Monks 15th century
Fra Angelico, a name synonymous with the serenity and purity of Early Renaissance art, was a Dominican friar and Italian painter celebrated for his devout and luminous religious works. Born Guido di Pietro around 1395 in Vicchio, near Florence, he later became known as Fra Giovanni upon joining the Dominican order at Fiesole. His monastic life profoundly influenced his art, reflecting a deep spiritual commitment and a heavenly tranquility. Pope John Paul II recognized his sanctity by beatifying him in 1982, officially bestowing upon him the title "Blessed" and affirming his legacy as a bridge between heaven and earth through his art.
Fra Angelico's technical prowess and innovative approaches to composition and color set new standards in the art world. He was initially trained as an illuminator, which is evident in the delicate details and luminous quality of his works. His art was not confined by his religious duties; instead, his position allowed him to advance the Dominican order's mission through visually compelling narratives that spoke directly to the viewer's soul. His works, including altarpieces and frescoes, are revered for their serene religious attitude and classical influence, embodying the Early Renaissance spirit that sought to harmonize Christian themes with the natural world and human emotion.
Among his most notable contributions are the frescoes at the convent of San Marco in Florence, commissioned by Cosimo de' Medici. These works display Angelico's mastery over perspective and his ability to create a spiritual atmosphere that invites contemplation. The Annunciation, one of his most famous frescoes at San Marco, exemplifies his use of architectural space to frame the sacred narrative, integrating the divine with the everyday. His altarpieces, characterized by their detailed figures and harmonious compositions, were innovative in their unified presentation of sacred stories, moving away from the segmented Gothic style towards a more cohesive and immersive narrative experience.
Fra Angelico's influence extended beyond his lifetime, shaping the trajectory of Renaissance art through his integration of humanistic principles with devout Christian faith. His works are preserved in some of the world's most prestigious museums, including the Museo Diocesano in Cortona, the Uffizi Gallery, and the Museo del Convento di San Marco in Florence, continuing to inspire awe and reverence among viewers.
For collectors and experts in art and antiques, the legacy of Fra Angelico offers a window into the soul of the Renaissance, where beauty and spirituality converge. To stay informed about new product sales and auction events related to this pivotal artist, signing up for updates is a prudent step towards enriching one's collection with works that embody the zenith of religious and artistic expression in the Early Renaissance.
Cornelius Gerardi Aurelius, also called Goudanus, was a Dutch humanist scholar, writer, and historian.
Aurelius was a permanent canon (monk) of the Augustinian monastic order and is one of the first humanists of the Netherlands in the 16th century. He wrote poetry, historiography, hagiography, political and theological works. Aurelius also corresponded with many of the famous men of his day, especially Erasmus.
Johannes Busch was a major Dutch clergyman and reformed theologian.
As a monastic reformer and chronicler, the Augustinian canon of Windesheim, Johannes Busch is one of the most prominent figures of the Devotio moderna ("New Piety") movement in Catholicism. With his historiographical works Chronicle of the Monastery of Windesheim and Liber de reformatione monasteriorum he shaped the association of the Windesheim monastery and the late medieval observance movement.
Jacopo Filippo di Bergamo, or Giacomo Filippo Forèsti (Latin: Iacobus Philippus Bergomensis) was an Italian Augustinian monk, theologian and chronicler.
Jacopo di Bergamo was born into a noble family, received his ecclesiastical education at the local monastery, and early showed a penchant for literary work. After traveling in Europe, he took the tonsure and was abbot of monasteries, engaged in their improvement.
He is known as the author of a number of significant early printed works, a chronicler and biblical scholar. His Supplementum chronicarum (1483) is a universal chronicle that survived many subsequent editions. And De claris mulieribus, published in 1497, contains the first account of the voyage of the discoverer Columbus.
Werner Rolewinck (Latin: Wernerus Rolewinkius) was a German chronicler, historian, and theologian.
Werner Rolewinck was a Cartesian monk. His best known and most important work is Fasciculus temporum, a history from the creation of the world to Pope Sixtus IV. Already during his lifetime this work was republished many times in Latin, French, Dutch, and German. Drawing on major Christian historiographical sources such as Orosius and Eusebius, Fasciculus presents the history of the world in the form of a genealogy, a traditional historiographical structure dating back to late antiquity.
Another famous work by Rolewink is a description of the manners and customs of his homeland entitled De laude veteris Saxsoniæ nunc Westphaliæ dictæ.
