ANDREA DI BARTOLO (SIENNE 1360-1428)

Verkauft
€ 63 000
AuktionsdatumClassic
18.05.2022 14:30UTC +02:00
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CHRISTIE'S
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Frankreich, Paris
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Archive
ID 761249
Los 115 | ANDREA DI BARTOLO (SIENNE 1360-1428)
ANDREA DI BARTOLO (SIENNE 1360-1428)Crucifixiontempera sur panneau29 x 58,5 cm (11 1⁄4 x 23 in.) Provenance Collection W. H. Wheelwright.Vente Christie's, Londres, 26 juillet 1878, lot 237 (comme 'early Italian').Heath.Vente Asta Finarte, Milan, novembre 1963 (selon la fondation Federico Zeri).Vente Asta Finarte, Milan, 13 décembre 1989, lot 64 (selon la fondation Federico Zeri).G. Sarti Antiques Ltd, Londres, Grande-Bretagne.Collection du Docteur André Convert (1931-2021), région Rhône-Alpes, France. Literature G. Sarti, Primitifs et maniéristes italiens (1370-1570), Paris, 2000, II, pp. 34-39, n°4 (comme 'Andrea di Bartolo'), reproduit en couleurs p. 35. Post lot text ANDREA DI BARTOLO, CRUCIFIXION, TEMPERA ON PANELAndrea di Bartolo's (1360-1428) Crucifixion, a predella panel, dates from circa 1400, a period in which the artist's style was still close to that of his father, Bartolo di Fredi (circa 1330-1410). Nevertheless, the expressive faces depicted in this Crucifixion are characteristic of the artist's later works, such as the palpable tenderness of St. John leaning towards the Virgin and the confusion visible on the faces of the soldiers. The scene follows the traditional iconography of the crucifixion, with the group of Roman soldiers on the right and the holy women and the faithful on the left. The present version is similar to the Crucifixion in the Toledo Museum of Art, Ohio (inv. 1952.103), although less complex in the arrangement of the figures. The two compositions share striking details such as the pointed halo of St. Longinus, a Roman centurion touched by grace to the right of Christ, and the vivid colouring of the soldiers’ yellow tunics with their blue, tasselled belts and red shields edged in blue (this colour scheme is also found in the Road to Calvary in the Thyssen-Bornemisza Collection). Comparing our panel with the Toledo Crucifixion, which dates to a later period in Andrea's career, allows us to follow the evolution of his style, which is became more sophisticated while still retaining the bold dynamism of the present painting. Sale room notice Nous signalons que le tableau n'est pas inclus dans le Berenson.We note that the painting is not included in the Berenson.
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