PAUL DELVAUX (1897-1994)

Verkauft
£ 163 800
AuktionsdatumClassic
04.03.2022 13:00UTC +01:00
Auctioneer
CHRISTIE'S
Veranstaltungsort
Vereinigtes Königreich, London
Archiv
Die Auktion ist abgeschlossen. Es können keine Gebote mehr abgegeben werden.
Archive
ID 717947
Los 410 | PAUL DELVAUX (1897-1994)
PAUL DELVAUX (1897-1994)

Étude pour le tableau 'Les Rivales'

signed, dated and inscribed 'LES RIVALES 2-66. P. DELVAUX'; inscribed 'Les Rivales' (on the reverse)

gouache, watercolour, pen and India ink, wash and pencil on paper

25 7⁄8 x 22 1⁄2 in. (65 x 57 cm.)

Executed in February 1966







Provenance

Acquired directly from the artist in April 1968, and thence by descent to the present owners.





Exhibited

Madrid, Sala de Exposiciones de la Dirección General de Bellas Artes, Dibujo Belga Contemporaneo, November 1966, no. 7 (illustrated).

Ixelles, Musèe d'Ixelles, Paul Delvaux au Musée d'Ixelles, 1967, no. 103.

Rotterdam, Museum Boymans-van Beuningen, Paul Delvaux, Tekeningen, February - March 1968, no. 61 (dated '1965').

Kumamoto, Prefectoral Museum, Paul Delvaux in Japan, September - October 1987, no. 27 (illustrated); this exhibition later travelled to Okayama, Tenmaya Isen Art Hall, October - November 1987; Sendai, Galerie Sendai-Eki-mae, November 1987, and Fukkuoka, Municipal Art Museum, January 1988.

Brussels, Royal Museums of Fine Arts of Belgium, Paul Delvaux, March - July 1997, no. 221, p. 284 (illustrated).





Special Notice


Artist's Resale Right ("Droit de Suite"). Artist's Resale Right Regulations 2006 apply to this lot, the buyer agrees to pay us an amount equal to the resale royalty provided for in those Regulations, and we undertake to the buyer to pay such amount to the artist's collection agent.
These lots have been imported from outside of the UK for sale and placed under the Temporary Admission regime. Import VAT is payable at 5% on the hammer price. VAT at 20% will be added to the buyer’s premium but will not be shown separately on our invoice.





Post Lot Text

The Fondation Paul Delvaux has confirmed the authenticity of this work.
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