deep connection with nature. His works received significant recognition, culminating in a triumphant display at the Universal Exposition of 1855. However, his life was not devoid of challenges. Personal tragedies and professional setbacks marked his later years, yet his resolve and dedication to art remained unshaken.
For art enthusiasts and collectors, Théodore Rousseau's works are pivotal, not just for their beauty but also for their role in the history of landscape painting. His pieces like "The Great Oaks of Old Bas-Bréau" are cherished in collections worldwide, serving as enduring symbols of his talent and his profound influence on subsequent art movements.
For those interested in the intersection of nature and art, subscribing to updates on Théodore Rousseau can provide invaluable insights into his life's work, his contributions to the Barbizon school, and his lasting impact on the world of art. Stay informed about new discoveries, sales, and auction events related to Rousseau's oeuvre to deepen your appreciation and understanding of this illustrious artist's legacy.
Hans Thoma was a German painter.
In spite of his studies under various masters, his art has little in common with modern ideas, and is formed partly by his early impressions of the simple idyllic life of his native district, partly by his sympathy with the early German masters, particularly with Albrecht Altdorfer and Lucas Cranach the Elder. In his love of the details of nature, in his precise drawing of outline, and in his predilection for local coloring, he has distinct affinities with the Pre-Raphaelites.
Carl Spitzweg was a German romanticist painter, especially of genre subjects. He is considered to be one of the most important artists of the Biedermeier era.
Friedrich Preller the Elder was a German landscape painter and etcher. From 1832 he was a professor at the Fürstlichen freien Zeichenschule in Weimar. He was the father of the artist Friedrich Preller the Younger.
Stanislas Victor Edouard Lépine was a French painter who specialized in landscapes, especially views of the Seine.
Carl Ludwig Christoph Douzette, known as Louis Douzette, was a German landscape painter.
Jean-Baptiste-Camille Corot was a French landscape and portrait painter as well as a printmaker in etching. He is a pivotal figure in landscape painting and his vast output simultaneously referenced the Neo-Classical tradition and anticipated the plein-air innovations of Impressionism.
Jean-Baptiste-Camille Corot was a French landscape and portrait painter as well as a printmaker in etching. He is a pivotal figure in landscape painting and his vast output simultaneously referenced the Neo-Classical tradition and anticipated the plein-air innovations of Impressionism.
Hans am Ende was a German Impressionist painter.
In 1889 he co-founded the artists' colony in Worpswede with Fritz Overbeck, Otto Modersohn, and Heinrich Vogeler. In 1895 this group exhibited in the Kunsthalle Bremen and at the Glaspalast in Munich, which brought them national recognition. In 1900 the poet Rainer Maria Rilke travelled to Worpswede and befriended the artist's colony, eventually writing essays about each of its members.
Hans am Ende was a German Impressionist painter.
In 1889 he co-founded the artists' colony in Worpswede with Fritz Overbeck, Otto Modersohn, and Heinrich Vogeler. In 1895 this group exhibited in the Kunsthalle Bremen and at the Glaspalast in Munich, which brought them national recognition. In 1900 the poet Rainer Maria Rilke travelled to Worpswede and befriended the artist's colony, eventually writing essays about each of its members.
Narcisse Virgilio Díaz de la Peña was a French painter of the Barbizon school.
Díaz exhibited many pictures at the Paris Salon, and was decorated in 1851 with the rank of Chevalier (Knight) of the Légion d’honneur.
Auguste Anastasi is a French landscape painter of the Barbizon School.
Auguste Anastasi was a student of Paul Delaroche and Jean-Baptiste Corot. He painted landscapes around Paris, Normandy, Holland and Italy, in Rome and especially in Naples, but also in the Tyrol, of which he also made lithographs.
Jean-Louis-Ernest Meissonier was a 19th-century French artist. He was one of the most sought-after and highly paid artists of France of his era.
Ernest Meissonier is known as a major master of historical painting as well as of the genre of life and portraiture. He was also a sought-after sculptor, printmaker, and book illustrator.
Meissonier's work was highly valued by his contemporaries, and his paintings were very popular with the public, and their value often ran into hundreds of thousands of francs. Ernest Meissonier had authority in the French artistic community, so he often headed the jury at national and international exhibitions.
Jean-Louis-Ernest Meissonier was a 19th-century French artist. He was one of the most sought-after and highly paid artists of France of his era.
Ernest Meissonier is known as a major master of historical painting as well as of the genre of life and portraiture. He was also a sought-after sculptor, printmaker, and book illustrator.
Meissonier's work was highly valued by his contemporaries, and his paintings were very popular with the public, and their value often ran into hundreds of thousands of francs. Ernest Meissonier had authority in the French artistic community, so he often headed the jury at national and international exhibitions.
Eugène Galien-Laloue was a French artist. He was a populariser of street scenes, usually painted in autumn or winter.
His paintings of the early 1900s accurately represent the era in which he lived: a happy, bustling Paris, la Belle Époque, with horse-drawn carriages, trolley cars and its first omnibuses. Galien-Laloue's works are valued not only for their contribution to 20th-century art, but for the actual history, which they document. His work can be seen at the Musée des Beaux-Arts, Louvier; Musée des Beaux-Arts, La Rochelle; Mulhouse, France.
