FRANCISCO JOSÉ DE GOYA Y LUCIENTES (FUENDETODOS 1746-1828 BORDEAUX)

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$ 16 420 000
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25.01.2023 16:00UTC +01:00
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ID 887460
Los 138 | FRANCISCO JOSÉ DE GOYA Y LUCIENTES (FUENDETODOS 1746-1828 BORDEAUX)
FRANCISCO JOSÉ DE GOYA Y LUCIENTES (FUENDETODOS 1746-1828 BORDEAUX)

Portrait of Doña María Vicenta Barruso Valdés, seated on a sofa with a lap-dog; and Portrait of her mother Doña Leonora Antonia Valdés de Barruso, seated on a chair holding a fan

the first: signed, dated and inscribed ‘D.a Maria Vizenta / Baruso Valdes. / P.r F.co Goya año 1805’ (lower left, on the sofa’s armrest); the second: signed, dated and inscribed ‘D.a Leonor Valdes / de Barruso / Por F.co Goya año / 1805’ (lower right)

oil on canvas

41 1/2 x 33 1/4 in. (105.4 x 84.4 cm.), each

(2)a pair





Provenance

Both commissioned in 1805 by Don Salvador Anselmo Barruso de Ybaretta, husband of Doña Leonora and father of María Vicenta Barruso Valdés, and by descent to his grandson,

Don Salvador Valdés y Barruso (1807-1868), Madrid, son of María Vicenta Barruso Valdés, by whom probably left to his widow,

Carmen Corcuera y Vega (d. 1905).

Pierre Orossen, called Stanislas O’Rossen (1864-1933), Madrid, Paris and Biarritz, by whom probably acquired in Madrid, c. 1905, and by descent until,

‘Azoulay’ (almost certainly on behalf of O'Rossen's widow, Eugénie Creuzot (d. 1961), or his son Paul Orossen), Paris; Galerie Charpentier, Paris, 23 May 1951, lots 24 and 25, where acquired by the following,

with Agnew’s, London, from whom acquired on 24 May 1951 (the first) and 4 June 1951 (the second) by,

Private collection.



Literature

M. Moreno, Catálogo de Fotografías. Museo del Prado, Academia de San Fernando,Museo de Arte Moderno, Escorial, Toledo, Sevilla, etc., etc., Madrid, undated, pp. 22-23, nos. 228 and 229.

A.F. Calvert, Goya: An Account of his Life and Works, London and New York, 1908, p. xvi, pls. 167 (the first), 151 (the second).

A. de Beruete y Moret, Goya, pintor de retratos, Madrid, 1915, p. 100.

A. de Beruete y Moret, Goya as Portrait Painter, London and Sydney, 1922, pp. 122, 211, nos. 195, 196.

Calleja ed., Colección de cuatrocientos cuarenta y nueve reproducciones de cuadros, dibujos y aguafuertes de Don Francisco de Goya, Madrid, 1924, plates 115 (first) and 116 (second), both as ‘Señor Orossen, Madrid, Biarritz, Paris’ and ‘Fot. Moreno’.

F.J. Sánchez Cantón ed., Goya por A. de Beruete y Moret. Goya, pintor de retratos; Goya, composiciones y figuras y Goya grabador, Madrid, 1928, p. 65.

A.L. Mayer, Francisco de Goya, Munich, 1928, p. 188, nos. 209, 210.

F.J. Sánchez Cantón, Goya, Paris, 1930, (French translation by Georges Pillement), p. 58, note 56, referencing portraits dated 1805 and citing ‘Doña Leonor Valdés de Barruso (Coll. d’O’rossen)’.

X. Desparmet-Fitz-Gerald, L’oeuvre peint de Goya, Paris, 1928-1950, II, pp. 155-156, nos. 442-443, pls. 362, 363.

J. Gudiol, Goya 1746-1828: Biographie, Analyse critique et Catalogue des Peintures, I, Paris, 1970, p. 298, nos. 498-499; III, figs. 796, 797.

P. Gassier and J. Wilson, Goya: His Life and Work with a catalogue raisonné of the paintings, drawings and engravings, London, 1971, p. 199, nos. 830, 831, illustrated.

R. de Angelis, L’opera pittorica completa di Goya, Milan, 1974, p. 118, nos. 434, 435, illustrated.

X. de Salas, Goya, Milan, 1978, pp. 190-191, nos. 394, 395, illustrated.

J. Camón Aznar, Francisco de Goya, Zaragoza, III, 1980-1982, p. 150.

M.T.M. Bourgon, ed., Goya en las Colecciones Madrileñas, exhibition catalogue, Madrid, 1983, p. 67.

J.L. Morales y Marín, Goya: A Catalogue of his Paintings, Zaragoza, 1997, p. 287, nos. 354, 355.

J. Wilson-Bareau, Goya in the Norton Simon Museum, Pasadena, 2016, p. 162, illustrated (the first).



Exhibited

Madrid, Museo Nacional del Prado, Goya en tiempos de Guerra, 14 April-13 July 2008, nos. 39 and 40.



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