PAUL CEZANNE (1839-1906)

Los 41
09.11.2023 18:30UTC -05:00
Classic
Startpreis
$ 35 000 000
AuctioneerCHRISTIE'S
VeranstaltungsortVereinigten Staaten, New York
Archiv
Die Auktion ist abgeschlossen. Es können keine Gebote mehr abgegeben werden.
Archive
ID 1064377
Los 41 | PAUL CEZANNE (1839-1906)
Schätzwert
$ 35 000 000 – 55 000 000
PAUL CEZANNE (1839-1906)

Fruits et pot de gingembre

oil on canvas

13 1⁄8 x 18 3⁄8 in. (33.4 x 46.6 cm.)

Painted in 1890-1893





Provenance

Ambroise Vollard, Paris (acquired from the artist).

(possibly) Galerie Paul Rosenberg, Paris.

Eugène Blot, Paris (possibly acquired from the above, by 1926).

Galerie M. Goldschmidt & Co., Frankfurt and Berlin, and L' Art Moderne S.A., Lucerne (jointly owned, September 1929).

Sidney and Jenny Brown, Baden (acquired from L’Art Moderne S.A., 5 November 1933, then by descent).

Stiftung Langmatt Sidney und Jenny Brown, Baden (bequest from the above, 1987).



Please note that the present work is being offered for sale pursuant to a settlement agreement between the current owner and heirs of Jacob Goldschmidt. The settlement agreement resolves the dispute over ownership of the work and title will pass to the successful bidder.



Literature

E. Bernard, "Les aquarelles de Cezanne" in L'Amour de l'art, vol. 5, no. 2, February 1924, p. 36 (illustrated; titled Nature morte).

De Telegraaf, vol. 41, no. 15.257, 19 February 1933, p. 12 (illustrated).

E. Blot, Histoire d'une collection de tableaux modernes: 50 ans de peinture, de 1882 à 1932, Paris, 1934, p. 37.

L. Venturi, Cezanne: Son art, son œuvre, Paris, 1936, vol. I, p. 193, no. 595 (illustrated, vol. II, pl. 193; titled Fruits et pot paillé and dated 1890-1894).

J. Rewald, "A propos du catalogue raisonné de l'œuvre de Paul Cezanne et de la chronologie de cette œuvre" in La Renaissance, vol. 20, nos. 3-4, March-April 1937, p. 56.

S. Orienti, The Complete Paintings of Cezanne, New York, 1972, p. 123, no. 784 (illustrated, p. 122; titled Straw-Cased Jar and Plate with Fruit and dated 1890-1894).

J. Rewald, Paul Cezanne: The Watercolors, A Catalogue Raisonné, Boston, 1983, p. 28 (illustrated).

E. Maurer, "Kommentare zu: Stilleben" in Du, vol. 49, no. 9, September 1989, p. 25 (illustrated in color; titled Nature morte aux fruits et au pot paille and dated 1885-1890).

F. Deuchler, Die französischen Impressionisten und ihre Vorläufer, Baden, 1990, p. 86, no. 17 (illustrated in color, p. 87; dated 1885-1890 or 1895).

F. Kitschen, Cezanne: Stilleben, Ostfildern-Ruit, 1995, pp. 130 and 198, no. 44 (illustrated, p. 130; dated circa 1890).

J. Rewald, The Paintings of Paul Cezanne: A Catalogue Raisonné, New York, 1996, vol. I, p. 455, no. 736 (illustrated, vol. 2, p. 253).

E.-M. Preiswerk-Lösel, ed., Ein Haus für die Impressionisten: Das Museum Langmatt, Ostfildern-Ruit, 2001, pp. 174 and 258, no. 22 (illustrated in color, p. 175; illustrated again, p. 258).

P. Machotka, Cezanne: La sensation à l'œuvre, Marseille, 2008, vol. II, p. 189 (illustrated; illustrated in color, vol. I, fig. 297).

D. Coutagne and F. Chédeville, eds., Cezanne, Jas de Bouffan: Art et histoire, Lyon, 2019, p. 187 (illustrated in color, fig. 180).

G.P. and F. Dauberville, Paul Cezanne chez Bernheim-Jeune, Paris, 2020, p. 236, no. 20 (illustrated, p. 237; illustrated in situ in the 1931 exhibition at Galerie Bernheim-Jeune et Cie., p. 124; titled Nature morte rouge).

W. Feilchenfeldt, J. Warman and D. Nash, The Paintings, Watercolors and Drawings of Paul Cezanne: An Online Catalogue Raisonné (www.cezannecatalogue.com), no. FWN 840 (illustrated in color).



Exhibited

Paris, Galerie Bernheim-Jeune et Cie., Paul Cezanne (au profit de la caisse du monument Cezanne), March 1924.

Paris, Galerie Bernheim-Jeune et Cie., Rétrospective Paul Cezanne au profit de la caisse du Monument Cézanne, June 1926.

Paris, Galerie Bernheim-Jeune et Cie., 6ème rétrospective Cezanne, May 1931.

Paris, Galerie Durand-Ruel et Cie., Fleurs et natures mortes, December 1931, no. 9.

Amsterdam, Kunsthandel J. Goudstikker, Tentoonstelling "Het stilleven," ten bate van de Vereeniging Rembrandt, February-March 1933, no. 49 (illustrated, fig. 77; titled Tafel met appels, peren, een gemberpot, enz and dated circa 1888).

Rotterdam, Museum Boymans, Tentoonstelling van 115 Stillevens: 1480-1933, April 1933, p. 11, no. 15 (illustrated, fig. XVI; titled Tafel met appels, peren, een gemberpot, enz and dated circa 1888).

Casino Luxembourg, Luxe, calme et volupté: Regards sur le Post-Impressionnisme, collectionneurs à Winterthur et Baden au début du XXe siècle, January-March 1995, p. 215, no. 30 (illustrated; titled Fruits et pot paillé and dated 1890-1894).

Sydney, Art Gallery of New South Wales, Classic Cezanne, November 1998-February 1999, p. 182, no. 13 (illustrated in color).

Bologna, Galleria d'Arte Moderna, La natura della natura morta: Da Manet ai nostri giorni, December 2001-February 2002, pp. 59 and 242, no. 8 (illustrated in color, p. 59; detail illustrated in color on the cover).

Philadelphia, The Barnes Foundation and Ontario, The Art Gallery of Hamilton, The World is an Apple: The Still Lifes of Paul Cezanne, June 2014-February 2015, pp. 73 and 235 (illustrated in color, pp. 72-73, pl. 8; illustrated again in color, p. 235).

Baden, Museum Langmatt, Herzkammer: 30 Jahre Langmatt, March-August 2020, pp. 118-122 (illustrated in color, pp. 120-121).
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