British and European Art
Jessica Ellen Hayllar is a British artist and painter.
Jessica was born into the family of English painter James Hayllar (1829-1920). Besides her, his three other daughters - Edith, Mary and Kate were also famous artists. Jessica studied under her father and began exhibiting her work in 1879. In her paintings, she most often depicted members of her family in everyday life and holidays, in quiet interiors and surrounded by flowers. Moreover, much of Jessica Hayllar's work represents an idealized view of female domestic life in the Victorian era.
Peder Mork Monsted (Danish: Peder Mørk Mønsted) was a Danish realist painter, representative of the Golden Age of Danish painting.
Monsted studied at the Royal Academy of Fine Arts and gradually developed his own style of academic naturalism, almost photorealistic. During his long career, P. Monsted traveled extensively, often visiting Switzerland, Italy, North Africa, Greece, where he was a guest of the royal family and for a year painted their portraits.
Favorite themes of the artist were Danish landscapes - snowy winter or summer landscapes with boats on the water, forest. From the beginning of the XX century and until his death P. Monsted was one of the most popular and wealthy artists. He was especially popular in Germany among the Munich public.
Peter Walker Nicholson was a British painter.
After being educated as a lawyer, Nicholson decided to take up painting and entered the Ruskin School in Oxford. He showed great promise and was very talented, but by tragic accident died very young.
During a year's stay in Paris in 1881, Nicholson was influenced by the work of artists of the Barbizon school, who took as subjects of paintings of everyday life of peasants in a realistic style. Nicholson painted rural landscapes and managed to create his masterpiece, the genre painting The Burning of Weeds, which is on display at the Royal Scottish Academy.
Harry Watson was an English landscape and portrait artist born in Scarborough. He studied at the Scarborough School of Art, at Lambeth School of Art and at the Royal College of Art, where he won numerous gold, silver and bronze medals and was awarded a traveling scholarship to Italy. Watson exhibited at the Royal Academy from 1896. Taught at Regent Street Polytechnic from 1913. Watson embraced En plein air painting, often capturing the effect of natural light falling to on to his subjects which gives many of his works an impressionistic style. His paintings Sunlight Reflected Upon a Wide Riverscape and Reflected Light are two examples which demonstrate his use of natural light. His watercolour Across the River is in the permanent collection at the Tate Gallery. The Christchurch art gallery, Wellington art gallery and Brighton & Hove Museum & Art Gallery also have examples of his work. His work was part of the painting event in the art competition at the 1932 Summer Olympics.
Henry Scott Tuke was an English visual artist; primarily a painter, but also a photographer. His most notable work was in the Impressionist style, and he is best known for his paintings of nude boys and young men.
Trained at the Slade School of Art under Alphonse Legros and Sir Edward Poynter, Tuke developed a close relationship with the Newlyn School of painters, his work being exhibited at the Royal Academy of Arts, of which he became a Full Member. In addition to his achievements as a figurative painter, he was an established maritime artist and produced many portraits of sailing ships. He was highly prolific, with over 1,300 works listed and more being discovered.
Henry Scott Tuke was an English visual artist; primarily a painter, but also a photographer. His most notable work was in the Impressionist style, and he is best known for his paintings of nude boys and young men.
Trained at the Slade School of Art under Alphonse Legros and Sir Edward Poynter, Tuke developed a close relationship with the Newlyn School of painters, his work being exhibited at the Royal Academy of Arts, of which he became a Full Member. In addition to his achievements as a figurative painter, he was an established maritime artist and produced many portraits of sailing ships. He was highly prolific, with over 1,300 works listed and more being discovered.
Alfred James Munnings was known as one of England's finest painters of horses, and as an outspoken critic of Modernism. Engaged by Lord Beaverbrook's Canadian War Memorials Fund, he earned several prestigious commissions after the Great War that made him wealthy. Between 1912 and 1914 he was a member of the Newlyn School of artists. His work was part of the art competitions at the 1928 Summer Olympics, the 1932 Summer Olympics, and the 1948 Summer Olympics.
Munnings was president of the Royal Academy of Arts from 1944 until his death.
Alfred James Munnings was known as one of England's finest painters of horses, and as an outspoken critic of Modernism. Engaged by Lord Beaverbrook's Canadian War Memorials Fund, he earned several prestigious commissions after the Great War that made him wealthy. Between 1912 and 1914 he was a member of the Newlyn School of artists. His work was part of the art competitions at the 1928 Summer Olympics, the 1932 Summer Olympics, and the 1948 Summer Olympics.
Munnings was president of the Royal Academy of Arts from 1944 until his death.
Dame Laura Knight was an English artist who worked in oils, watercolours, etching, engraving and drypoint. Knight was a painter in the figurative, realist tradition, who embraced English Impressionism. In her long career, Knight was among the most successful and popular painters in Britain. Her success in the male-dominated British art establishment paved the way for greater status and recognition for women artists.
In 1929 she was created a Dame, and in 1936 became the second woman elected to full membership of the Royal Academy. Her large retrospective exhibition at the Royal Academy in 1965 was the first for a woman. Knight was known for painting amidst the world of the theatre and ballet in London, and for being a war artist during the Second World War. She was also greatly interested in, and inspired by, marginalised communities and individuals, including Romani people and circus performers.
Dame Laura Knight was an English artist who worked in oils, watercolours, etching, engraving and drypoint. Knight was a painter in the figurative, realist tradition, who embraced English Impressionism. In her long career, Knight was among the most successful and popular painters in Britain. Her success in the male-dominated British art establishment paved the way for greater status and recognition for women artists.
In 1929 she was created a Dame, and in 1936 became the second woman elected to full membership of the Royal Academy. Her large retrospective exhibition at the Royal Academy in 1965 was the first for a woman. Knight was known for painting amidst the world of the theatre and ballet in London, and for being a war artist during the Second World War. She was also greatly interested in, and inspired by, marginalised communities and individuals, including Romani people and circus performers.
Harold Knight was an English portrait, genre and landscape painter.
Albert Goodwin was a British landscapist specialising in watercolours. His work shows the influences of Turner and the Pre-Raphaelite Brotherhood.
Goodwin was a prolific artist, producing over 800 works and continuing to paint well into his eighties. His wide variety of landscape subjects reflected his love of travel and show the influence of Turner, with whom he felt a strong affinity. In later works he developed experimental techniques such as using ink over water color to achieve atmospheric lighting effects. His works are also an important record of social history.
Dorothea Sharp was a British Impressionist painter.
Her artistic style was shaped by the work of Claude Monet in Paris and remained until the end of her life. Dorothea Sharp's works are attracted by serene joy: a windy day, the cries of seagulls and children playing by the warm sea in bright sunlight. This was the world of Dorothea's childhood - the world of prosperous and affluent Victorian Britain. Dorothea's life also coincided happily with the dynamic development of the art world and the Women's Rights Revolution, which for the first time gave women artists the opportunity to participate in major public exhibitions.
Dorothea Sharp was a member of the Royal Society of British Artists, the Royal Institute of Oil Painters and the Society of Women Artists.
Joseph Edward Southall was a British painter and leader of the Birmingham Group of Craftsmen Artists.
At the age of 21, while traveling in France and Italy, Southall was fascinated by Italian Renaissance painters. He later created many large tempera paintings, mostly of mythological and religious subjects, which were exhibited throughout Europe as well as in the United States. The artist also painted landscapes and many portraits in watercolor and oil.
With the outbreak of World War I, Southall became more involved in the anti-war struggle, writing pamphlets and drawing cartoons for books and magazines. Along with other members of the Birmingham Group, Southall also practiced various crafts including murals, furniture decoration, lace, book illustration and prints.
Alfred Émile Léopold Stevens was a Belgian painter, known for his paintings of elegant modern women. After gaining attention early in his career with a social realist painting depicting the plight of poor vagrants, he achieved great critical and popular success with his scenes of upper-middle class Parisian life. In their realistic style and careful finish, his works reveal the influence of 17th-century Dutch genre painting.
Alfred William Parsons was a British artist, illustrator and renowned garden designer, a Fellow of the Royal Academy.
He studied at the Kensington School of Art and was a keen gardener thanks to his gardener father. Parsons' favorite subject matter in his paintings is flowering gardens, paths between flowerbeds, and coastal riverscapes. His detailed botanical illustrations led to an acquaintance with William Robinson, one of the great gardeners of his day. He commissioned Parsons to create illustrations for The Wild Garden, and then received his first garden commission from architect Philip Webb. Parsons created several more simple but stunning gardens that harmonized new and traditional elements.
After traveling to Japan, Parsons published his impressions of the country under the title Notes in Japan (1896), and he painted 132 watercolors depicting roses for Ellen Willmott's book Rod Rosa.
Frederic Leighton was a distinguished British artist renowned for his contributions to painting and sculpture during the Victorian era. His works, characterized by their classical themes and meticulous detail, have garnered appreciation from art collectors and historians alike. Notable for being the first painter to receive a peerage, Leighton's legacy in the art world is significant.
Frederic Leighton's art, particularly his paintings like "Flaming June" and "The Return of Persephone," showcases his mastery in depicting classical and mythological subjects with a unique blend of realism and idealism. His sculptures, such as "An Athlete Wrestling with a Python" and "The Sluggard," played a pivotal role in initiating the New Sculpture movement, emphasizing naturalism and dynamic forms.
Despite his illustrious career, Frederic Leighton's personal life remained private, with ongoing debates about his relationships and sexuality. His London home, now the Leighton House Museum, offers a glimpse into his artistic world, housing many of his works and collections that influenced his creations.
For art collectors and experts, Frederic Leighton's oeuvre represents a blend of academic tradition and innovative expression, making his works highly sought after in the realms of art and antiques. To stay informed about exhibitions and auction events featuring Frederic Leighton's art, subscribing to updates can be a valuable resource for enthusiasts eager to explore and acquire pieces from this influential Victorian artist.
