Morocco
Yvonne Canu was a French painter and neo-impressionist who used pointillism and divisionism in her work. She studied at the Ecole des Arts Décoratifs in Paris and the Académie de la Grand Chaumiere.
Yvonne Canu's paintings were mainly landscapes and still lifes. Her works displayed a meticulous attention to detail and an emphasis on capturing the effects of light and colour. Using pointillism, she achieved a luminous quality in her paintings, with colours optically blending into one another when viewed from a distance.
Patrice Marchal is a contemporary French artist. Born in Abidjan, he then spent his childhood in Morocco. This look accustomed to wide open spaces, vast blue skies and distant horizons, the artist will transport them to France and transpose them into other landscapes, in the tradition of the painters of the Barbizon School. Self-taught painter, Patrice Marchal paints freely, opening up to everything and marveling at the beauty of the nature that surrounds us!
Mohamed Melehi was a Moroccan painter associated with the Casablanca school, a modernist art movement active in the 1960s in Morocco. Melehi became a professor at the School of Fine Arts of Casablanca, teaching painting, sculpture, and photography. In 1969, Melehi and his colleagues of the Casablanca school organized an exposition-manifeste, or protest exhibition, entitled Présence plastique. The artists displayed their works in Jemaa el-Fnaa in the Marrakesh medina, snubbing an official Moroccan art salon of happening at the same time. This exhibition is regarded as the founding moment of modernism in Morocco.
Carlos García Muela is a Spanish sculptor.
Carlos Muela studied at the National School of Fine Arts in Tetouan, Spanish protectorate of Morocco, he moved to Madrid in 1974.
His first sculptures were made of sandstone and were rather crude. Later he began to create more expressionist works in iron or bronze. In 1970, Muela began his series of Torsos of classical character, which became the basis of his work. The sculptor achieved highly expressive figures by breaking and layering them. This was achieved by spreading layers of wax, which broke at the moment of casting in bronze, thus enhancing the effect of the passage of time on the sculptural object.
Jacques Olivar is a Moroccan fashion and advertising photographer and filmmaker.
In his youth he worked as a pilot of passenger air transport, but by the age of 40 he finally realized that photography is his vocation. And he became successful quite quickly. Since 1987, fashion photography has become his main profession. Jacques Olivar works for leading fashion magazines and has won many awards.
Emotion, elegance and beauty are the invariable key elements underlying Jacques Olivar's photographic works. The black and white images create an atmosphere of neorealism, while the color images seem to reference the heyday of cinema and build on the idea of the "American Dream".
Vasily Ivanovich Shukhaev (Russian: Василий Иванович Шухаев) was a multifaceted Russian and Soviet artist, celebrated for his expertise as a painter, graphic artist, stage designer, and teacher. Born in Moscow in 1887, Shukhaev's artistic journey began at the Imperial Stroganov School of Industrial Art, where he was under the tutelage of prominent artists like K. A. Korovin and I. I. Nivinsky. His education continued at the St. Petersburg Academy of Arts, which paved the way for his diverse and influential career. Shukhaev's body of work is vast, encompassing hundreds of paintings, drawings, theater sketches, book illustrations, and monumental works, showcasing a deep engagement with genre paintings, still lifes, landscapes, and portraits.
Shukhaev's legacy includes a significant period of creativity and teaching in Paris in the early 20th century, after leaving Russia post-October Revolution. His Parisian phase was marked by innovative book illustrations for renowned literary works by Pushkin, Gogol, Dostoevsky, and others, demonstrating his unique ability to blend literary themes with visual artistry. Notably, his illustrations for Pushkin's "Queen of Spades" and "Boris Godunov" stood out for their stylistic nod to vintage prints and the emblematic use of symbols.
His art has been celebrated in various international exhibitions and is held in high regard by collectors and museums alike. Works such as "The Reigning Monarchs of the World" (1934), a group caricature published in Vanity Fair, reflect Shukhaev's versatile style and ability to capture the essence of his subjects with a mix of reverence and subtle critique.
For art collectors and enthusiasts interested in Russian and Soviet art, Vasily Ivanovich Shukhaev's oeuvre represents a bridge between classical traditions and modern artistic expressions. His work continues to captivate audiences with its historical depth, technical brilliance, and emotive power.
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