Genre art Monumentalism
Dean Cornwell was an American illustrator and muralist. His oil paintings were frequently featured in popular magazines and books as literary illustrations, advertisements, and posters promoting the war effort. Throughout the first half of the 20th century he was a dominant presence in American illustration. At the peak of his popularity he was nicknamed the "Dean of Illustrators". He began his professional career as a cartoonist for the Louisville Herald. Soon thereafter he moved to Chicago, where he studied at the Art Institute and worked for the Chicago Tribune. Cornwell's paintings were in Cosmopolitan, Harper's Bazaar, Redbook, and Good Housekeeping magazines. He painted murals for the Los Angeles Public Library, the Lincoln Memorial Shrine in Redlands, California etc. Cornwell taught and lectured at the Art Students League in New York. He served as president of the Society of Illustrators from 1922 to 1926, and was elected to its Hall of Fame in 1959.
Yuri Konstantinovich Korolyov (Russian: Ю́рий Константи́нович Королёв) was a distinguished Soviet painter, monumental artist, and educator, renowned for his contributions to the art world. Born in 1929 and passing in 1992, Korolyov's career was marked by a profound dedication to the exploration of monumental and decorative compositions, painting, mosaics, and stained glass. His notable achievements include being honored as the People's Artist of the USSR in 1985 and serving as a corresponding member of the Academy of Arts of the USSR since 1983. Korolyov's influence extended beyond his artwork, as he was an esteemed professor at the Higher School of Industrial Art, where he shaped the minds of future artists, and notably held the position of Director at the Tretyakov Gallery from 1980 to 1992.
Korolyov's works are celebrated for their intricate detailing and profound thematic depth, capturing the essence of Soviet ideology through art. His masterpiece, "50 years of the USSR" in Tolyatti, created in 1981, stands as a testament to his skill in creating monumental art that resonates with historical significance and artistic beauty. This piece, among others, showcases Korolyov's mastery in blending artistic innovation with national pride, making his contributions invaluable to the Soviet art scene and beyond.
For art collectors and enthusiasts keen on exploring the works of a visionary who played a pivotal role in Soviet art history, Yuri Konstantinovich Korolyov's legacy offers a rich tapestry of cultural and artistic significance. His dedication to art education and his monumental contributions to the USSR's artistic heritage underscore the profound impact he had on the art world.
To stay updated on exhibitions and sales related to Yuri Konstantinovich Korolyov, signing up for updates is highly recommended. This subscription ensures that collectors and experts are informed about new opportunities to engage with Korolyov's enduring legacy, including upcoming auctions and events.
Diego María de la Concepción Juan Nepomuceno Estanislao de la Rivera y Barrientos Acosta y Rodríguez, more commonly known as Diego Rivera, was a prominent Mexican painter celebrated for his critical role in establishing the Mexican mural movement both nationally and internationally. Born on December 8, 1886, in Guanajuato, Mexico, to a well-to-do family, Rivera was a child prodigy in art, encouraged by his parents from a young age after they noticed his penchant for drawing. This early support included installing chalkboards and canvases on the walls of their home to foster his talent.
Rivera's art was not just limited to murals; he was also a key figure in Mexican Cubism and had a rich body of easel paintings. However, his murals, depicting scenes of Mexican society and reflecting his leftist political views, remain his most notable contributions. Some of his most famous works include "Man at the Crossroads," which stirred controversy due to its inclusion of Lenin, leading to its destruction at the Rockefeller Center in New York. Rivera's murals are scattered across Mexico and the United States, serving as historical documents that highlight his technical skill and deep social engagement.
His personal life was as colorful and tumultuous as his art, marked by multiple marriages, including to fellow artist Frida Kahlo. Their relationship was both passionate and stormy, significantly influencing their respective works. Rivera's legacy extends beyond his artwork; he was a mentor to several artists and left an indelible mark on the art world with his contributions to public art and his political activism. His works have been declared national monuments by the Mexican government, underscoring his pivotal role in the country's cultural heritage.
For collectors and experts in art and antiques, Rivera's works offer not only aesthetic beauty but also deep social and historical insights. If you're passionate about adding a piece of this rich cultural heritage to your collection or staying updated on auction events related to Diego Rivera's art, signing up for updates can provide you with timely information on new sales and exhibitions featuring his masterpieces.
Heinrich Steinhagen, full name Heinrich August Friedrich Johannes Steinhagen, was a German painter, graphic artist and sculptor.
Heinrich began as a self-taught painter with paintings and miniatures in Impressionist and Expressionist styles. He also worked with elements of Cubism and Dadaism and eventually arrived at simplistic monumentality. Steinhagen was a co-founder of the Hamburg Secession and a member of the Hamburg Artists' Association. In 1937, Steinhagen, like many other artists, was persecuted during the Nazi campaign and spent several months in a concentration camp in 1944. This undermined his health and in 1948 he died of lung cancer.
Heinrich Steinhagen's creative legacy amounted to about a thousand works: oil paintings, pen and ink drawings, etchings, watercolors, woodcuts and sculptures in glazed clay, stone and wood.
Walter Ufer is an American illustrator and muralist. He received his formal art education in Hamburg and Dresden, where he befriended the American artists Joseph Henry Sharpe and Ernest Blumenschein. In 1906, Ufer moved to Taos, New Mexico, where he became part of a group of painters known as the Taos Society of Artists.
Walter Ufer was drawn to the rugged landscape of the American West and the culture and daily life of the Pueblo Native Americans. Ufer's paintings are characterized by vivid colours and a free-spirited style of painting, conveying the energy and movement of his subjects. He often paints scenes of hunting, horseback riding and other outdoor activities.
Ufer's work was widely acclaimed during his lifetime and he received many awards for his paintings.