Artists Russia 20th century
Sultan Shamsutdinovich Abaev (Russian: Султан Шамсутдинович Абаев), a Chechen and Russian artist born on November 1, 1954, in Khaidarkan, Soviet Union, is celebrated for his distinctive contributions to landscape art. A member of the Artists Unions of Saint Petersburg and the Chechen Republic, Abaev's work exemplifies his profound connection to his cultural roots and the rich landscapes that inspire him.
Educated at the prestigious Repin Institute of Painting, Sculpture, and Architecture in Saint Petersburg, Abaev has been honored multiple times for his artistic achievements, including receiving the title of Honored Artist of the Russian Federation. His works have been internationally recognized, finding places in private collections across countries such as Germany, the United States, and Japan.
Abaev's career also includes time spent abroad in Sri Lanka and South Korea from 1991 to 1993, where he expanded his artistic horizons and produced a series of paintings influenced by these experiences. Today, his works are sought after by collectors, especially those interested in landscapes and cultural narratives embedded in art.
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Mikhail Georgievich Abakumov (Russian: Михаил Георгиевич Абакумов) was a Russian artist, celebrated for his diverse artistic contributions and his deep connection to his homeland, Kolomna. Born in 1948, Abakumov became a prominent figure in the Russian art scene, recognized as a People's Artist of Russia and a dedicated teacher and community leader in Kolomna.
Abakumov's artistic oeuvre includes industrial and genre canvases, evocative landscapes, and intimate portraits, which are held in high esteem across Russia and in private collections worldwide. Notable works like "Metallurg" (1974) and "Spring Morning" (1996) showcase his ability to capture the essence of Russian life and landscapes. His art has been exhibited extensively within Russia and internationally, including over thirty solo exhibitions since 1979, contributing significantly to the cultural tapestry of the Soviet and post-Soviet periods.
His works are part of prestigious collections, including the State Tretyakov Gallery, and have been featured in various museums across cities like Moscow, St. Petersburg, and internationally.
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Victor Ashotovich Abramyan (Russian: Виктор Ашотович Абрамян) was a Soviet and Russian artist of the second half of the twentieth and early twenty-first centuries. He is known as a painter, a representative of the Leningrad school.
Victor Abramyan created portraits, landscapes, still lifes and genre paintings. He participated in exhibitions from the early 1970s in Leningrad. Among his famous works are "Blockade everyday life", "Still Life with a Centennial", "Leningrad. 1942. Women on Guard in the besieged city", "Young Guests" and others.
Abramyan's works are in museums and private collections in Russia and many other countries.
Memet Abselyamovich Abselyamov (Russian: Мемет Абселямович Абселямов) was a mid-20th century Soviet artist of Crimean Tatar origin. He is known as a landscape painter.
Memet Abselyamov became famous in 1935 with his genre painting "Kolkhoznitsy Udarnitsy", which was awarded the All-Russian prize and acquired by the Moscow Museum of Folk Art. During his life in Tajikistan, where he came after the deportation of the Crimean Tatars, the artist created mainly landscapes, including the paintings "Night in the Crimea", "Crimean Cypresses", "Gurzuf. Where A. Pushkin visited", "Sunny Day", "Spring in Tajikistan", "The Last Ray" and others.
He was a member of such creative associations as "Krymkhudozhnik", the Union of Artists of the USSR, the Union of Artists of the Tajik SSR.
Yevgeniya Mikhailovna Adamova (Russian: Евгения Михайловна Адамова) was a Soviet artist of the second half of the twentieth century. She is known as a painter, People's Artist of the Turkmen SSR.
Yevgeniya Adamova, who moved to Turkmenistan from Ukraine in her youth, was educated at the Ashgabat Art School. During the Great Patriotic War, she creatively expressed herself as a poster artist in the TurkmenTAG agency. The artist created thematic paintings dedicated to the life of the Turkmen people and portraits. She held the post of deputy chairman of the Union of Artists of Turkmenistan.
Taisia Kirillovna Afonina (Russian: Таисия Кирилловна Афонина) was a Soviet artist of the second half of the twentieth century. She is known as a painter, graphic artist, representative of the Leningrad school.
Taisia Afonina participated in exhibitions since 1940, creating portraits, landscapes, genre compositions, still lifes and etudes. At the beginning of her career she was interested in military subjects, and then delved into the genre of portraiture and lyrical landscape. Her style is characterized by tonal painting, the rendering of light and air environments and subtle coloristic combinations. In the 1980s she preferred the watercolor technique, painting flowers such as roses, daisies and tulips. Her works are in museums and private collections in Russia and other countries.
Rudolf Alexander Agricola was a German sculptor. In the 1930s he studied with Gerhard Marcks in Halle and in Stedel with Richard Scheibe. In 1937 he followed Richard Scheibe to Berlin as a graduate student. He worked there until the end of the Second World War and received several awards.
Rudolf Agricola is known for his bronze sculptures with full figures and nudes. His work was influenced by Georg Kolbe and Aristide Maillol.
Manuel Khristoforovich Alajalov (Russian: Мануил Христофорович Аладжалов) was a prominent Russian and Soviet landscape painter and educator, born in 1862 in Nakhichevan-on-Don. Alajalov's work is distinguished by his exquisite landscapes that capture the essence of the Russian countryside. His paintings are noted for their masterful use of light and shadow, bringing a serene and lifelike quality to his depictions of nature.
Alajalov's career was marked by a deep commitment to portraying the natural world with authenticity and emotion. His art reflects a profound appreciation for the tranquility and beauty of rural Russia, making him a significant figure in the history of Russian art. Alajalov's legacy as a teacher also influenced many aspiring artists of his time, further cementing his place in the artistic community.
Alajalov's works are showcased in several major Russian museums, including the State Tretyakov Gallery, where art enthusiasts can experience his contribution to landscape painting. His paintings continue to be celebrated for their technical excellence and emotional depth, attracting collectors and admirers from around the world.
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Yuri Albert is a contemporary Russian artist, art theorist and educator; a member of the Moscow conceptualist circle. He currently lives and works in Moscow and Cologne.
Yuri Albert's works are in the collections of major Russian and international institutions.
Pyotr Filippovich Alberti (Russian: Пётр Филиппович Альберти) was a Soviet and Russian artist of the second half of the twentieth century. He is known as a painter, a representative of the Leningrad school.
Pyotr Alberti created portraits, landscapes, genre paintings. He actively exhibited since 1951 in Leningrad, demonstrating his works along with the masters of his time. The artist had a broad writing and bright coloring, expressive stroke and used various techniques. He paid special attention to the study of nature. In the late period of his career, he became fond of still life paintings with favorite motifs such as peonies and watermelons.
Alberti's works are preserved in museums and collections around the world.
Nikolai Ivanovich Andronov (Russian: Николай Иванович Андронов) was a Soviet artist of the second half of the twentieth century. He is known as a painter, muralist and teacher, considered one of the founders of the "severe style" in the art of the USSR.
Nikolai Andronov actively worked to liberalize the Soviet art scene. At the beginning of his career, he created thematic paintings, later focusing on landscapes. The artist was also involved in the decoration of buildings, including the clubhouse of the Soviet Embassy in the United States, the Paveletsky Railway Station and subway stations in Moscow. From 1992, he taught at the Surikov Moscow Art Institute and headed the composition department.
Valery Vladimirovich Androsov (Russian: Валерий Владимирович Андросов) is a Soviet and contemporary Russian artist. He is known as a sculptor, architect, designer, painter, graphic artist and teacher.
Valery Androsov creates landscapes, still lifes and portraits, as well as fantasy works. He is also known as the author of a large collection of ex-libris that accurately convey the character and interests of book owners. At different periods he served as chief artist of the Mosstroiplastmass Combine and director of the Mytishchi Picture Gallery. He also created monuments to those who died in the Great Patriotic War and to the pilots of the Mytishchi Aero Club, showing his skill in various artistic directions.
Boris Izraelievich Anisfeld (Russian: Борис Израилевич Анисфельд) was a Russian-American painter, set designer, illustrator, and educator, celebrated for his vivid use of color and imaginative scenery. Born in Bessarabia, Russian Empire, in 1878, Anisfeld's artistic journey led him from the Odessa School of Art to the Imperial Academy of Arts in Saint Petersburg, where he absorbed the influences of prominent artists like Ilya Repin and Igor Grabar. His distinct style caught the attention of Sergei Diaghilev, leading to his work with the Ballet Russe before World War I.
Anisfeld's contributions to art extend beyond his canvas, as his theater designs for Diaghilev's Ballets Russes and collaborations with notable figures like Michel Fokine and Anna Pavlova showcased his ability to blend fantasy with performance. His work with the Ballets Russes, including designing the production of "Sadko" and executing the visions of other celebrated artists for stage sets, marked a significant period in his career before he immigrated to the United States in 1917.
In America, Anisfeld continued his legacy, taking on roles such as a teacher at the Art Institute of Chicago and contributing to the cultural landscape through his stage designs and paintings. His work is recognized for its innovative approach to color and form, bridging the realms of painting and theater design to create immersive, emotionally resonant artworks. Anisfeld passed away in 1973, leaving behind a body of work that continues to inspire and captivate audiences.
For collectors and experts in art and antiques, Anisfeld's work represents a fusion of Russian and American art traditions, enriched by his imaginative approach and vibrant palette. His contributions to the development of modern art and theater design underscore the enduring relevance of his creative vision.
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Vladislav Leopoldovich Anisovich (Russian: Владислав Леопольдович Анисович) was a Soviet artist of the mid-twentieth century. He is known as a painter, graphic artist and teacher, a representative of the Leningrad school of painting.
Vladislav Anisovich participated in various exhibitions since 1935. His work included portraits, historical and genre compositions, as well as landscapes. Among the famous paintings of the artist are "The passage of K. Voroshilov's detachment from Lugansk to Tsaritsyn", "Assault on Perekop" and others. The master taught at the Leningrad Institute of Painting, Sculpture and Architecture.
His works are in various museums and private collections in many countries, including the State Russian Museum.
Yury Pavlovich Annenkov (Russian: Юрий Павлович Анненков) was a prominent Russian artist, renowned for his avant-garde book illustrations and portraits, as well as his work in theater and cinema. Born in 1889 in Petropavlovsk, Russian Empire, and passing away in 1974 in Paris, France, Annenkov's artistic journey was shaped by the tumultuous times he lived in. His work is celebrated for capturing the essence of an era marked by revolution and change, employing a style that is both dynamic and reflective of the Synthetism movement, emphasizing the synthetic essence of his subjects.
Annenkov's early years were spent in St. Petersburg, where he was influenced by prominent figures and movements of the time. He honed his skills in Paris, working in the studios of Maurice Denis and Félix Vallotton, and later, his talents led him to design iconic works for the Bolshevik government, such as the staging of "The Storming of the Winter Palace". His acclaimed book "Portraits," published in 1922, featured 80 pictures of key Russian art figures, showcasing his exceptional talent in capturing personalities through his art.
In 1924, Annenkov left Soviet Russia, eventually settling in Paris, where he continued to flourish as an artist, working on landscapes, female portraits, interiors, and achieving success in the film industry as a costume designer, notably receiving an Academy Award nomination for his work.
Among his notable works are "Dreams of a Provincial (Borovichi)," "Portrait of Elena Borisovna Annenkova," "June. Forest," "Portrait of Miron Abramovich Sherling," "Portrait of A.M. Gorky," and the "Illustration for the poem 'The Twelve' by A.A. Blok," each piece highlighting his ability to blend academic drawing with avant-garde techniques.
For collectors and art and antiques experts, Annenkov's works offer a glimpse into the rich tapestry of 20th-century Russian art, marked by its innovation, depth, and historical significance. His legacy continues to inspire and captivate audiences worldwide.
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Pavel Efimovich Anosov (Russian: Павел Ефимович Аносов) was a remarkable artist and painter, renowned for his evocative depictions of the Zabaykalsky landscapes. Despite lacking formal artistic education, his passion for painting was ignited while working as a draftsman and later as an artist in a club. Following his demobilization in 1946, he joined the Chita Artistic Production Workshops of the Art Fund and attended the studio associated with the Fund. His artistic journey commenced, and by 1949, he was actively exhibiting his works.
Anosov's artistic focus predominantly revolved around the Zabaykalsky landscapes, capturing their essence with mesmerizing skill. In addition to landscapes, he ventured into still life paintings and thematic works. However, in the late 1970s, he left Chita, seeking new horizons. Today, his masterpieces are preserved in the archives of the Zabaykalsky Regional Museum, a testament to the enduring legacy of Pavel Anosov's artistic brilliance.
Evgenia Petrovna Antipova (Russian: Евгения Петровна Антипова) was a notable Russian painter, graphic artist, and art teacher. She stood out for her genre compositions, portraits, landscapes, and still lifes, primarily utilizing oils and watercolors. Evgenia Antipova's works often depicted apple orchards and Crimean landscapes, showcasing her profound connection to nature and her ability to capture its essence.
Evgenia Antipova's education at the prestigious Repin Institute of Arts shaped her artistic journey, leading to a career enriched with personal exhibitions and a significant presence in the art community. Not only did her artworks gain recognition in Russia, but they also found their way into international collections and exhibitions, notably in France, Germany, the United States, and the United Kingdom.
Throughout her career,Evgenia Antipova was an active participant in various significant exhibitions, displaying her works alongside other renowned artists. Her contributions to the art world were recognized with personal exhibitions in Saint Petersburg and inclusion in art auctions and exhibitions abroad.
Evgenia Antipova's paintings are part of prestigious collections, including the State Russian Museum, and continue to be celebrated in art museums and private collections globally. Her legacy as a prominent figure in the Leningrad School of painting endures, captivating art enthusiasts and collectors with her vivid and emotionally resonant works.
For those interested in Russian art, particularly the Leningrad School of painting, Evgenia Petrovna Antipova's oeuvre offers a rich exploration of genre compositions and landscapes, reflecting the artistic vibrancy of her era. Collectors and art experts are encouraged to delve into her works and consider signing up for updates on exhibitions and sales featuring her paintings.
Mark Matveyevich Antokolsky (Russian: Марк Матве́евич Антоко́льский) was a 19th century Russian sculptor and writer. He is known as a representative of the realistic style and as the first sculptor of Jewish origin to gain international fame.
Mark Antokolsky devoted most of his career to the depiction in marble, plaster and bronze of the real characters of Russian history and achieved wide recognition already at a young age. His works were highly appreciated not only in Russia but also abroad and the artist was elected a member of many European academies of arts.
Mark Antokolsky was also a very successful writer. He often wrote publicistic articles on the development of the visual arts, and shortly before his death he published a novel describing real-life events in the life of the Jews in the Russian Empire.
Although from the early 1870s Mark Antokolsky spent most of his time living in France, he never lost touch with Russia - he constantly carried out orders for the royal family and the Russian Academy of Arts, wrote articles for Russian magazines, and regularly held solo exhibitions of his works in St. Petersburg.
Fyodor Vasilievich Antonov (Russian: Фёдор Васильевич Антонов) was a Soviet and Russian artist of the twentieth century. He is known as a painter, graphic artist, textile artist, teacher, and professor.
Fyodor Antonov created landscapes, portraits and thematic compositions. In his genre works he immortalized the life and life of Soviet youth, as well as the formation of industry in the USSR. During the Great Patriotic War, the artist created portraits of heroes, as well as posters with a simple and direct pictorial form. Antonov's works are in various museum collections, including the Tretyakov Gallery, the Russian Museum and many private collections.
Pyotr Yakovlevich Anurin (Russian: Петр Яковлевич Анурин) was a Soviet and Russian artist of the second half of the twentieth century. He is known as a painter, author of lyrical landscapes, often depicting the architecture of ancient Russian cities.
Pyotr Anurin was nicknamed "spring artist" by his contemporaries for his subject matter, style and technique of painting. Spring was a special time for the master, during this period he created many canvases, such as "Spring", "The Last Snow" and others. The main theme of his works in the last years of his life was the Central Russian landscape.
The artist's works are in various art galleries and private collections in many countries, including Russia, England, Germany, France, Israel and China.
Boris Vladimirovich Arakcheyev (Russian: Борис Владимирович Аракчеев) was a Soviet and Belarusian artist of the second half of the twentieth and early twenty-first centuries. He is known as a painter and teacher.
Boris Arakcheyev worked in easel painting in the genres of landscape, still life, thematic paintings and battle scenes. A series of portraits of contemporaries and famous people occupies a special place in his creative heritage. He also worked in monumental painting - he was one of the creators of the diorama "Minsk Cauldron" in the Museum of the History of the Great Patriotic War of Belarus.
Anatoly Afanasyevich Arapov (Russian: Анатолий Афанасьевич Арапаов) was a Russian and Soviet artist, born in St. Petersburg in 1876 and passing away in Moscow in 1949. His artistic journey began after graduating from high school in 1892, leading him to study at the Moscow Boundary Institute where he initially acquired artistic skills. Arapov's dedication to art became undeniable, prompting him to enroll in the Moscow School of Painting, Sculpture and Architecture in 1897, where he was deeply involved in applied art, book design, and theater.
Arapov's early works, particularly around 1900 and 1910, were influenced by Symbolism, but he transitioned through a phase of Constructivism in the 1920s before dedicating himself to Socialist Realism from the 1930s onward. His versatile talent spanned across painting, graphic arts, and set design, making significant contributions to theater and film. Notably, he designed plays for leading theaters across major Russian cities and worked on popular films in the 1920s and 1930s.
His oeuvre includes portraits, still lifes, and landscapes, featuring views of ancient parks and Russian architecture. Arapov's works are celebrated for their stylistic diversity, capturing the essence of Symbolism, Constructivism, and Socialist Realism. His contributions are recognized in museum collections, including the State Tretyakov Gallery and the Saratov State Art Museum named after Radishchev, among others.
For collectors and art experts, Arapov's works offer a glimpse into the evolving art styles of early to mid-20th century Russia. To stay informed on sales and auction events featuring Anatoly Afanasyevich Arapov's art, signing up for updates can provide exclusive access to new discoveries and opportunities to acquire pieces by this multifaceted artist.
Lydia Ivanovna Arionescu-Baillayre (Russian: Лидия Ивановна Арионеско-Балльер) was an early twentieth-century Russian artist of Moldovan origin. She is known as a painter, a representative of Post-Impressionism and Neo-Impressionism.
Lydia Arionescu-Baillayre created still lifes and portraits. She was a member of the first St. Petersburg society of experimental and innovative artists "Union of Youth".
Abram Efimovich Arkhipov (Russian: Абра́м Ефи́мович Архи́пов) was a distinguished Russian realist artist, celebrated for his profound contributions to the world of art through his depictions of Russian peasantry and rural landscapes. Born in the village of Yegorovo, Ryazan Oblast, in 1862, Arkhipov's early life in a peasant family deeply influenced his thematic focus and artistic direction. His education at the Moscow School of Painting, Sculpture and Architecture, and later at the Imperial Academy of Arts, under the tutelage of prominent Russian artists such as Vasily Perov, Vasily Polenov, and Vladimir Makovsky, honed his skills and shaped his artistic vision.
Arkhipov's membership in the art collective The Wanderers and the Union of Russian Artists underscored his commitment to exploring the lives and struggles of Russian women and peasants, themes that recur throughout his work. His realist paintings often depicted the grim realities faced by these subjects, yet he also celebrated their resilience and spirit, as seen in his vibrant portrayals of peasant women in traditional dresses. Furthermore, Arkhipov's dedication to plein air painting allowed him to capture the essence of rural Russia and the northern landscapes with authenticity and emotional depth.
His notable works, such as "The Washer Women" and "Spring Holiday," are celebrated for their intricate depiction of Russian life and culture, providing viewers with a window into the soul of the Russian people. These masterpieces, along with others, have earned places in prestigious museums and galleries, including The Metropolitan Museum of Art, where his work "Ivan Rodin" from 1928 is part of their collection, symbolizing his enduring legacy in the world of art.
For collectors and experts in art and antiques, Arkhipov's works represent not only significant artistic achievements but also important cultural artifacts that offer insights into the historical and social contexts of his time. His paintings are a testament to his skill, sensitivity, and unique perspective on the Russian way of life, making him a pivotal figure in the Russian realist movement.
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Yeranui Arshakovna Aslamazyan (Russian: Ерануи Аршаковна Асламазян) was a Soviet and Russian artist of the second half of the twentieth century of Armenian origin. She is known as a painter and graphic artist.
Yeranui Aslamazyan created portraits, landscapes, still lifes and genre paintings. She also experimented with theater design, prints and ceramics. An Orientalist artist, she was part of the Soviet artistic elite in Leningrad and Moscow. With the support of the Soviet Union authorities, she traveled the world, visiting many countries. Her works are in museums in London, Sofia, Berlin, St. Petersburg, Venice, Tokyo, and Delhi.
Mariam Arshaki Aslamazyan (Russian: Мариам Аршаковна Асламазян) was a renowned Soviet-Armenian painter, often hailed as the "Armenian Frida Kahlo" due to her vibrant and expressive works that prominently featured elements of Armenian culture. Born on October 20, 1907, in Alexandropol (now Gyumri), Armenia, Aslamazyan was celebrated for her unique style which blended traditional Armenian themes with modernist influences.
Throughout her career, Aslamazyan's artwork received significant accolades, including the prestigious titles of People's Artist of the Armenian SSR in 1965 and People's Artist of the Soviet Union in 1990. Her paintings are characterized by their vivid colors and dynamic compositions, often focusing on still lives, narrative scenes, and portraits.
Aslamazyan's works are preserved and displayed in several major collections, notably at the Gallery of Mariam and Eranuhi Aslamazyan Sisters in her hometown, which showcases an extensive array of her oil paintings and ceramic works. Her artistic legacy continues to be celebrated in exhibitions and holds a significant place in Armenian cultural heritage.
For those interested in exploring more about Mariam Arshaki Aslamazyan's life and art, or in acquiring works associated with her, consider subscribing for updates on new product sales and auction events related to her work. This subscription will keep you informed about opportunities to engage with Aslamazyan's art legacy.
Robert Petrosovich Avakyan (Russian: Роберт Петросович Авакян) was a Soviet and Uzbek artist of the second half of the twentieth and early twenty-first centuries of Armenian origin. He is known as a painter, graphic artist, sculptor and teacher.
Robert Avakyan was trained in painting, but he is most famous as an author of monumental sculptures. He worked actively in Tashkent, participating in numerous exhibitions, including international sculpture competitions. The master also left his mark in such Uzbek cities as Bukhara, Nukus and Yangibazar, where he created significant monumental works.
Gennady Fyodorovich Babikov (Russian: Геннадий Фёдорович Бабиков) was a Soviet and Turkmen artist of the twentieth century. He is known as a painter, graphic artist, watercolorist, master of landscape and still life and is considered the founder of the genre of Turkmen industrial landscape, representative of the Russian academic school of painting in Central Asia.
Gennady Babikov participated in the Great Patriotic War, at the front he created more than 100 graphic portraits of fellow soldiers. The artist was famous for his linocuts, and also developed a still life style, which was called "Babikov's" in Turkmenistan.
His works are in many private collections around the world.
Sattar Bahlulzade (Russian: Саттар Бахлул оглы Бахлулзаде) was a 20th-century Azerbaijani Soviet landscape painter. He is known as a painter, graphic artist, landscape painter and caricaturist.
Bahlulzade created lyrical landscapes praising Azerbaijani nature, which were characterized by realism and detail. As a classical landscape painter he was especially famous for his second period of creativity (1940-1960). The artist's paintings were closely intertwined with the traditions of Azerbaijani art, and in the last years of his life the influence of Neo-Impressionism was manifested. Bahlulzade also created graphic works, including still lifes.
World museums preserve about 150 paintings and 30 graphic works by this artist.
Leon Bakst (Russian: Лев Самойлович Бакст) was a prominent Russian painter and stage designer, celebrated for his innovative contributions to the world of art and theater. Born in the late 19th century, Bakst became a central figure in the cultural renaissance that swept through Russia and Europe, leaving an indelible mark on the visual and performing arts.
Bakst's work is distinguished by its rich use of color, intricate patterns, and imaginative compositions, which brought to life the exotic and often fantastical themes of the ballets and operas for which he designed. His association with the Ballets Russes, a groundbreaking ballet company that performed across Europe and America, solidified his reputation as a visionary artist. The costumes and sets he created for productions like "The Firebird" and "Scheherazade" were celebrated for their creativity and exoticism, influencing not only the world of theater but also fashion and interior design.
His art extends beyond the stage, with paintings and illustrations that capture the same vibrancy and innovation found in his theatrical work. Museums and galleries around the world, including the State Russian Museum in St. Petersburg and the Metropolitan Museum of Art in New York, house his works, allowing art lovers to experience the magic of Bakst's creations.
For collectors and experts in art and antiques, Leon Bakst's work offers a unique glimpse into a transformative period of cultural history, where the boundaries of art and performance were reimagined. His legacy continues to inspire and captivate, making his pieces highly sought after in the art world.
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Irina Mikhailovna Baldina (Russian: Ирина Михайловна Балдина) was a Soviet and Russian artist of the second half of the twentieth and early twenty-first centuries. She is known as a painter, a representative of the Leningrad school.
Irina Baldina participated in exhibitions in Leningrad since 1952. Her work covered a variety of genres, including portraits, landscapes, still lifes and genre compositions. From 1960 to 1980, her works were characterized by themes of modernity, nature and people of Zaonezhye. Her style was characterized by broad brushstrokes, decorative and mastery in conveying the colors of northern nature.
Her works are in museums and private collections all over the world, including Russia, France, USA, Japan and other countries.
Issa Abasovich Barkhanoyev (Russian: Исса Абасович Барханоев) was a Soviet and Russian Ingush artist of the last quarter of the twentieth and early twenty-first centuries. He is known as a painter, draughtsman, landscape painter, genre painter and poet, a self-taught artist.
Issa Barkhanoyev created more than 500 paintings during his career, in which, according to critics, he skillfully conveyed his deep thoughts and feelings through images and symbols, and these works of art epitomize spirituality and life philosophy. The works of the folk artist are in museums of the Republic of Ingushetia and private collections.
Pavel Ivanovich Basmanov (Russian: Павел Иванович Басманов) was a Soviet and Russian artist of the twentieth century. He is known as a painter, book graphic artist and illustrator.
Pavel Basmanov devoted his entire career, beginning in 1929, to book graphics, and was a member of the bureau of the graphic section of the Union of Artists. He is also known for his series of watercolor works, including "Old Siberia" and "Walking". His art was characterized by a unique approach based on religious motifs.
The master's works are in the collections of the State Russian Museum, the Tsarskoye Selo State Collection and private collections.
Vasily Nikolaevich Basov (Russian: Василий Николаевич Басов) was a Soviet artist of the mid-twentieth century. He is known as a painter, graphic artist, and representative of socialist realism in art. His oeuvre includes landscapes, portraits and genre paintings, with a special focus on rural subjects.
Since 1943 Vasily Basov actively participated in exhibitions, both national and international. His works have been exhibited in various countries, including Poland, China, Bulgaria and Romania.
Basov's works are in the collections of the State Tretyakov Gallery, the State Art Museum of the Altai Territory and other museums, as well as in private collections.
Elena Mikhailovna Bebutova (Russian: Елена Михайловна Бебутова) was a Russian and Soviet artist of the mid-twentieth century of Georgian-Armenian origin. She is known as a painter, graphic artist and scenographer.
Elena Bebutova evolved from a fascination with cubism and futurism in her early work to a more decorative and realistic style. In 1917, she began working on the decoration of performances in various theaters in Russia, and held a personal exhibition in Moscow in 1923. Returning to the USSR after business trips to Berlin and Paris, she became one of the founding members of the society "Four Arts". Her work in the theater was closely linked to the directing activities of her brother Valery Bebutova; their last collaboration was a production of Hamlet at the Vitebsk Belorussian Theater in 1946 and 1955.
Bebutova is also known as a model for portraits created by her husband Pavel Kuznetsov.
Victoria Markovna Belakovskaya (Russian: Виктория Марковна Белаковская) was a Russian Soviet artist of the mid-twentieth century. She is known as a painter, graphic artist and representative of the Leningrad school of painting.
Victoria Belakovskaya participated in exhibitions of Leningrad artists since the early 1930s. Her work covers various genres, including portraits, genre compositions, still lifes and landscapes. Her famous works include "Pioneer Girl" (1931), "Self-Portrait with a Cigarette" (1936), "Leningrad Landscape" (1953), "Spring Flowers. Still Life" (1961), a series of landscapes of Altai, Crimea, Kiev and others.
Works by the artist are in the collections of museums in Russia, Great Britain, USA, France and other countries.
Yuri Vladimirovich Belov (Russian: Юрий Владимирович Белов) was a Soviet and Russian artist of the second half of the twentieth and early twenty-first centuries. He is known as a painter, a representative of the Leningrad school, who worked in the genres of portrait, landscape, still life and historical painting.
Yuri Belov actively participated in exhibitions since 1954. In 1960-1980 the main theme of his work was the images of Lenin and the history of the revolutionary movement. The artist's manner evolved from strict objectivism to a more decorative and impressionistic style.
The master's works are in museums in Russia, France, the USA, Germany and other countries, as well as in private collections.
Pavel Petrovich Benkov (Russian: Павел Петрович Беньков) was a Russian and Soviet artist of the first half of the twentieth century. He is known as a painter, graphic artist, theater decorator, and teacher.
Pavel Benkov created portraits, landscapes, cityscapes, genre paintings. His style in his mature years can be described as impressionist, with attention to color and light. In 1929 he moved to Central Asia, where his style took on unique characteristics, reflecting local landscapes and culture. His work has had a significant influence on the painting traditions of Uzbekistan and Central Asia.
Alexandre Nikolayevich Benois (Russian: Алекса́ндр Никола́евич Бенуа́) was a distinguished Russian artist, art critic, and historian, celebrated for his pivotal role in the art world, particularly in painting and stage design. Born into a family deeply embedded in the cultural fabric of Russia, Benois was instrumental in the development of the Russian artistic movement at the turn of the 20th century. His contributions to art and culture extend beyond his vivid paintings; he was a founding member of the World of Art (Mir iskusstva), a significant art movement and magazine that sought to elevate Russian artistry on the global stage.
Benois' work is notable for its intricate detailing, vibrant use of color, and the ability to convey deep narratives within each piece. His designs for ballets such as "Petrushka" and "The Sleeping Beauty" remain iconic, showcasing his mastery over the fusion of visual art and performance. This synthesis not only enhanced the ballets’ visual appeal but also deepened the audience's engagement with the narrative. Museums and galleries around the world, including the Russian Museum in St. Petersburg and the Tretyakov Gallery in Moscow, house his works, underscoring his global recognition and the enduring appeal of his artistic vision.
For collectors and experts in art and antiques, Benois' oeuvre represents a fascinating exploration of early 20th-century Russian culture, art, and the avant-garde movement. His ability to blend traditional Russian themes with the modernist trends of his time makes his work a valuable study in the evolution of modern art. Those interested in the rich tapestry of Russian cultural history and the interplay between art and performance will find Benois' contributions invaluable.
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Jean Béraud was a French painter renowned for his numerous paintings depicting the life of Paris, and the nightlife of Paris society. Pictures of the Champs Elysees, cafés, Montmartre and the banks of the Seine are precisely detailed illustrations of everyday Parisian life during the "Belle Époque". He also painted religious subjects in a contemporary setting.
Igor Borisovich Berezovsky was a Soviet and Russian artist, graphic artist and designer.
Igor Berezovsky was interested in the texture of television images; he reproduced magazine photographs and brought them to the brink of extinction with the help of large screen prints; he introduced unexpected textures into images using all kinds of "rubbish"; he paraphrased Folon and Dibbets, Warhol and Dürer.
Richard Bergholz (Russian: Ричард Александрович Берггольц) was a Russian painter known for his remarkable landscape works. Born in 1865 in St. Petersburg, he studied at the Academy R. Julien in Paris and later in Düsseldorf and the Imperial Academy of Arts in Russia. Bergholz is celebrated for his lyrical landscapes, often depicting the changing seasons with a focus on light and atmosphere.
Bergholz's technique predominantly involved watercolor and ink, and his works were well-received in numerous exhibitions throughout Russia and Europe. He was a member and chairman of the Society of Russian Watercolors and one of the founders of the Society of Artists named after A. I. Kuindzhi.
Some of Bergholz's notable works, such as "Golden Autumn" and "A Beach at Low Tide," are housed in prestigious collections, including the State Tretyakov Gallery and the State Russian Museum.
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Yakov Tarasovich Besperstov (Russian: Яков Тарасович Бесперстов) was a Russian Soviet artist of the second half of the twentieth century. He is known as a painter, muralist, representative of the Leningrad school of painting.
At the initial stage of his career, Yakov Besperstov worked in the field of monumental and decorative painting, participating in the painting of various buildings. Later he moved to easel painting, creating portraits, genre paintings, as well as urban landscapes. His works were exhibited at exhibitions from the late 1950s and were appreciated by leading artists of Leningrad. The master traveled extensively throughout various regions of Russia and other countries, including France.
His works are in museums and private collections in various countries, including Russia, France, Belgium, Germany, Spain and Italy.
Boris Vasilievich Bessonov (Russian: Борис Васильевич Бессонов) was a Russian painter, born in 1862 and passed away in 1934. Renowned for his contributions to Russian Academic Art, Bessonov is celebrated for his captivating landscapes and rural scenes that often depicted the serene beauty of the Russian countryside
Bessonov's work is characterized by meticulous attention to detail and a profound ability to capture the changing seasons and atmospheric conditions. His paintings, such as "Park in Autumn" and "Winter Landscape," reflect a deep appreciation for nature's tranquility and the subtle nuances of light and shadow. These pieces exemplify his skill in rendering the natural world with both realism and a poetic touch.
His art has been exhibited in prestigious institutions, including the Musée d'Orsay, which holds some of his notable works. Bessonov's paintings frequently appear at auctions, demonstrating a sustained interest and admiration for his work among collectors and art enthusiasts.
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Georgy Nikolaevich Bibikov (Russian: Георгий Николаевич Бибиков) was a Russian and Soviet artist of the mid-20th century. He is known as a painter, graphic artist, illustrator, muralist and theater artist of the Leningrad school, working in the genres of landscape, portrait, still life and thematic painting.
Georgy Bibikov began participating in art exhibitions in 1920. Among his famous works are "Loaders", "Young Red Fleets Receive Uniforms", "Greetings to the Winners", "Trench Truth" and others. His works are in the State Russian Museum and in museums and private collections in Russia, Ukraine, Germany and France.
Ivan Yakovlevich Bilibin (Russian: Ива́н Я́ковлевич Били́бин) was a Russian illustrator, stage designer, and teacher, famed for his fairy tale illustrations and stage designs that drew heavily from Russian folklore and traditional art. Born in 1876 in St. Petersburg and passing away in 1942 during the Siege of Leningrad, Bilibin's career spanned a period of great change in Russia, from the pre-revolutionary times through to the Soviet era. His work is celebrated for its intricate detail, vibrant colors, and deep homage to Slavic myths and legends.
Bilibin's journey into the world of art and folklore began after his studies at the St. Petersburg University and the Munich art school. He was deeply influenced by Russian folklore, as well as modern French and Japanese art. This amalgamation of influences resulted in a unique style that made his work stand out. His illustrations for Russian folk tales, such as "The Frog Princess," "Vasilisa the Beautiful," and "Marya Morevna," are among his most celebrated works, encapsulating the essence of Russian narrative traditions.
Bilibin's career was not confined to illustration. He made significant contributions to the world of theater, designing sets for operas and ballets that further entrenched his reputation. His work took him beyond Russia, with periods spent in Egypt and France, where he continued to produce work for the Russian émigré and European communities. Despite the political turmoil of his time, Bilibin remained deeply connected to his roots, returning to Soviet Russia in 1936, where he continued his artistic and academic pursuits until his death in 1942.
For collectors and experts in art and antiques, Bilibin's works represent a bridge between the mystical past and the artistic innovations of the early 20th century. His legacy is preserved in museums and galleries worldwide, offering a glimpse into a world where folklore and art intertwine.
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Boris Georgievich Birger (Russian: Борис Георгиевич Биргер) was a Soviet artist of the second half of the twentieth century of Jewish origin. He is known as a portrait painter, a representative of "unofficial art", a follower of symbolism.
Boris Birger developed his individual style of portrait painting, recognizable by his colorism. He often portrayed representatives of the liberal creative intelligentsia and was twice expelled from the Union of Artists of the USSR because of his criticism of official cultural policy.
In the 1970s his work was recognized abroad, especially in Germany, and from 1990 he lived in that country.
