Spain Classicism
Antonio Gómez Cros was a Spanish painter, lithographer and decorator.
Antonio began studying painting at the Academy of Fine Arts of San Carlos in Valencia and completed his studies at the Royal Academy of Fine Arts of San Fernando. He was a representative of early romanticism with signs of classicism.
Antonio Gómez Cros specialized in historical scenes and was a recognized portrait painter. In 1846 he was appointed honorary chamber painter to Elizabeth II and painted several famous historical, battle and religious paintings in this position. The artist also painted walls and curtains in palaces and theaters.
Otto D. Douglas-Hill or Otto Douglas Douglas-Hill is a German painter, sculptor, and ceramist.
He studied at the Academy of Fine Arts in Berlin, in 1926 he founded his own workshop Douglas-Hillsche, where he produced vases, garden ceramics and tableware. Douglas-Hillsche also taught at the United State Schools of Liberal and Applied Arts in Berlin. In the 1930s he won the favor of the Nazi elite and worked for them, so after World War II he had to flee to Chile, and then he moved to Spain, where he lived for the rest of his days. Douglas-Hill mainly created prefabricated vessels with glazes of his own design.
Jusepe Martínez, a Spanish painter born in Zaragoza in 1602, was not just an artist but also a significant contributor to art literature. His work, "Discursos practicables del noblisimo arte de la pintura," written around 1675 but published posthumously in 1866, remains a testament to his expertise and his impact on the art world.
Martínez's journey in art took him beyond the borders of Spain. His studies and work in Italy, coupled with his experiences in Spain's major artistic and literary centers, notably enriched his perspectives. This broad exposure influenced his participation in the Aragonese school, where he was actively involved in the cultural life of his time. His interactions with prominent artists like Diego Velázquez and Alonso Cano, as well as with writers and intellectuals of the Spanish Golden Age, infused his work with a depth and richness that transcended the typical.
What sets Martínez's treatise apart is not just its practical insights into painting but its philosophical underpinnings. His discussions on art go beyond mere technique, delving into pictorial aesthetics and the very vocation of painting. This approach demonstrates a nuanced humanism, making his work resonate more with philosophical discourses than with typical instructional art books.
For art collectors and experts, Martínez's work offers more than historical knowledge. It provides a window into the artistic soul of the 17th century, reflecting the thoughts and practices of one of the period's most thoughtful artists. His writings not only guide the hand but also inspire the mind, offering valuable insights into the art of that era.
For those keen on exploring Martínez's legacy further, his self-portrait with his father, Klaas de 2de, around 1630, is a remarkable piece housed in the Zaragoza Museum. This work exemplifies his skill and artistic expression, offering a glimpse into his personal life and artistic journey.
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