Draftsmen High Renaissance
Amico Aspertini was an Italian Renaissance painter, draughtsman, and sculptor, considered one of the leading representatives of the Bolognese school of painting.
He was trained in the family workshop and was influenced by the artists of the Ferrara school, Ercole de'Roberti, Lorenzo Costa, and Francesco Francia. He worked as a painter and sculptor, and was also an excellent draughtsman, as evidenced by his many surviving drawings and sketches. Contemporaries marveled at his complex and impulsive character and noted that he worked with both hands simultaneously.
Aspertini painted splendid portraits as well as numerous frescoes and altarpiece paintings in chapels and churches in Italy. Many of his works are eccentric and eclectic, even whimsically fantastical, his complex style anticipating Mannerism.
Peter Candid was a Flemish painter, tapestry designer, draughtsman and sculptor.
Pieter Candide worked mainly in Italy and Germany. He was an artist at the court of the Medici in Florence and at the Bavarian court of Duke Wilhelm V and his successor Maximilian I in Munich.
His paintings range from historical paintings, portraits, mythological scenes and allegories. He created large altarpiece images as well as complex decorative designs.
Candide's style was characterised by a combination of Italian and Flemish influences, with a particular emphasis on detailed, realistic depictions of the human form.
Jacopo da Pontormo, an Italian painter born in 1494, was a pivotal figure in the Mannerist movement, diverging from the High Renaissance's balanced compositions to explore more expressive and emotionally charged art. His work is celebrated for its unusual color palettes, elongated forms, and a unique approach to perspective, all of which contribute to the intensely emotional effect of his paintings.
Operating in Florence, Pontormo's art is distinguished by its vivid expressiveness and dramatic tension, characteristics that set him apart from his contemporaries. His ability to convey deep psychological complexity through his subjects has left a lasting impact on the history of art, making his works highly prized among collectors and scholars alike.
One of his most acclaimed works, the "Deposition from the Cross" in the Capponi Chapel in Florence, exemplifies his innovative approach to composition and color, marking a significant departure from traditional depictions of this biblical scene. This masterpiece, along with others like his portraits and religious paintings, can be found in some of the world's most prestigious museums and galleries.
For art collectors and enthusiasts, Jacopo da Pontormo represents the intriguing complexity of the Mannerist period, offering a window into the evolving artistic landscape of 16th-century Italy. His works not only challenge the viewer's expectations but also invite a deeper exploration of the emotional and spiritual dimensions of painting.
To stay abreast of the latest discoveries, exhibitions, and auctions related to Jacopo da Pontormo's art, we encourage you to sign up for updates. This subscription is your gateway to the refined world of Renaissance and Mannerist art, ensuring you're informed about opportunities to enrich your collection with works by this exceptional artist.
