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Sebastião Ribeiro Salgado is a Brazilian social documentary photographer and photojournalist.
He has traveled in over 120 countries for his photographic projects. Most of these have appeared in numerous press publications and books. Touring exhibitions of his work have been presented throughout the world.
Salgado is a UNICEF Goodwill Ambassador. He was awarded the W. Eugene Smith Memorial Fund Grant in 1982, Foreign Honorary Membership of the American Academy of Arts and Sciences in 1992 and the Royal Photographic Society's Centenary Medal and Honorary Fellowship (HonFRPS) in 1993. He has been a member of the Académie des Beaux-Arts at the Institut de France since April 2016.
Johann Sebastian Bach was a German Baroque composer, Kapellmeister, organist and teacher.
Johann Sebastian Bach was the youngest child in the family of musician Johann Ambrosius Bach (1645-1695) and belonged to a large family of North German musicians whose dynasty he himself traced back to his great-great-grandfather Veit Bach, a Lutheran baker in the late 16th century. Johann was orphaned at an early age and was taken into care by his older brother, the organist Johann Christoph Bach. In August 1703 he was appointed official organist of the church in Arnstadt, then from 1714 he worked as Kapellmeister and concertmaster at the Weimar court, to which time his first compositions date. In 1736 he was appointed court composer to the King of Saxony, thus recognizing his merits as a composer and organist. While working as a concertmaster, Bach also mastered almost all the instruments in the orchestra.
In the last years of his life, Bach was nearly blind and living poorly, and his Baroque music was considered outdated as tastes changed. But in the 19th century, interest in Bach's works increased dramatically, and he became the favorite composer of many subsequent musicians. Johann Sebastian's sons Wilhelm Friedemann, Carl Philipp Emanuel and Johann Christian continued the family dynasty and also became musicians. And Johann Sebastian Bach himself was surrounded by students throughout his life.
Although his contemporaries admired Bach's playing on the harpsichord and organ, today it is his compositions that are considered some of the finest works of mature Baroque music. His most widely known works today include the Brandenburg Concertos, the Well-Tempered Clavier, the Masses in B minor, and many other masterpieces of church and instrumental music. Bach's rich legacy includes sacred and secular compositions, especially cantatas, organ pieces and concertos (Bach composed more than 1,000 musical works in all significant genres of his time, except opera), which influenced many later composers. Johann Sebastian Bach was able to encompass and unite the major styles, forms and national traditions developed in previous generations. Today he is considered one of the greatest composers of all time.
Sebastiano Ricci, an Italian painter, was a significant figure in the late Baroque school of Venice. He moved to Venice at age 12 and was apprenticed to Federico Cervelli. His work took him across Italy and abroad to England and France, where he left his mark with grand decorative paintings and altarpieces that bridged the late Baroque and emerging Rococo styles.
Sebastiano Ricci's style evolved over the years, showing influences from various regions and artists. In Bologna, he was drawn to the Carracci tradition, while in Parma, he absorbed the color sensibilities of Correggio and Parmigianino. His Roman period allowed him to study the works of Baroque decorators, further refining his decorative and coloristic skills. By the time he returned to Venice, Ricci had developed a mature style that incorporated lessons from his travels, particularly from Paolo Veronese.
His works often depicted mythological and religious themes, filled with dynamic compositions and rich color schemes. Notably, his international commissions included decorative schemes for the Royal House of Savoy and significant works in England, where he collaborated with his nephew Marco Ricci. These contributions solidified his reputation across Europe.
Sebastiano Ricci's legacy is seen in his influence on later Venetian painters and his role in transitioning Venetian art from the Baroque to the Rococo. His works remain celebrated for their vibrancy, expressive light, and inventive compositions, holding a prominent place in the collections of major museums worldwide.
For collectors and art enthusiasts, Sebastiano Ricci's works offer a glimpse into a pivotal moment in art history, where the grandeur of the Baroque began to blend with the lighter, more playful elements of the Rococo. His paintings are not only visually stunning but also rich in historical context, reflecting the cross-currents of European art in the early 18th century.
To stay updated on exhibitions and sales featuring Sebastiano Ricci's works, consider subscribing to updates from art institutions and auction houses. This way, you'll be informed about opportunities to view or acquire pieces by this influential artist.
Sebastiano Ricci, an Italian painter, was a significant figure in the late Baroque school of Venice. He moved to Venice at age 12 and was apprenticed to Federico Cervelli. His work took him across Italy and abroad to England and France, where he left his mark with grand decorative paintings and altarpieces that bridged the late Baroque and emerging Rococo styles.
Sebastiano Ricci's style evolved over the years, showing influences from various regions and artists. In Bologna, he was drawn to the Carracci tradition, while in Parma, he absorbed the color sensibilities of Correggio and Parmigianino. His Roman period allowed him to study the works of Baroque decorators, further refining his decorative and coloristic skills. By the time he returned to Venice, Ricci had developed a mature style that incorporated lessons from his travels, particularly from Paolo Veronese.
His works often depicted mythological and religious themes, filled with dynamic compositions and rich color schemes. Notably, his international commissions included decorative schemes for the Royal House of Savoy and significant works in England, where he collaborated with his nephew Marco Ricci. These contributions solidified his reputation across Europe.
Sebastiano Ricci's legacy is seen in his influence on later Venetian painters and his role in transitioning Venetian art from the Baroque to the Rococo. His works remain celebrated for their vibrancy, expressive light, and inventive compositions, holding a prominent place in the collections of major museums worldwide.
For collectors and art enthusiasts, Sebastiano Ricci's works offer a glimpse into a pivotal moment in art history, where the grandeur of the Baroque began to blend with the lighter, more playful elements of the Rococo. His paintings are not only visually stunning but also rich in historical context, reflecting the cross-currents of European art in the early 18th century.
To stay updated on exhibitions and sales featuring Sebastiano Ricci's works, consider subscribing to updates from art institutions and auction houses. This way, you'll be informed about opportunities to view or acquire pieces by this influential artist.
Sebastian Pether was an English landscape-painter.
Hans Sebald Beham was a German painter and printmaker, mainly known for his very small engravings.
Sebastian Münster was a German Renaissance scholar, cartographer and cosmographer, historian and linguist-translator.
Münster studied at the University of Tübingen and later taught at the Universities of Basel and Heidelberg. He published several editions of Hebrew grammars and translations from that language, and was the first German to produce an edition of the Hebrew Bible.
In 1544 Münster published his Cosmographia, which was the earliest description of the history, geography, and organization of the world in German. This book was a great success, translated into many European languages and reprinted more than twenty times. "Cosmographia" contained many illustrations and geographical maps of the continents of the world, created by the best engravers of the time.
Among his other works were the "Trilingual Dictionary" (1530) in Latin, Greek, and Hebrew and the "Map of Europe" (1536).
Axel Kassebömer was a German artist known for his innovative and multidisciplinary approach to art.
Axel Kassebömer's artistic practice was characterised by a combination of conceptual and visual elements. He often explored the intersection of art, science and technology, incorporating scientific principles and mathematical concepts into his work. His art sought to provoke thoughtful contemplation and challenge traditional notions of perception and reality.
In his paintings, Kassebömer used geometric shapes, intricate patterns and vivid colours. He played with spatial relationships and optical illusions, creating dynamic compositions that invited viewers to engage intellectually and sensorially with works of art.
Axel Kassebömer's interest in photography led him to experiment with capturing movement, time and light. He used long exposures and multiple exposures to create abstract and ethereal images that conveyed a sense of fluidity and transformation.
Axel Kassebömer was a German artist known for his innovative and multidisciplinary approach to art.
Axel Kassebömer's artistic practice was characterised by a combination of conceptual and visual elements. He often explored the intersection of art, science and technology, incorporating scientific principles and mathematical concepts into his work. His art sought to provoke thoughtful contemplation and challenge traditional notions of perception and reality.
In his paintings, Kassebömer used geometric shapes, intricate patterns and vivid colours. He played with spatial relationships and optical illusions, creating dynamic compositions that invited viewers to engage intellectually and sensorially with works of art.
Axel Kassebömer's interest in photography led him to experiment with capturing movement, time and light. He used long exposures and multiple exposures to create abstract and ethereal images that conveyed a sense of fluidity and transformation.
Sebastian Gögel is a German painter and sculptor living and working in Leipzig.
Gögel graduated from the University of Graphic and Book Arts in Leipzig and has been working with Paul Hammer (1975) in the HAGEL project since 2005. Extremely diverse in his work, working methods, themes and concerns, Gögel fits into a unique tradition of German erudite conceptual artists. Through exaggerations, caricatures, and grotesques, Gögel simultaneously utilizes and refutes morality and representationalism. The artist's surrealistic paintings and highly varied styles are appealing and horrifying at the same time.
Käthe Kollwitz (born as Schmidt) was a German artist who worked with painting, printmaking (including etching, lithography and woodcuts) and sculpture. Her most famous art cycles, including The Weavers and The Peasant War, depict the effects of poverty, hunger and war on the working class. Despite the realism of her early works, her art is now more closely associated with Expressionism. Kollwitz was the first woman not only to be elected to the Prussian Academy of Arts but also to receive honorary professor status.
Käthe Kollwitz (born as Schmidt) was a German artist who worked with painting, printmaking (including etching, lithography and woodcuts) and sculpture. Her most famous art cycles, including The Weavers and The Peasant War, depict the effects of poverty, hunger and war on the working class. Despite the realism of her early works, her art is now more closely associated with Expressionism. Kollwitz was the first woman not only to be elected to the Prussian Academy of Arts but also to receive honorary professor status.
Käthe Kollwitz (born as Schmidt) was a German artist who worked with painting, printmaking (including etching, lithography and woodcuts) and sculpture. Her most famous art cycles, including The Weavers and The Peasant War, depict the effects of poverty, hunger and war on the working class. Despite the realism of her early works, her art is now more closely associated with Expressionism. Kollwitz was the first woman not only to be elected to the Prussian Academy of Arts but also to receive honorary professor status.
Käthe Kollwitz (born as Schmidt) was a German artist who worked with painting, printmaking (including etching, lithography and woodcuts) and sculpture. Her most famous art cycles, including The Weavers and The Peasant War, depict the effects of poverty, hunger and war on the working class. Despite the realism of her early works, her art is now more closely associated with Expressionism. Kollwitz was the first woman not only to be elected to the Prussian Academy of Arts but also to receive honorary professor status.
Käthe Kollwitz (born as Schmidt) was a German artist who worked with painting, printmaking (including etching, lithography and woodcuts) and sculpture. Her most famous art cycles, including The Weavers and The Peasant War, depict the effects of poverty, hunger and war on the working class. Despite the realism of her early works, her art is now more closely associated with Expressionism. Kollwitz was the first woman not only to be elected to the Prussian Academy of Arts but also to receive honorary professor status.
