unknown photographer
Jack W. Aeby is an American environmental physicist and photographer.
Aeby attended the University of Nebraska and was one of the first civilian employees of the Manhattan Project beginning in 1942. He worked on the project in many areas, starting with human transportation, then he was assigned as the chemical warehouse superintendent.
On July 16, 1945, while at base camp with all the official photographic equipment, Aeby took the only well-exposed color photograph of the first detonation of a nuclear weapon at the Trinity Nuclear Test Site in New Mexico, for which he became famous. The rest of the film was destroyed by the explosion. At the time of the photograph, Aeby was a civilian working in the health physics group with Emilio Segre.
Jack Aeby continued to work at Los Alamos during the Crossroads tests and eventually witnessed nearly 100 nuclear explosions. He then returned to work at Los Alamos National Laboratory in the Department of Health Physics.
Gerhard Richter is a German visual artist. Richter has produced abstract as well as photorealistic paintings, and also photographs and glass pieces. He is widely regarded as one of the most important contemporary German artists and several of his works have set record prices at auction.
Bert Stern, real name Bertram Stern, is an American fashion photographer and documentary filmmaker.
His career began with the iconic and legendary Smirnoff Vodka advertising campaign in 1955. Using a well-equipped studio, Stern experimented with many of the latest techniques, including videotaping, screen printing, photo offset combinations and computer prints. His brilliant work made him a star in the advertising world, photographing advertising campaigns for Canon, Dupont, Pepsi-Cola, US Steel and Volkswagen brands. One of the high points of Bert Stern's career was working for Vogue in the 1960s.
Despite his drug addiction, the fashion photographer was sought after by Madison Avenue, Hollywood and the international fashion scene for decades.
Stern was one of the last photographers to shoot Marilyn Monroe in June and July 1962, six months before her death. Some of these photographs were published in Vogue magazine. In 1982, Bert Stern published The Last Sitting, a book that includes many of his more than 2,500 images, including those that Monroe did not like and were crossed out.
Stern directed and cinematographed the films Jazz on a Summer's Day (1959), A Date with an Angel (1987), and The Unknown Marilyn (2012).
Helene Bertha Amalie "Leni" Riefenstahl was a German film director, photographer and actress known for her role in producing Nazi propaganda.
A talented swimmer and an artist, Riefenstahl also became interested in dancing during her childhood, taking lessons and performing across Europe. After seeing a promotional poster for the 1924 film Mountain of Destiny, she was inspired to move into acting and between 1925 and 1929 starred in five successful motion pictures. Riefenstahl became one of the few women in Germany to direct a film during the Weimar Period when, in 1932, she decided to try directing with her own film, Das Blaue Licht ("The Blue Light").
Helene Bertha Amalie "Leni" Riefenstahl was a German film director, photographer and actress known for her role in producing Nazi propaganda.
A talented swimmer and an artist, Riefenstahl also became interested in dancing during her childhood, taking lessons and performing across Europe. After seeing a promotional poster for the 1924 film Mountain of Destiny, she was inspired to move into acting and between 1925 and 1929 starred in five successful motion pictures. Riefenstahl became one of the few women in Germany to direct a film during the Weimar Period when, in 1932, she decided to try directing with her own film, Das Blaue Licht ("The Blue Light").
Helene Bertha Amalie "Leni" Riefenstahl was a German film director, photographer and actress known for her role in producing Nazi propaganda.
A talented swimmer and an artist, Riefenstahl also became interested in dancing during her childhood, taking lessons and performing across Europe. After seeing a promotional poster for the 1924 film Mountain of Destiny, she was inspired to move into acting and between 1925 and 1929 starred in five successful motion pictures. Riefenstahl became one of the few women in Germany to direct a film during the Weimar Period when, in 1932, she decided to try directing with her own film, Das Blaue Licht ("The Blue Light").
Helene Bertha Amalie "Leni" Riefenstahl was a German film director, photographer and actress known for her role in producing Nazi propaganda.
A talented swimmer and an artist, Riefenstahl also became interested in dancing during her childhood, taking lessons and performing across Europe. After seeing a promotional poster for the 1924 film Mountain of Destiny, she was inspired to move into acting and between 1925 and 1929 starred in five successful motion pictures. Riefenstahl became one of the few women in Germany to direct a film during the Weimar Period when, in 1932, she decided to try directing with her own film, Das Blaue Licht ("The Blue Light").
Helene Bertha Amalie "Leni" Riefenstahl was a German film director, photographer and actress known for her role in producing Nazi propaganda.
A talented swimmer and an artist, Riefenstahl also became interested in dancing during her childhood, taking lessons and performing across Europe. After seeing a promotional poster for the 1924 film Mountain of Destiny, she was inspired to move into acting and between 1925 and 1929 starred in five successful motion pictures. Riefenstahl became one of the few women in Germany to direct a film during the Weimar Period when, in 1932, she decided to try directing with her own film, Das Blaue Licht ("The Blue Light").
Helene Bertha Amalie "Leni" Riefenstahl was a German film director, photographer and actress known for her role in producing Nazi propaganda.
A talented swimmer and an artist, Riefenstahl also became interested in dancing during her childhood, taking lessons and performing across Europe. After seeing a promotional poster for the 1924 film Mountain of Destiny, she was inspired to move into acting and between 1925 and 1929 starred in five successful motion pictures. Riefenstahl became one of the few women in Germany to direct a film during the Weimar Period when, in 1932, she decided to try directing with her own film, Das Blaue Licht ("The Blue Light").
