Pre-Raphaelites — Auction price
Henry Meynell Rheam was a painter from England.
Arthur Hughes was an English painter and illustrator associated with the Pre-Raphaelite Brotherhood.
Eleanor Fortescue-Brickdale was a British Pre-Raphaelite painter, illustrator and stained glass artist.
At the age of 17, she enrolled at Crystal Palace School of Art and was later admitted to the Royal Academy of London and she initially worked with illustration. In 1897, Eleanor won a prize for her painting "Spring", which allowed her to begin work on her first large-scale oil painting, "The Pale Color of True Love". The painting was exhibited at the Royal Academy in 1899.
In 1902 Eleanor Fortescue-Brickdale was elected the first female member of the Institute of Oil Painters. She illustrated many books, including Tennyson's Royal Idylls in 1911. She taught at the Byam Shaw School of Art in Kensington. During the First World War, the artist designed posters for government departments and later several commemorative stained glass windows and a memorial in York Cathedral. In 1919 she became a member of the Royal Society of Watercolor Painters.
Gabriel Charles Dante Rossetti, generally known as Dante Gabriel Rossetti, was an English poet, illustrator, painter, translator and member of the Rossetti family. He founded the Pre-Raphaelite Brotherhood in 1848 with William Holman Hunt and John Everett Millais. Rossetti inspired the next generation of artists and writers, William Morris and Edward Burne-Jones in particular. His work also influenced the European Symbolists and was a major precursor of the Aesthetic movement.
Edward John Poynter was a prominent British painter, known for his historical and mythological artworks that resonate with art collectors and experts. Born in Paris and educated in Britain, Poynter's career flourished with his detailed and evocative paintings, like "Israel in Egypt" and "The Visit of the Queen of Sheba to King Solomon," which reflect his profound historical knowledge and artistic skill. These works are celebrated for their intricate detail and vibrant storytelling, captivating viewers and holding significant positions in galleries and Masonic lodges globally.
Edward John Poynter's dedication to art education was evident through his roles as the Slade Professor at University College London and the principal of the National Art Training School. His contribution extended to administrative roles, notably as the Director of the National Gallery, where he played a pivotal role in the establishment of the Tate Gallery. His legacy in the art world is also marked by his presidency at the Royal Academy, demonstrating his influence and standing in the British art scene.
For those intrigued by Edward John Poynter's mastery and the historical depth of his work, his contributions to art literature, such as "Ten Lectures on Art," offer further insight into his artistic philosophy and approach. These works underscore his commitment to integrating art and archaeology, providing a richer understanding of his creative process and the era he depicted.
For art collectors and enthusiasts interested in Poynter's work and related auction events, staying updated through a subscription service can be invaluable. This ensures you receive timely information on sales and exhibitions featuring Edward John Poynter's art, allowing you to engage deeply with his historical and artistic legacy.
John William Waterhouse was an English painter known for working first in the Academic style and for then embracing the Pre-Raphaelite Brotherhood's style and subject matter. His artworks were known for their depictions of women from both ancient Greek mythology and Arthurian legend.
John Atkinson Grimshaw was an English Victorian-era artist best known for his nocturnal scenes of urban landscapes. He was called a «remarkable and imaginative painter» by the critic and historian Christopher Wood in Victorian Painting (1999).
Grimshaw's love for realism stemmed from a passion for photography, which would eventually lend itself to the creative process. Though entirely self-taught, he is known to have used a camera obscura or lenses to project scenes onto canvas, which made up for his shortcomings as a draughtsman and his imperfect knowledge of perspective. This technique, which Caravaggio and Vermeer may also have used, was condemned by a number of his contemporaries who believed it demonstrated less skill than painting by eye, with some claiming that his paintings appeared to «show no marks of handling or brushwork», while others "were doubtful whether they could be accepted as paintings at all". However, many recognised his mastery of colour, lighting and shadow, as well as his unique ability to provoke strong emotional responses in the viewer. James McNeill Whistler, who Grimshaw worked with in his Chelsea studios, stated, «I considered myself the inventor of nocturnes until I saw Grimmy's moonlit pictures».
John William Waterhouse was an English painter known for working first in the Academic style and for then embracing the Pre-Raphaelite Brotherhood's style and subject matter. His artworks were known for their depictions of women from both ancient Greek mythology and Arthurian legend.
Henry Nelson O'Neil was a historical genre painter and minor Victorian writer. He worked primarily with historical and literary subjects, but his best-known paintings dealt with the Indian Mutiny.
Robert van Vorst Sewell was an American modernist painter who specialised in mythological and landscape genres.
Thomas Armstrong was an English artist and arts administrator.
Gabriel Charles Dante Rossetti, generally known as Dante Gabriel Rossetti, was an English poet, illustrator, painter, translator and member of the Rossetti family. He founded the Pre-Raphaelite Brotherhood in 1848 with William Holman Hunt and John Everett Millais. Rossetti inspired the next generation of artists and writers, William Morris and Edward Burne-Jones in particular. His work also influenced the European Symbolists and was a major precursor of the Aesthetic movement.
John Everett Millais was an influential British artist and a key figure in the Pre-Raphaelite Brotherhood, celebrated for his detailed and naturalistic paintings. Born in Southampton in 1829, Millais was a child prodigy, gaining admission to the Royal Academy Schools at the remarkable age of eleven. His early work, characterized by meticulous attention to detail and vibrant naturalism, stirred controversy and admiration alike. One of his most renowned pieces, "Ophelia" (1851-52), exemplifies his style during this period, capturing intricate natural scenes with profound emotional depth.
Millais's personal life was as notable as his artistic career, particularly his marriage to Effie Gray, who was previously married to the art critic John Ruskin. This union, following Effie's annulment from Ruskin, produced eight children and intertwined with Millais's evolving artistic journey.
Later in his career, Millais's style transitioned towards a broader approach, a change criticized by some contemporaries but which also garnered him significant acclaim and financial success. His influence extended to various artists, including John Singer Sargent, and his works remain pivotal in the study of Victorian art. His dedication to his craft earned him numerous honors, including a baronetcy, making him the first artist to be bestowed such an honor.
Millais's legacy is preserved in numerous galleries worldwide, with Tate Britain and the Ashmolean Museum housing key works like "The Order of Release" and "The Return of the Dove to the Ark." His contribution to art and culture remains significant, offering a window into the Victorian era's aesthetic and social dynamics.
For enthusiasts and collectors interested in Millais's work, staying updated on exhibitions and sales can provide invaluable insights into his artistry and its enduring appeal. Subscribing to updates on Millais can ensure you remain informed about upcoming events and opportunities related to this seminal artist.
