Photographers Landscape painting
Berenice Alice Abbott was an American photographer best known for her portraits of between-the-wars 20th century cultural figures, New York City photographs of architecture and urban design of the 1930s, and science interpretation in the 1940s to 1960s.
Robert Adams is an acclaimed American photographer known for his profound exploration of the American West's changing landscapes. His work, which gained prominence in the mid-1970s, delves into the tension between the natural beauty of the land and the marks of human encroachment. Adams's photography is a reflection on humanity's relationship with the environment, offering both a critique and a celebration of the landscape.
Robert Adams's notable series, such as "Turning Back" and "The New West," showcase his unique perspective on environmental and urban development issues. His work extends beyond just capturing images; it is a thoughtful commentary on the balance between nature and industrialization. His photographs, often devoid of people, focus on the land itself, telling a story of alteration and resilience.
Exhibitions of Adams's work, such as "American Silence: The Photographs of Robert Adams" at the National Gallery of Art, provide insight into his 50-year career and his ability to capture the silent yet profound narratives of the American landscape. His pieces are part of major collections and have been featured in numerous retrospectives, underlining his influence and significance in the world of photography.
For art collectors and enthusiasts, Robert Adams's work offers a poignant perspective on the American West, blending aesthetic beauty with critical environmental commentary. Engaging with his work invites reflection on our interaction with the landscape and our role in shaping the environment.
If you're interested in staying updated on Robert Adams's work and exhibitions, consider subscribing to newsletters from galleries and museums that feature his art. This way, you'll be informed about new displays of his work and opportunities to engage with his insightful perspectives on the American West.
Ansel Easton Adams was an American photographer and environmentalist, celebrated for his black-and-white images of the American West, particularly Yosemite National Park. His profound connection with nature was not only the subject of his art but also the essence of his environmental advocacy, earning him a revered place in both the art and conservation worlds.
Ansel Adams' early exposure to the beauty of nature and a supportive family environment nurtured his dual interests in music and photography. His photographic journey began with a simple Kodak Box Brownie camera, which he used during his early visits to Yosemite, a place that would become the central theme of his life's work. Ansel Adams' dedication to photography and the environment was interwoven, as he utilized his art to advocate for the conservation of America's natural landscapes.
In the 1930s, Adams co-founded Group f/64, advocating for photographic purity and sharpness of focus, principles that would define his work. His role in establishing the photography department at the Museum of Modern Art in New York underscored his commitment to elevating photography as a respected art form. Ansel Adams' work has been exhibited in prestigious institutions such as the Smithsonian American Art Museum and MoMA, showcasing his contributions to American art and environmentalism.
For collectors and art experts, Ansel Adams' legacy transcends his iconic images; it lies in his ability to merge aesthetic excellence with a passionate message of environmental stewardship. His photographs not only capture the grandeur of landscapes but also serve as a timeless call to preserve the natural world.
To delve deeper into the world of Ansel Easton Adams and stay updated on new product sales and auction events related to his work, signing up for updates is a step toward embracing the heritage of a pivotal figure in art and environmental advocacy.
Join our community of art and antique enthusiasts to honor Adams' vision and ensure his message continues to inspire future generations.
Urs Aeschbach is a Swiss media artist working in various techniques. Nature is always a pictorial theme in Urs Aeschbach's paintings. Her main characters are mushrooms, woody plants, animals, jellyfish, as well as dogs and horses. The artist's paintings are inspired by photographs and illustrations. In addition to paintings, Eschbach creates art and construction projects, video works, as well as constructions and installations.
Darren James Almond is an English artist, based in London. He was nominated for the 2005 Turner Prize. He works in a variety of media including photography and film, which he uses to explore the effects of time on the individual.[3] He uses "sculpture, film and photography to produce work that harnesses the symbolic and emotional potential of objects, places and situations, producing works which have universal as well as personal resonances"
John Baeder is an American painter closely associated with the photorealist movement. He is best known for his detailed paintings of American roadside diners and eateries. His interest in small towns across America began when he was young by photographing old cars and other relics. He started working as an art director in Atlanta for a branch of a New York advertising agency in 1960, and subsequently moved to New York City in 1964. He went on to have a successful career in advertising through the early 1970s, while continuing to paint, draw and photograph on his own time. Baeder left the advertising field in 1972 to pursue his artistic career full-time. The same year, OK Harris Gallery in New York began exhibiting his artworks. Since then, he has had more than thirty solo exhibitions at art galleries. His work includes oil paintings, watercolors and photographs. Baeder’s work aims to chronicle the disappearing aspects of American culture. Baeder is the recipient of the Tennessee Governor's Distinguished Artist Award in 2009.
Lewis "Duke" Baltz was an American visual artist, photographer, and educator. He was an important figure in the New Topographics movement of the late 1970s. His best known work was monochrome photography of suburban landscapes and industrial parks which highlighted his commentary of void within the "American Dream". His work is focused on searching for beauty in desolation and destruction. Baltz's images describe the architecture of the human landscape: offices, factories and parking lots. His pictures are the reflection of control, power, and influenced by and over human beings. His books and exhibitions, his "topographic work", such as The New Industrial Parks, Nevada, San Quentin Point, Candlestick Point, expose the crisis of technology and define both objectivity and the role of the artist in photographs. He wrote for many journals, and contributed regularly to L'Architecture d'Aujourd'hui. Baltz's work is held in the collections of the Solomon R. Guggenheim Museum, Metropolitan Museum of Art, Tate Modern, Los Angeles County Museum of Art, Whitney Museum of American Art etc.
Peter Hill Beard was an American artist, photographer, diarist, and writer who lived and worked in New York City, Montauk and Kenya. His photographs of Africa, African animals and the journals that often integrated his photographs, have been widely shown and published since the 1960s.
George Hendrik Breitner was a Dutch painter and photographer. An important figure in Amsterdam Impressionism, he is noted especially for his paintings of street scenes and harbours in a realistic style. He painted en plein air, and became interested in photography as a means of documenting street life and atmospheric effects — rainy weather in particular — as reference materials for his paintings.
Louis Buvelot, born Abram-Louis Buvelot, was a Swiss landscape painter who lived 17 years in Brazil and following 5 years back in Switzerland stayed 23 years in Australia, where he influenced the Heidelberg School of painters. Buvelot is best known for his great contribution to Australian art. His works, mostly oil landscapes, are quite well regarded, but perhaps his impact was even greater as a tutor of several members of the Heidelberg School. His enthusiasm for plein air painting (that is, painting directly in the open air) was a key characteristic of those artists' work.
Harry Callahan was an American photographer and artist who is best known for his innovative and experimental work in the mid-20th century. He was began his artistic career as a painter before turning to photography.
Callahan's photographic work was characterized by his interest in abstraction, pattern, and form. He often photographed everyday objects and scenes, such as street signs, buildings, and landscapes, and used his camera to explore the beauty and complexity of the world around him.
Callahan was also known for his work as a teacher, and he taught photography at the Rhode Island School of Design for many years. His students included notable photographers such as Aaron Siskind and Ray K. Metzker, and he was known for his rigorous and challenging approach to teaching.
Callahan's legacy as an artist and photographer continues to influence contemporary photography and art. His innovative techniques and distinctive style continue to inspire new generations of artists, and his work is recognized as a significant contribution to the history of photography.
Pegg Clarke was an Australian professional fashion, portrait, architectural and society photographer whose work, published frequently in magazines, was referred to by historian Jack Cato as being of "the highest standard." Her work featured in prominent early 20th century Australian magazines. By the end of World War I Clarke was considered one of the leading photographers in Melbourne. She was respected for her fashion photography, ger high society portraits, especially of debutantes and brides and their portraits of visiting celebrities. Clarke was not trained at the National Gallery School, though she drew as well as photographed, but was involved with the Melbourne Society of Women Painters and Sculptors. In her personal work, mostly of landscape, Pegg was a Pictorialist.
Alvin Langdon Coburn was an American photographer and artist who was best known for his pioneering work in the field of pictorial photography. He was a member of the Photo-Secession movement, which was a group of photographers who sought to elevate photography to the status of fine art.
Coburn was born in Boston, Massachusetts, and grew up in England. He began taking photographs when he was just eight years old and later studied photography in New York City. He went on to become one of the leading photographers of his time, and his work was exhibited widely in Europe and the United States.
Coburn is perhaps best known for his innovative use of the "vortograph," a technique he developed in 1917 that involved photographing objects through a triangular arrangement of mirrors. The resulting images were highly abstract and geometric, and anticipated the work of many later artists, including the Surrealists.
In addition to his work in photography, Coburn was also an accomplished painter and printmaker. He continued to work as an artist throughout his life, and his work is now held in the collections of many major museums around the world.
Ulrike Crespo is a German photographer, psychologist and philanthropist. She grew up in Darmstadt and, after training as a hotel manager, studied French, art history and archeology in Lausanne and Geneva. In 1980 she moved to Frankfurt am Main and taught German for foreigners there. From 1985 to 1990 she studied psychology and, having received a license to practice medicine, worked as a psychotherapist, and then in the psychosomatic department of the university clinic of the Johann Wolfgang Goethe University. In 1995 she opened her own practice. In 1998, as a co-heir of Wella, she founded the Crespo Chamber Music Foundation, in 2004 she founded another foundation, the Crespo Foundation, which promotes educational projects. Donated most of the proceeds from the sale of the family-owned Wella Group. With her funds, she supports people who are in unfavorable starting conditions, but want to build their own career.
Lynne Mapp Drexler was an American abstract and representational artist, painter and photographer.
In the late 1950s, she was an abstract expressionist and was "counted among an important group of women artists whose figural and landscape works were often overlooked during the heyday of post-abstract expressionist modernism — artists such as Jane Freilicher, Lois Dodd, and Jane Wilson."
She would often go to opera and symphony performances with a sketchpad and colored crayons in hand to make sketches inspired by the music.
Ivan Osipovich Dudin (Russian: Иван Осипович Дудин) was a Russian and Soviet artist, painter, translator, and educator. He was born on January 19, 1867, in Moscow and passed away on April 4, 1924, in the same city. Dudin received his education at Moscow University and the Moscow School of Painting, Sculpture, and Architecture, where he was awarded the title of class artist in 1902.
Dudin is known for his landscapes, portraits, and genre scenes. His extensive travels influenced his works significantly. Since 1894, he regularly participated in exhibitions of the Moscow Society of Art Lovers and the Association of Traveling Art Exhibitions. Among his notable students were famous artists such as A.V. Kuprin, V.A. Favorsky, and V.I. Mukhina.
One of Dudin's significant works is "Blooming Garden" from 1902, which is exhibited in the State Tretyakov Gallery. His works can also be found in museums in Irkutsk, Kirov, and Krasnodar.
If you want to receive updates on new sales and auction events related to Ivan Osipovich Dudin, sign up for our updates. We will inform you only about new arrivals and events related to this artist.
Thomas Cowperthwait Eakins was a pivotal figure in American realism, celebrated for his profound and uncompromising portrayal of the human figure. Born on July 25, 1844, in Philadelphia, Pennsylvania, Eakins dedicated his life to depicting authentic human experiences and emotions through painting, sculpture, and photography.
Eakins' education in art began at the Pennsylvania Academy of the Fine Arts and extended to studying abroad in Europe, where he was influenced by French realists and the anatomical precision in their work. His approach combined rigorous study of the human form with a realistic portrayal of American life, making significant contributions to both art and educational practices in the United States.
His notable works include "The Gross Clinic" and "Max Schmitt in a Single Scull," which showcase his mastery in combining technical skill with emotional depth. These pieces not only depict scenes from everyday life but also incorporate a level of detail that reveals Eakins' deep respect for the individuality and inner life of his subjects. Despite facing criticism during his lifetime, particularly for his unflinching realism and subjects considered controversial at the time, Eakins was posthumously recognized as one of America's foremost painters.
For those interested in learning more about Thomas Cowperthwait Eakins' life, works, and his impact on American art, visiting collections that feature his work, such as the Metropolitan Museum of Art and the Pennsylvania Academy of the Fine Arts, can offer deeper insights.
To stay updated on exhibitions, new findings, and auction events related to the remarkable works of Thomas Cowperthwait Eakins, consider signing up for our newsletter. Gain exclusive insights and early notifications tailored for collectors and art enthusiasts. This is an excellent opportunity to deepen your appreciation and knowledge of one of America's greatest realist artists. Subscribe today to ensure you don't miss out on these valuable updates!
Don Eddy is a contemporary representational painter. He gained recognition in American art around 1970 amid a group of artists that critics and dealers identified as Photorealists or Hyperrealists, based on their work's high degree of verisimilitude and use of photography as a resource material. Eddy has worked in cycles, which treat various imagery from different formal and conceptual viewpoints, moving from detailed, formal images of automobile sections and storefront window displays in the 1970s to perceptually challenging mash-ups of still lifes and figurative/landscapes scenes in the 1980s to mysterious multi-panel paintings in his latter career. Eddy's work has been informed by wide-ranging, sometimes contradictory influences: old masters (e.g., van Eyck and Vermeer), Impressionist and Neo-Impressionist color, the analytical cubism of Braque and Picasso, Hans Hofmann, Conceptual and Minimalist critiques of Abstract Expressionism, and Pop art.
Johannes Hinderikus Egenberger was a Dutch painter, photographer and art educator. From 1840 to 1848, he studied at the Royal Academy of Fine Arts in Amsterdam with Jan Willem Pieneman. During these years, he focused on painting scenes from Dutch history. In 1854, he collaborated with Barend Wijnveld to produce a massive canvas depicting the heroic defense of Haarlem led by Kenau Hasselaer in 1573. Later, he would turn to landscapes, domestic scenes and portraits, including a series for the Rijksuniversiteit. In 1857, he was appointed Headmaster of the Academie Minerva in Groningen. In addition to his work there, he became a photographer and, in 1864, opened the first photography studio in Groningen. The following year, he resigned his position as Headmaster to devote himself entirely to photography.
Tom Fabritius is a German painter and graphic artist living and working in Leipzig, a representative of the so-called New Leipzig School.
Tom studied painting and drawing at the Academy of Visual Arts in Leipzig. In 2002 he co-founded the production gallery LIGA in Berlin-Mitte. Tom Fabritius paints in a wide variety of genres as he finds his motifs in the stream of images in the television. He switches between programs and quickly and intuitively captures individual moments of an image with his camera. From this collection, he selects individual images, which he then paints with watercolors.
LaToya Ruby Frazier is an American visual artist, renowned for her profound work that delves into social justice, cultural change, and the American experience. Born in 1982 in Braddock, Pennsylvania, Frazier utilizes various media, including photography, video, and performance, to explore themes of industrialism, environmental justice, and human rights. Her art, deeply rooted in collaborative storytelling, often portrays her family and community, offering a lens into the lived experiences of working-class families amid societal and environmental challenges.
Her notable series "The Notion of Family" explores her family's life in Braddock, revealing the impacts of industrial decline on the community and environment. This work not only highlights LaToya Ruby Frazier's personal narrative but also serves as a broader commentary on race, class, and the American industrial landscape. Her commitment to social documentation is further exemplified in projects like "Flint is Family," where she immersed herself in Flint, Michigan, to document the water crisis's impact on local families.
LaToya Ruby Frazier's exhibitions span across prestigious venues in the US and Europe, reflecting her influence and recognition in the art world. Her works are part of esteemed collections like The Museum of Modern Art and the Whitney Museum of American Art in New York. Frazier's accolades include a MacArthur Fellowship, demonstrating her significant contributions to contemporary art and social activism.
For art collectors and experts, Frazier's work offers a compelling intersection of art, activism, and storytelling, providing insightful perspectives on pressing social issues through the lens of personal and community narratives.
To stay informed about LaToya Ruby Frazier's work and related updates, including new product sales and auction events, subscribing to updates is a valuable opportunity for enthusiasts and collectors alike to engage with her impactful artistry and advocacy.
Ori Gersht is an Israeli photographer and video artist. He is known for his use of photography and video to explore themes of memory, history, and conflict.
Gersht's work often involves the use of slow-motion and high-speed video, which allows him to capture the ephemeral and fleeting moments that are often overlooked in daily life. He also uses a range of photographic techniques, including still life and landscape photography, to create images that are both beautiful and haunting.
Some of Gersht's most famous series include "Time After Time," which captures the moment of a bursting flower, and "Liquidation," which explores the destruction of historical objects. He has also created video installations that examine the history and memory of the Holocaust.
Gersht's work has been exhibited in major museums and galleries around the world, and he has received numerous awards and honors for his contributions to the field of photography and video art. He continues to produce new work and is widely regarded as one of the most important contemporary artists working today.
Torben Giehler is a German abstraction artist.
After studying at the Boston Academy of Art he returned to Germany.
Giehler's style of painting is based on abstract compositions of geometric forms. He digitally edits his sketches and then uses multiple layers of acrylic paint to create large-scale works. In this way the artist manages to convey his own impressions of mountains, streets or buildings.
Doug Hall is an American photographer and media artist, who has received national and international recognition for his work in a range of practices including performance, installation, video, and large scale digital photography. He was a member of T. R. Uthco Collective (1970–1978). From 1981 to 2008, he was a member of faculty in the New Genres Department at the San Francisco Art Institute (SFAI). After retiring from the SFAI, he joined the Graduate Fine Arts faculty at the California College of the Arts (CCA) from 2008 to 2015.
David Hockney, a British artist, has been a prominent figure in the art world for over six decades, renowned for his contributions to painting, drawing, printmaking, photography, and video art. His exploration of these mediums has made significant impacts on the Pop Art movement and beyond, making him one of the most influential artists of the 20th and 21st centuries. Hockney's work is celebrated for its vibrant color palette, emotional depth, and innovative use of technology in art.
One of Hockney's most distinctive features is his ability to blend traditional techniques with modern technology, notably in his iPad drawings and photographic collages. This fusion not only showcases his skillful adaptation to contemporary mediums but also highlights his ongoing quest to explore the nature of seeing and representation in art. Hockney's landscapes and portraits, characterized by their bright colors and meticulous detail, invite viewers to see the world through his unique perspective.
Significant works by Hockney, such as "A Bigger Splash" and "Portrait of an Artist (Pool with Two Figures)," are housed in major museums and galleries worldwide, attesting to his global influence and appeal. These pieces, among others, demonstrate Hockney's mastery over space, light, and narrative, securing his position as a pivotal figure in modern and contemporary art.
For collectors and experts in art and antiques, Hockney's oeuvre presents a fascinating study in the evolution of visual arts. His work not only offers insight into the artist's personal vision but also reflects broader cultural and technological shifts in society. As interest in Hockney's art continues to grow, keeping abreast of new sales and auction events becomes increasingly valuable.
To stay informed about the latest David Hockney sales and auction events, sign up for our updates. This subscription ensures that you receive timely notifications about new product sales and auction events related to David Hockney, offering unique opportunities for collectors and enthusiasts alike.
Elisabeth Hölzl is an Italian artist, sculptor and photographer who lives and works in Merano.
She studied art history in Innsbruck and then sculpture at the Academy of Fine Arts in Bologna. In the 1990s Elisabeth presented minimalist sculptures and installations to the public, later her work moved away from matter and turned to other media such as glass and light. In these works the focus is no longer on volumes, but on what makes them visible: light. In recent years, photography has become the artist's preferred medium of expression, and has accompanied his work from the beginning.
Johann Baptist Isenring was a Swiss landscape painter and printmaker, one of the first photographers in 19th-century Switzerland.
Johann studied painting and aquatint at the Munich Academy of Fine Arts, opened an art studio in St. Gallen in 1828 and soon began publishing his lithographic collection of picturesque views of Switzerland's most remarkable cities and towns.
In 1839, Isenring, fascinated by the discoveries of Niépce and Daguerre, bought equipment for "daguerreotype" and a year later organized an exhibition in his studio in Multtertor, which was probably the first photographic exhibition in the world. Isenring even gave up painting for a while and worked as a photographer for two years, settling in Munich. He made portraits, photographs of architecture, reproductions of paintings and developed a coloring method for his prints, which he patented in America.
Stephan Kaluza is a multifaceted artist known for his work as a photographer, painter, and author. Living and working in Düsseldorf, Kaluza has developed a unique artistic voice that explores the intersections of natural philosophy, history, and the essence of human perception through both his visual art and literary works. His education in Düsseldorf during the 1990s, encompassing studies in photography, art history, and philosophy, has deeply influenced his creative output, allowing him to craft works that resonate on multiple levels with viewers and readers alike.
Stephan Kaluza's art often delves into themes of nature and creation, with his paintings ranging from hyperrealistic depictions to nearly abstract portrayals of forests and water surfaces. Notably, his work introduces disturbances into seemingly idyllic landscapes, revealing the layers of history and human impact hidden beneath the surface beauty of nature. This duality invites viewers to question the reality of what they see and to consider the deeper narratives that landscapes can hold, especially when those landscapes have served as backdrops to historical events or personal stories.
One of his most ambitious projects, the "Das Rheinprojekt," saw Stephan Kaluza undertaking an almost eight-month journey along the Rhine River. Documenting the river's right bank in over 21,000 photographs, he created a panoramic view that challenges traditional perspectives of landscape photography. This work, along with his "Das Mauerprojekt" and other photographic series, underscores Kaluza's commitment to capturing and conveying the complex relationship between humanity and the natural world.
Stephan Kaluza's contributions to the fields of art and literature have been recognized with awards such as the George-Konell-Preis of Wiesbaden and the Price of the Carl- und Ruth Lauterbach-Stiftung Dusseldorf. His works are held in both public and private collections worldwide, including the Portland Art Museum in Oregon, USA, and the Stadtmuseum Düsseldorf, Germany, highlighting his international appeal and the broad relevance of his themes.
For collectors and experts in art and antiques, Stephan Kaluza offers a profound engagement with the world through the lens of an artist deeply informed by a rich educational background and a keen sensitivity to the natural and cultural landscapes that shape our experiences. His work invites contemplation and dialogue, making his pieces valuable additions to any collection.
Stay updated on Stephan Kaluza's latest works, exhibitions, and publications by subscribing to newsletters from galleries and museums that feature his work. This subscription ensures access to new sales, auction events, and showcases related to Kaluza's evolving portfolio, offering insights into contemporary art and literature influenced by his unique perspective.
Ralf Kaspers is a contemporary German photographer.
He is attracted by monumental themes (nature, cityscapes, architecture) as well as ornamental microcosm consisting of countless combinations of identical small objects.
The constant change of themes and subjects allows the author to explore in detail the most important artistic categories such as form, texture and rhythm.
Gustav Gustavovich Klutsis (Russian: Густав Густавович Клуцис), a pioneering Latvian artist, played a significant role in the Constructivist avant-garde movement of the early 20th century. His work is celebrated for its innovative use of photomontage, which Klutsis developed alongside his wife, Valentina Kulagina. Klutsis's early career flourished with projects like the agitprop kiosks for the fifth anniversary of the Revolution, showcasing his talent for integrating various media such as "radio-orators," film screens, and newsprint displays. His commitment to the Constructivist ethos was evident through his dynamic compositions, which often featured distorted scales and perspectives, making his propaganda pieces for the Soviet regime perpetually modern.
Klutsis's art evolved under the shadow of Stalinist propaganda, with his later works reflecting the regime's increasing control over artistic expression. Despite this, he managed to innovate within the constraints, integrating large portraits of Stalin into his photomontages. However, this shift towards monumental propaganda also marked a departure from Constructivism's principles. Klutsis's dedication to the Soviet state did not shield him from its purges; he was arrested in 1938 and executed shortly thereafter, a tragic end for a loyal supporter of the Bolshevik regime.
His contributions to art and propaganda remain influential, with works housed in prestigious institutions like the Museum of Modern Art (MoMA) and the Latvian National Museum of Art. Klutsis's legacy as a key figure in Soviet art and his tragic fate reflect the complex relationship between artistic innovation and political ideology in the early Soviet Union.
For collectors and experts in art and antiques, Klutsis's work offers a fascinating insight into the power of visual communication and the turbulent history of Soviet art. To stay updated on new product sales and auction events related to Gustav Klutsis, signing up for updates is highly recommended. This subscription will ensure you're informed about the latest opportunities to engage with the enduring legacy of this revolutionary artist.
Hermann Krone was a German scientist, traveler, photographer, and publisher. He made his first daguerreotypes in 1843. He had studios in Leipzig and Dresden. In 1872 Krone completed a photobook with views of 142 cities of the Kingdom of Saxony. He also published his poems and scientific works.
Hans Laabs was a German abstractionist painter.
He spent many years almost entirely on the Mediterranean Sea, returning to Berlin for the winter, and this greatly influenced his color perception. Hans Laabs mainly created small works on canvas and cardboard and depicted abstract color and formal compositions and coastal landscapes. Toward the end of his life he became interested in photography.
Rafail Sergeevich Levitsky (Russian: Рафаи́л Сергее́вич Леви́цкий) was a Russian artist of the last third of the 19th century to the first third of the 20th century. He is known as a painter-painter, photographer and teacher, professor of porcelain painting.
Rafail Levitsky painted genre paintings, portraits, landscapes, interiors, battle scenes from life. He is also considered the first artist in history to become a photographer. His many famous photographic portraits replaced models for painters, lithographers, illustrators, and engravers, as in the case of the portrait of Emperor Alexander III, which was reproduced on Russian banknotes.
Marc Lüders is a German artist who works in a combination of photography and painting. Photographs serve as a background for the oil paint, the artist himself calls his works "Photocarts". Lüders uses his photographs of cityscapes, wasteland or abandoned places as backgrounds, depicting figures or objects that contrast sharply with their surroundings.
Siegmund Lympasik is a German painter, photographer and graphic artist, member of the German Artists Association.
He received his art education at the Academy of Fine Arts in Berlin. Lympasik mainly created large-format collage compositions using his own photographs.
Florian Maier-Aichen is a German landscape photographer who lives and works in Germany and the United States.
He creates work using a combination of computer editing and traditional photographic techniques. The photographer alters huge landscape compositions with a series of staged effects, such as double exposures and light leakage, as well as computer and manual adjustments. Maier-Aichen's almost painterly landscapes are reminiscent of early photography and German Romantic painting. Florian Maier-Aichen's romantic, intellectual and ethereal photographs are closer to the realm of drawing and fiction than to documentation.
Hiroyuki Masuyama is a prolific artist and photographer renowned for his innovative approach to visual art. Masuyama's journey into the world of art began with his education in Tokyo, where he graduated from the Tokyo National University of Fine Arts and Music, and continued with further studies in mural painting at the Graduate School of the same university. He later expanded his academic horizons to include studies in Düsseldorf, Germany, where he now lives and works.
Hiroyuki Masuyama is celebrated for his intricate lightbox artworks that reimagine the landscapes and seascapes by renowned artists like J.M.W. Turner, offering a contemporary perspective on these classic scenes. His work involves a meticulous process of digital photography, where he captures thousands of images to recreate historical artworks or landscapes in a new light, essentially blending time, space, and medium. His projects, such as the detailed reinterpretation of Turner's journeys and the "Rome 1585-2012" solo show, showcase his commitment to bridging historical art with modern photographic techniques.
Moreover, Hiroyuki Masuyama has engaged in ambitious projects that document landscapes in a way that challenges traditional perceptions. His exhibitions, like "Nature" at Artoll Kunstlabor and "Mountain" at Merck Finck & Co., demonstrate his fascination with nature and historical sites, encapsulating them within the modern framework of LED lightboxes.
Hiroyuki Masuyama's work has garnered international attention, leading to exhibitions across Europe and Asia. His innovative use of technology to merge photography with painting invites viewers to explore the intersections of history, art, and contemporary media.
For collectors and experts in art and antiques, Hiroyuki Masuyama offers a unique blend of historical reverence and contemporary innovation. His artworks not only pay homage to the past but also challenge viewers to consider the ways in which modern technology can alter our perception of historical and natural landscapes.
Stay updated on Hiroyuki Masuyama's latest projects, exhibitions, and available works by signing up for updates from galleries and museums that feature his art. This subscription will ensure you are informed about new product sales and auction events related to Masuyama's work, offering insights into the fusion of traditional themes with contemporary art forms.
Dóra Maurer is a Hungarian visual artist whose work has spanned a 50-year career. She works in almost every medium, from film and photography, to painting, performance, and sculpture. Principally achieving recognition in the 1970s with avant-garde work, Maurer has developed her art career from works with contemporary and modern influences that have been shown worldwide. Her art is based on mathematical and complex system processes. Most of Maurer's work follows the theme of showing options to the viewer and what the viewer can do with those options. Many of her works break down simple actions so the viewer can really view the piece as movement, not a photograph of movement. Dóra Maurer has in addition been a professor at the Faculty of Fine Arts in Budapest and a curator.
