Iceland 20th century
Erro, real name Guðmundur Guðmundsson, is a contemporary Icelandic painter.
Erro studied painting at the Reykjavik and Oslo Art Academies between 1952 and 1954. He then moved to Italy, where he studied mosaic art in Florence and Ravenna until 1958.
Erro participated in the Venice Biennale in 1986. In 1989 he donated a large part of his works to the Reykjavik Art Museum.
The style of the paintings created by Erro lies on the border between surrealism and pop art. The main theme of his paintings is the depiction of modern civilisation, its technical perfection and its inhumanity. He also uses comic book techniques and science fiction themes in his work.
Louisa Matthíasdóttir, an Icelandic-American painter, left an indelible mark on the art world with her vibrant landscapes, portraits, and still lifes. Born in Reykjavík in 1917, Matthíasdóttir's early life in the iconic Höfði house and her exposure to the dramatic Icelandic scenery influenced her bold and clear artistic style. Her education spanned continents and artistic philosophies, studying first in Denmark, then under Marcel Gromaire in Paris, and finally under Hans Hofmann in New York City. This diverse education laid the foundation for her unique blend of realism and abstraction, characterized by simplified geometric shapes and luminous, saturated colors.
Matthíasdóttir's work, notably her Icelandic landscapes, became renowned for capturing the essence of her homeland with a distinctive clarity of light and color, despite her spending the majority of her life in the United States. Her ability to infuse the landscapes with life, often incorporating stylized figures of sheep and horses, brought a sense of warmth and immediacy to her work. Her contributions to the art world were recognized with awards and memberships, including the American-Scandinavian Foundation's Cultural Award and membership in the American Academy of Arts and Letters.
Her paintings are held in high esteem and are part of several prestigious collections, including the Hirshhorn Museum and Sculpture Garden in Washington, D.C., the Art Institute of Chicago, and the Reykjavík Art Museum. Notable exhibitions of her work include "From Unuhús to West 8th Street" at the Reykjavík Art Museum and a significant showing at the Tibor de Nagy Gallery in New York, which celebrated her Icelandic landscapes and her role in the avant-garde community both in Iceland and the United States.
For collectors and art experts, Matthíasdóttir's legacy is a testament to the power of cultural heritage and artistic innovation. Her works offer not just visual beauty but a bridge between the landscapes of Iceland and the bustling art scene of New York, reflecting a life lived between two worlds. Those interested in the intersection of culture, art, and history will find her work particularly compelling.
For updates on new product sales, auction events, and exhibitions related to Louisa Matthíasdóttir, signing up for specialized art and antique collector newsletters is highly recommended. This focused approach ensures enthusiasts and experts alike stay informed on opportunities to engage with Matthíasdóttir's influential and beautiful contributions to the world of art.