Genre painters Portrait
Antonio Capellan was an Italian engraver, active in a Neoclassical style. He trained with Joseph Wagner. Capellan is best known for making engraved copies of masterworks of the Italian Renaissance found in private collections, which were published in Gavin Hamilton's work, Schola Italica Picturae. He also engraved a series of portraits of cardinals titled "Calcographia R.C.A. apud Pedem Marmoreum". In 1759, he engraved portraits of Michelangelo and Giorgio Vasari for a volume of the life of Vasari, curated by Bottari.
Alexander Grigorievich Maksymenko (Russian: Александр Григорьевич Максименко) was a Soviet and Ukrainian painter of the second half of the twentieth and early twenty-first centuries. He is known as a painter, graphic artist, watercolorist, and art historian.
Alexander Maksymenko worked in the genres of still life, landscape, portrait, as well as in genre painting. His genre works cover themes of collective farm life, including "Masters of the Land" and "Innovators of Collective Farm Fields". For the latter work he received the Stalin Prize. The master actively participated in exhibitions in Ukraine and abroad. His works are in the National Art Museum of Ukraine, the Museum of the History of Ukraine in World War II, as well as in other art museums and private collections.
Wilhelm Schmurr was a German painter and co-founder of the Sonderbund in Düsseldorf. His style, characterized by clear expression, was influenced by the Pre-Raphaelites, Symbolists, and Realists. He received several awards and medals for his work and was a member of various art associations. Schmurr taught at the Kunstakademie Düsseldorf and inspired by the farmers after the war, he created scenes of simple life and still lifes. He was awarded the Karl-Ernst-Osthaus-Preis and the Bundesverdienstkreuz erster Klasse and became an honorary member of various artist associations.
Pavel Efimovich Ab (Russian: Павел Ефимович Аб) was a Russian Soviet artist, born on November 22, 1902, in Orel. He is renowned for his contributions to painting and graphic arts, having studied under notable mentors such as Kuzma Petrov-Vodkin and A. I. Savinov at the VKhUTEIN in Leningrad during the years 1923 to 1929.
Ab's career was deeply influenced by his experiences during the Great Patriotic War, where he served in the 21st Rifle Division of the NKVD on the Leningrad Front. His war-time sketches of city defenders and subsequent military honors played a significant role in his artistic expression. After the war, he continued to actively participate in the creative community, producing notable works like "Pavlov in Koltushi" and "Speech of V. I. Lenin at the Admiralty Shipyards".
His artworks, which often depicted military and historical themes, are preserved in various museums and private collections in Russia and abroad. Ab's commitment to the Leningrad Union of Artists until his death in 1974 ensured that his legacy would influence future generations of artists.
For enthusiasts and collectors keen on exploring Russian Soviet art, staying updated on exhibitions and sales featuring Pavel Efimovich Ab's works can be enriching. Sign up here for updates related to new product sales and auction events concerning Ab's art.
Vilmos Aba-Novák was a distinguished Hungarian artist, celebrated for his unique blend of Expressionism with classical and Renaissance influences. Born in Budapest in 1894, he was deeply influenced by his experiences in the Austro-Hungarian Army during World War I, which later permeated his art. Aba-Novák is best known for his vibrant frescoes and murals that decorate several public buildings in Hungary, including churches and civic buildings in Szeged and Budapest.
His works, characterized by dynamic compositions and a bold use of color, often depicted village fairs, circuses, and everyday Hungarian life, bringing an almost fantastical quality to these scenes. His remarkable ability to combine traditional subjects with modern artistic elements made his work a significant contribution to modern Hungarian art. Aba-Novák's art was not only appreciated in his homeland but also internationally, earning him major awards like the Grand Prize at the Paris World Exhibition in 1937 and at the 1940 Venice Biennale.
For art collectors and enthusiasts interested in exploring or purchasing Vilmos Aba-Novák's works, staying informed about upcoming sales and exhibitions is crucial. Signing up for updates can provide valuable insights into available pieces and auction events. To keep abreast of such opportunities, consider registering for newsletters or alerts specifically tailored to Aba-Novák's art. This will ensure you don't miss out on acquiring a piece of this unique artistic heritage.
Victor Ashotovich Abramyan (Russian: Виктор Ашотович Абрамян) was a Soviet and Russian artist of the second half of the twentieth and early twenty-first centuries. He is known as a painter, a representative of the Leningrad school.
Victor Abramyan created portraits, landscapes, still lifes and genre paintings. He participated in exhibitions from the early 1970s in Leningrad. Among his famous works are "Blockade everyday life", "Still Life with a Centennial", "Leningrad. 1942. Women on Guard in the besieged city", "Young Guests" and others.
Abramyan's works are in museums and private collections in Russia and many other countries.
Angelo Accardi is a contemporary Italian artist. He grew up surrounded by both modern and traditional art. Although he studied fine art at the Art Academy of Naples, he never completed his training. Angelo Accardi illustrates surreal visions of everyday life under realistic backdrops of urban and natural landscapes. There is never a single meaning, but a whole story behind each painting. Ironic, striking, and playful, Accardi’s unique perspective and avant-garde style is a result of his diverse inspirations.
Yevgeniya Mikhailovna Adamova (Russian: Евгения Михайловна Адамова) was a Soviet artist of the second half of the twentieth century. She is known as a painter, People's Artist of the Turkmen SSR.
Yevgeniya Adamova, who moved to Turkmenistan from Ukraine in her youth, was educated at the Ashgabat Art School. During the Great Patriotic War, she creatively expressed herself as a poster artist in the TurkmenTAG agency. The artist created thematic paintings dedicated to the life of the Turkmen people and portraits. She held the post of deputy chairman of the Union of Artists of Turkmenistan.
Taisia Kirillovna Afonina (Russian: Таисия Кирилловна Афонина) was a Soviet artist of the second half of the twentieth century. She is known as a painter, graphic artist, representative of the Leningrad school.
Taisia Afonina participated in exhibitions since 1940, creating portraits, landscapes, genre compositions, still lifes and etudes. At the beginning of her career she was interested in military subjects, and then delved into the genre of portraiture and lyrical landscape. Her style is characterized by tonal painting, the rendering of light and air environments and subtle coloristic combinations. In the 1980s she preferred the watercolor technique, painting flowers such as roses, daisies and tulips. Her works are in museums and private collections in Russia and other countries.
Vladimir Ivanovich Akulov (Russian: Владимир Иванович Акулов) is a Soviet and contemporary Belarusian artist. He is known as a painter, graphic artist and teacher, a representative of the second wave of Belarusian avant-garde.
Vladimir Akulov in his work has developed a unique style under the influence of expressionism, cubism, primitivism, fauvism. He is a master of portrait, landscape, still life, compositions with symbolic and allegorical subjects, illustrations of literary works. During his career the artist created several cycles of portraits, including those of famous people.
Ismail Al-Sheikhly is a contemporary Iraqui artist. He belonged to one of the first art groups to appear in Iraq, 'La Societe Primitive', founded in 1950. The group later changed its name to 'The Pioneers' and kept it into the 1970s. Some of his works are influenced by Cubism, a movement which grew in popularity throughout the 1950s, and was the preferred artistic style of one of Al-Sheikhly's important contemporaries, Hafiz Drubi. Al Sheikhly’s early works are inspired by the Iraqi village life, though his later works are more focused on abstracted colour combinations and obscured backgrounds. Women feature highly as a central theme in his work. Painted in groups quite often, Al Sheikhly’s women are streamlined with oval faces and generic bodies and seem to always be in states of coming and going, whether that be to the mosque, to the souks, or to do some domestic task.
Pyotr Filippovich Alberti (Russian: Пётр Филиппович Альберти) was a Soviet and Russian artist of the second half of the twentieth century. He is known as a painter, a representative of the Leningrad school.
Pyotr Alberti created portraits, landscapes, genre paintings. He actively exhibited since 1951 in Leningrad, demonstrating his works along with the masters of his time. The artist had a broad writing and bright coloring, expressive stroke and used various techniques. He paid special attention to the study of nature. In the late period of his career, he became fond of still life paintings with favorite motifs such as peonies and watermelons.
Alberti's works are preserved in museums and collections around the world.
Balthasar Augustin Albrecht was a German painter of the first half of the 18th century. He is known as a painter who worked in portrait, historical and religious genres.
Albrecht began his career in 1719. He was appointed court painter at the court of the Elector of Bavaria and inspector-custodian of the Picture Gallery in Munich. In addition to portraits and paintings, he created frescoes and altarpieces in churches in Munich and other German cities.
August Allebé was an artist and teacher from the Northern Netherlands. His early paintings were in a romantic style, but in his later work he was an exponent of realism and impressionism. He was a major initiator and promoter of Amsterdam Impressionism, the artist's association St. Lucas, and the movement of the Amsterdamse Joffers. Amsterdam Impressionism – sometimes referred to by art historians as the School of Allebé – was the counterflow to the very strong Hague School in the movement of Dutch Impressionism. As a professor at the Royal Academy of Amsterdam (Rijksakademie van beeldende kunsten) he fostered a cosmopolitan attitude toward art and the promotion and motivation of his students, and provided a significant stimulus to developments in modern art.
Wilhelm Amberg was a German genre painter. He was educated by the painters Carl Joseph Begas in Berlin and Léon Cogniet in Paris (1845). After this he spent a couple of years in Rome. His paintings are characterized by humour and a poetic atmosphere.
Wilhelm Amberg has won many awards and from 1886 was a Member of the Senate of the Prussian Academy of Arts, Berlin.
Hermann Anschütz was a German painter of the 19th century. He is known as a painter and teacher who belonged to the Düsseldorf School of painting. He was a professor at the Munich Academy of Fine Arts.
Anschütz painted mythological and historical subjects, as well as landscapes and portraits. A number of his canvases were devoted to oriental themes. In 1860 he was one of the founders of the Munich Christian Art Association.
Evgenia Petrovna Antipova (Russian: Евгения Петровна Антипова) was a notable Russian painter, graphic artist, and art teacher. She stood out for her genre compositions, portraits, landscapes, and still lifes, primarily utilizing oils and watercolors. Evgenia Antipova's works often depicted apple orchards and Crimean landscapes, showcasing her profound connection to nature and her ability to capture its essence.
Evgenia Antipova's education at the prestigious Repin Institute of Arts shaped her artistic journey, leading to a career enriched with personal exhibitions and a significant presence in the art community. Not only did her artworks gain recognition in Russia, but they also found their way into international collections and exhibitions, notably in France, Germany, the United States, and the United Kingdom.
Throughout her career,Evgenia Antipova was an active participant in various significant exhibitions, displaying her works alongside other renowned artists. Her contributions to the art world were recognized with personal exhibitions in Saint Petersburg and inclusion in art auctions and exhibitions abroad.
Evgenia Antipova's paintings are part of prestigious collections, including the State Russian Museum, and continue to be celebrated in art museums and private collections globally. Her legacy as a prominent figure in the Leningrad School of painting endures, captivating art enthusiasts and collectors with her vivid and emotionally resonant works.
For those interested in Russian art, particularly the Leningrad School of painting, Evgenia Petrovna Antipova's oeuvre offers a rich exploration of genre compositions and landscapes, reflecting the artistic vibrancy of her era. Collectors and art experts are encouraged to delve into her works and consider signing up for updates on exhibitions and sales featuring her paintings.
Fyodor Vasilievich Antonov (Russian: Фёдор Васильевич Антонов) was a Soviet and Russian artist of the twentieth century. He is known as a painter, graphic artist, textile artist, teacher, and professor.
Fyodor Antonov created landscapes, portraits and thematic compositions. In his genre works he immortalized the life and life of Soviet youth, as well as the formation of industry in the USSR. During the Great Patriotic War, the artist created portraits of heroes, as well as posters with a simple and direct pictorial form. Antonov's works are in various museum collections, including the Tretyakov Gallery, the Russian Museum and many private collections.
Abram Efimovich Arkhipov (Russian: Абра́м Ефи́мович Архи́пов) was a distinguished Russian realist artist, celebrated for his profound contributions to the world of art through his depictions of Russian peasantry and rural landscapes. Born in the village of Yegorovo, Ryazan Oblast, in 1862, Arkhipov's early life in a peasant family deeply influenced his thematic focus and artistic direction. His education at the Moscow School of Painting, Sculpture and Architecture, and later at the Imperial Academy of Arts, under the tutelage of prominent Russian artists such as Vasily Perov, Vasily Polenov, and Vladimir Makovsky, honed his skills and shaped his artistic vision.
Arkhipov's membership in the art collective The Wanderers and the Union of Russian Artists underscored his commitment to exploring the lives and struggles of Russian women and peasants, themes that recur throughout his work. His realist paintings often depicted the grim realities faced by these subjects, yet he also celebrated their resilience and spirit, as seen in his vibrant portrayals of peasant women in traditional dresses. Furthermore, Arkhipov's dedication to plein air painting allowed him to capture the essence of rural Russia and the northern landscapes with authenticity and emotional depth.
His notable works, such as "The Washer Women" and "Spring Holiday," are celebrated for their intricate depiction of Russian life and culture, providing viewers with a window into the soul of the Russian people. These masterpieces, along with others, have earned places in prestigious museums and galleries, including The Metropolitan Museum of Art, where his work "Ivan Rodin" from 1928 is part of their collection, symbolizing his enduring legacy in the world of art.
For collectors and experts in art and antiques, Arkhipov's works represent not only significant artistic achievements but also important cultural artifacts that offer insights into the historical and social contexts of his time. His paintings are a testament to his skill, sensitivity, and unique perspective on the Russian way of life, making him a pivotal figure in the Russian realist movement.
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Sally Michel Avery is an American artist known for her paintings in the style of abstract expressionism. Her paintings are often associated with musical rhythm and melody. She began her career as a landscape painter, and in the 1940s she moved to more abstract forms and color schemes.
Avery was one of the few women recognized as influential in American abstract painting in the mid-20th century. Her work can be seen in museums and private collections around the world.
Aino Bach (Russian: Айно Густавовна Бах) was an Estonian and Soviet artist of the twentieth century. She is known as a painter, graphic artist and printmaker.
Aino Bach was one of the first Estonian printmakers to demonstrate mastery of the intaglio technique, which expanded the possibilities of engraving. Her work includes portraits, genre compositions and illustrations. She employed a variety of techniques including gravure printing, metal engraving, and color monotype. Her works often combined different techniques, giving them a distinctive flavor.
Gottfried Albert Maria Bachem was a German painter and illustrator of the Düsseldorf School. Bachem, who belonged to the Malkasten artists' association from 1921 to 1932, painted portraits, genre scenes and landscapes, and he also illustrated children's books. From 1900 he took part in numerous art exhibitions, including in Berlin.
Karl Otto Bachmann, a Swiss painter, graphic artist, and illustrator, began his artistic career in Luzern before moving to Zurich and pursuing freelance work. He achieved a breakthrough in 1943 with the publication of his "Faust" portfolio. Bachmann drew inspiration from his travels across Europe, often joining circus troupes for income and creative ideas. His paintings were characterized by imaginative and virtual settings, with themes revolving around the stage, carnival, and circus. Bachmann's elegant lines, delicate colors, and harmonious compositions made him a respected book illustrator. He actively participated in numerous exhibitions throughout his life, both domestically and internationally.
Elias Baeck called "Heldenmuth", was a German painter and engraver from Augsburg. Baeck worked for some time in Rome, then in Laybach, but finally returned to Augsburg, where he died in 1747. His chief works — both in painting and engraving — were portraits and landscapes. His engravings are sometimes signed "E.B.a.H.", standing for "Elias Baeck, alias Heldenmuth".
Alexander Hugo Bakker Korff was a 19th-century Dutch genre painter. He was a pupil of the painters Cornelis Kruseman and Huib van Hove. He was trained in the 1840s at the Koninklijke Academie van Beeldende Kunsten in the Hague and the Koninklijke Academie. He became known for his "Bakker Korffjes" – genre pieces of ladies in caps in interiors, that he started painting in 1856 while he was living in Oegstgeest with his sisters as models. In 1870 he was awarded the title ridder in de Leopoldsorde after his works were presented at an exhibition in Brussels in 1869.
Irina Mikhailovna Baldina (Russian: Ирина Михайловна Балдина) was a Soviet and Russian artist of the second half of the twentieth and early twenty-first centuries. She is known as a painter, a representative of the Leningrad school.
Irina Baldina participated in exhibitions in Leningrad since 1952. Her work covered a variety of genres, including portraits, landscapes, still lifes and genre compositions. From 1960 to 1980, her works were characterized by themes of modernity, nature and people of Zaonezhye. Her style was characterized by broad brushstrokes, decorative and mastery in conveying the colors of northern nature.
Her works are in museums and private collections all over the world, including Russia, France, USA, Japan and other countries.
Jean Barbault was a French painter, etcher and printmaker, who worked in Rome for most of his life. He is noted for paintings of local people, wearing traditional costumes or Oriental costumes and for his work documenting iconic Roman monuments and antiquities which were published in two volumes.
Myron G. Barlow was an American painter and illustrator known for his genre scenes, portraits, and landscapes. He was began his artistic training at the Art Institute of Chicago. Later, he studied at the Académie Julian in Paris, where he was influenced by the Impressionist and Post-Impressionist movements.
Barlow worked as an illustrator for various publications, including Harper's Weekly, Scribner's Magazine, and The Saturday Evening Post. He also taught at the Art Students League in New York City.
Barlow's paintings often depicted everyday life, with a focus on working-class people and their surroundings. His use of color and light gave his paintings a sense of warmth and intimacy.
Barlow was a member of several art organizations, including the National Academy of Design, the Society of American Artists, and the American Watercolor Society. He received numerous awards and honors during his lifetime, including a gold medal at the Panama-Pacific International Exposition in San Francisco in 1915.
Today, his paintings can be found in several museums and institutions, including the National Gallery of Art in Washington, D.C., and the Brooklyn Museum in New York City.
Paul Barthel was a German genre painter and portrait painter. He studied painting from 1877 at the School of Applied Arts in Dresden and then at the Royal Prussian Academy of Arts in Berlin with Julius Ehrentraut and Eugen Bracht.
Paul Barthel worked in Dresden, where he focused mainly on watercolours. In 1922 he settled in Bamberg, where he worked as a restorer.
Nikolai Nikolaevich Baskakov (Russian: Никола́й Никола́евич Баска́ков) was a Russian artist, prominent within the Soviet era's art scene. Born in Astrakhan in 1918, Baskakov was celebrated for his mastery in portraiture and his commitment to the Socialist Realism style, an artistic approach favored by the Soviet Union to propagate ideological values through a realistic depiction of everyday life.
Baskakov's contributions to art are not only marked by his technical prowess but also by his ability to capture the ethos of his time. His works often featured workers, collective farmers, and heroes of the Soviet Union, serving both as artistic and ideological tools. Among his notable works, the portraits of Lenin and other political figures stand out, showcasing his skill in depicting influential leaders with a combination of reverence and realism.
His legacy extends beyond his paintings, as Baskakov was also a respected teacher at the Repin Institute of Arts in Saint Petersburg, where he influenced a new generation of Russian artists. His works are preserved in prestigious galleries across Russia, including the Tretyakov Gallery and the Russian Museum, making them a significant part of Russian cultural heritage.
For collectors and enthusiasts of Soviet art, staying informed about exhibitions and sales of Baskakov’s works is essential. Sign up for updates and exclusive alerts on new acquisitions and auction events featuring Nikolai Nikolaevich Baskakov. Stay connected to a pivotal part of art history.
Vasily Nikolaevich Basov (Russian: Василий Николаевич Басов) was a Soviet artist of the mid-twentieth century. He is known as a painter, graphic artist, and representative of socialist realism in art. His oeuvre includes landscapes, portraits and genre paintings, with a special focus on rural subjects.
Since 1943 Vasily Basov actively participated in exhibitions, both national and international. His works have been exhibited in various countries, including Poland, China, Bulgaria and Romania.
Basov's works are in the collections of the State Tretyakov Gallery, the State Art Museum of the Altai Territory and other museums, as well as in private collections.
Jules Bastien-Lepage was a French painter closely associated with the beginning of naturalism, an artistic style that emerged from the later phase of the Realist movement.
His most famous work is his landscape-style portrait of Joan of Arc which currently resides at the Metropolitan Museum in New York City.
Diana Beauclerk, born Diana Spencer, was an English painter.
Diana Beauclerk was highly gifted, painting portraits, illustrating plays and books, creating designs for Wedgwood's pioneering ceramics and decorating rooms with frescoes.
Fridolin Becker was a Dutch painter. Becker studied from 1847 to 1859 at the Koninklijke Academie van Beeldende Kunsten in The Hague, including four years with David Bles. He spent the year 1852 studying in Paris. He was a member of Pulchri Studio. From 1858 to 1860 he worked in Zuilen near Utrecht. He taught at the Hague Art Academy for 33 years.
René Beeh was a German painter, graphic artist and draftsman born in Alsace, France.
René Beeh studied at the School of Fine Arts in Strasbourg, then at the Academy of Fine Arts in Munich. In 1910 he traveled to Algeria, resulting in the publication of a collection of letters with many drawings entitled M'Barca. He also illustrated several books and periodicals.
Beeh was a member of the New Munich Secession. The talented artist was highly respected among his contemporaries and was expected to have a great future, but unfortunately his early death interrupted these plans.
Piotr Petrovich Belousov (Russian: Пётр Петро́вич Белоу́сов) was a distinguished Soviet and Russian artist, born on May 3, 1912, in Berdyansk, and passed away on March 31, 1989, in Leningrad. He is widely celebrated for his contributions to the Leningrad School of Painting, having been an influential figure in shaping the artistic landscape of the region. His expertise extended across various mediums, including painting, etching, and graphic arts, with a notable focus on themes like the Bolshevik Revolution and historical Soviet figures like Lenin.
Belousov's educational and professional journey was deeply intertwined with the prestigious Ilya Repin Leningrad Institute of Painting, Sculpture and Architecture, where he both studied and later taught, eventually rising to the rank of professor and head of the drawing department by 1956. His career was marked by numerous accolades, including the titles of Honored Artist and People's Artist of the RSFSR, reflecting his significant impact on Russian art and education.
Throughout his life, Belousov participated in many exhibitions and his works are held in high esteem, not only in Russian state museums like the Russian Museum and the Tretyakov Gallery but also internationally. His pieces, particularly those that capture key moments in Soviet history and urban landscapes, remain influential and are sought after by collectors around the worl.
For enthusiasts of Soviet art and collectors interested in Belousov's works, staying updated on exhibitions and sales can provide valuable opportunities to acquire his art. To receive alerts about new product sales and auction events featuring Piotr Petrovich Belousov's works, signing up for updates is highly recommended.
Yuri Vladimirovich Belov (Russian: Юрий Владимирович Белов) was a Soviet and Russian artist of the second half of the twentieth and early twenty-first centuries. He is known as a painter, a representative of the Leningrad school, who worked in the genres of portrait, landscape, still life and historical painting.
Yuri Belov actively participated in exhibitions since 1954. In 1960-1980 the main theme of his work was the images of Lenin and the history of the revolutionary movement. The artist's manner evolved from strict objectivism to a more decorative and impressionistic style.
The master's works are in museums in Russia, France, the USA, Germany and other countries, as well as in private collections.
Yakov Tarasovich Besperstov (Russian: Яков Тарасович Бесперстов) was a Russian Soviet artist of the second half of the twentieth century. He is known as a painter, muralist, representative of the Leningrad school of painting.
At the initial stage of his career, Yakov Besperstov worked in the field of monumental and decorative painting, participating in the painting of various buildings. Later he moved to easel painting, creating portraits, genre paintings, as well as urban landscapes. His works were exhibited at exhibitions from the late 1950s and were appreciated by leading artists of Leningrad. The master traveled extensively throughout various regions of Russia and other countries, including France.
His works are in museums and private collections in various countries, including Russia, France, Belgium, Germany, Spain and Italy.
Jan Daniel Beynon was a Dutch-Indonesion landscape, figure and portrait painter. He studied 1848-55 as pupil of C. Kruseman and N. Pieneman at the Amsterdam academy and exhibited in that town repeatedly between 1852 and 1867. In 1855 he returned to the Dutch colony Indonesia; his oeuvre mainly consists of landscapes and persons of that region.
Edmond Bille was a Swiss artist. Bille engaged in intense and varied activity as painter, engraver, stained glass artist, journalist, writer, and politician. He is the creator of the stained glass windows around the altar of the Cathedral of Lausanne, capital of the Swiss canton of Vaud.
Eugène de Blaas was an Italian painter in the school known as Academic Classicism.
Eugene de Blaas' paintings were exhibited at the Royal Academy, Fine Art Society, New Gallery and Arthur Tooth and Sons Gallery in London, and also at the Walker Art Gallery in Liverpool.
David Bles was a 19th-century painter from the Northern Netherlands. According to the Netherlands Institute for Art History, at the age of thirteen Bles was talented enough to be accepted at the Hague Academy. He attended classes from 1834 to 1837 and from 1838 to 1841. He became a pupil of the painter Cornelis Kruseman and his nephew Jan Adam Kruseman. Bles then travelled to France to study with Joseph-Nicolas Robert-Fleury in Paris. He remained in Paris until 1843 after which he settled in The Hague, though he was a member of the Royal Academy in Amsterdam between 1845 and 1899. He painted scenes from the history of Dutch painting and is best known for portraits and genre paintings.
Ernest Leonard Blumenschein is an American painter, member of the Taos Society of Artists. He is known for his paintings of the American Southwest. He studied at the Cincinnati Academy of Art and the Julian Academy.
Ernest Leonard Blumenschein often depicted Native Americans and landscapes of the Southwest in his paintings. He was known for his masterful use of colour and light, and his works had a strong sense of realism. Blumenschein also worked as an illustrator and writer, and his book Navajo War Dance is considered a classic of Native American literature.
Detlev Conrad Blunck was a German-Danish painter of the first half of the 19th century. He is known as a painter and graphic artist.
Detlev Blunck at the beginning of his career specialized mainly in historical painting, then he moved to the domestic genre and joined the ranks of the masters of domestic realism. Later Blunck devoted his work to religious motifs and developed his own style of painting, which strongly reflected the influence of the Nazarene movement, the German Romantic painters.
Eugène Boch was a Belgian painter, celebrated for his vibrant contributions to the Post-Impressionist movement. Boch was part of a prominent family known for their fine china business, Villeroy & Boch. He pursued his passion for art in Paris, studying under notable teachers such as Léon Bonnat and Fernand Cormon.
Eugène Boch's artistry is marked by his distinct style and use of color, which earned him spots in prestigious exhibitions like the Salon in Paris during the 1880s. His works, characterized by their emotional depth and innovative techniques, reflect the bold spirit of the Post-Impressionist era. He was not only a painter but also a visionary, whose works resonated with the aesthetic shifts of his time.
One of Eugène Boch's most notable associations was with Vincent van Gogh, who painted Boch in the famous portrait "The Poet," which Van Gogh described as a vision of idealistic and artistic purity. This painting is now housed at the Musée d'Orsay, symbolizing their profound connection and mutual respect. Boch's own works, like "The Red Roofs," demonstrate his unique ability to blend reality with his visionary outlook, showcasing scenes filled with vivid colors and dynamic compositions.
Eugène Boch's legacy extends beyond his paintings. Upon his death in 1941, he left a significant impact on the cultural heritage of Europe, influencing future generations of artists. His works continue to be celebrated in major museums and galleries, reminding us of his pivotal role in the development of modern art.
For collectors and experts in art and antiques, Boch's works offer a timeless exploration of Post-Impressionist vibrancy. Sign up for updates and stay informed about new sales and auction events featuring Eugène Boch’s timeless works, ensuring you never miss an opportunity to own a piece of art history.
Nikolai Kornilievich Bodarevsky (Russian: Николай Корнилиевич Бодаревский) was a Russian and Ukrainian artist of the last third of the 19th and early 20th centuries of Moldavian origin. He is known as a painter and graphic artist.
Nikolai Bodarevsky created portraits, landscapes and genre paintings. During the early period of his creativity, he was close to the Itinerants, in later years he departed from the Itinerant traditions in the direction of the late "salon" academism. His works are in many museum collections, including the State Tretyakov Gallery in Moscow and the State Russian Museum in St. Petersburg.
Alphons Bodenmüller was a German genre and history painter.
Bodenmüller studied at the Munich Academy of Fine Arts from 1864 with Arthur von Ramberg, later with Wilhelm von Lindenschmit the Younger. From 1874 he regularly took part in art exhibitions in Munich and other German cities. In 1877 he received the 1st Academy Prize for his painting Der erste Schäfflertanz zu München im Pestjahr 1517.
Theodor Bonenberger is a German painter and cavalry officer. He studied with Jacob Grunenwald and Karl von Geberlin at the Stuttgart Art School, then from April 30, 1887 - at the Royal Academy of Arts in Munich with Johann Kaspar Herterich and Carl von Marr. Has been on study trips to Italy, France, Spain and the UK. After completing his studies, he settled in Munich as a freelance artist. Bonenberger also held the rank of major in the cavalry in reserve. From 1895 he took part in many exhibitions in Munich, Düsseldorf and Vienna. In 1936, he completed a portrait of Adolf Hitler, which he presented to Eva Braun for her birthday. He dealt with flower, genre, portrait, landscape and nude painting.
Francois Boisrond is a contemporary French painter. He studied from 1977 to 1980 at the National School of decorative Arts. In 1981 he became involved in the Free Figuration movement. Inspired by visual products (advertising products, posters, stickers, video games etc.), cartoon characters, and by using acrylic paint, Francois Boisrond’s works are colourful, figurative and enigmatic, and his simplified shapes are often outlined in black. He portrays mainly characters, frequently symbolic in everyday situations, but he also depicts urban, maritime or rural landscapes. Besides this Boisrond creates humanitarian and publicity posters. Since the 1990’s the artist has become interested in an imaginary public and the everyday life that invades each and every one of us.
Charles Bonier was a Belgian artist, celebrated for his contributions to painting, lithography, and aquarelle. Born in Brussels in 1814, Baugniet's artistic journey began at the Académie Royale des Beaux-Arts, where he honed his skills under notable instructors. His early forays into lithography, starting in 1827, set the stage for a distinguished career that would intertwine with the cultural and historical fabric of the 19th century.
Charles Boniers artistry gained prominence with his lithographic portraits, particularly those featured in L'Artiste magazine in 1833. His collaboration on a series of portraits for the Belgian House of Representatives further solidified his reputation. However, it was his court appointment as a painter to the Belgian Royal Family in 1841 that marked a significant milestone, elevating his status and expanding his influence beyond Belgian borders.
In 1843, Charles Boniers talents took him to London, where he became a sought-after portraitist among the elite, capturing the likenesses of figures like Prince Albert, Charles Dickens, and Hector Berlioz. His move to Paris in 1860 coincided with the rise of photography, yet Bonier adeptly transitioned, focusing on paintings that reflected the Second French Empire's elegance.
Today, collectors and art enthusiasts cherish Charles Boniers works for their historical value and artistic merit. His ability to capture the essence of his era and subjects makes his art a prized possession in galleries and collections worldwide.
For those fascinated by the intersection of art, culture, and history, Charles Boniers oeuvre offers a compelling glimpse into the 19th century's artistic and societal landscapes. To stay informed about new discoveries and auction events related to Charles Boniers works, sign up for updates and delve deeper into the legacy of this remarkable artist.
Louis-Marin Bonnet (French: Louis-Marin Bonnet) is a French draftsman and engraver, an outstanding master of metal engraving using the “pencil style” technique. Since 1757, Louis-Marais Bonnet was a student of Jean-Charles Francois, then of Gilles Demarteau. He became famous for his color engravings reproducing drawings by A. Watteau, F. Boucher, Sh.-A. Van Loo, J.-B. Yue. Bonnet reproduced mainly complex pastel drawings, using up to eighty boards per engraving. He used opaque paints that gave a matte tone and tinted paper. He reproduced the spaces by printing with white from a separate board. Bonnet even imitated the golden frames bordering the original drawings. This technique is called “pastel style”. In 1769, Bonnet described his technique in detail in the book Pastel in Engraving, Invented and Executed by Louis Bonnet. In 1765-1767, the French master worked in St. Petersburg, where he completed several engraving portraits in the “pencil style” of Catherine II and the heir Pavel Petrovich based on drawings by Jean-Louis de Velli, then returned to Paris and opened his own workshop.
Vasily Pavlovich Borisenkov (Russian: Василий Павлович Борисенков) was a Soviet and Russian artist of the second half of the twentieth and early twenty-first centuries. He is known as a painter and teacher, a representative of the Leningrad school of painting.
Vasily Borisenkov actively participated in Leningrad art exhibitions since 1954, was the author of genre and battle paintings, landscapes and portraits. Among his famous works are the paintings "Difficult Conversation", "Spring", "Strelna. The Beginning of Summer" and many others. The master's works are in museums and private collections both in Russia and abroad.