Korea — Auction price
Tschang-Yeul Kim is a South Korean abstraction artist, one of the most famous figures in the history of modern Korean art.
He lived most of his life in Paris, France, where he developed his own unique style of painting. Tschang-Yeul Kim painted paintings with a variety of water droplets that appear to protrude from the canvases as if the canvas were "crying," but are in fact optical illusions.
Lee Ufan is a Korean-Japanese artist. He is a leading figure of the Mono-ha movement, which emerged in Japan in the late 1960s and emphasized the relationships between natural and industrial materials, space, and perception.
Lee Ufan moved to Japan in 1956 and studied philosophy at Nihon University in Tokyo. In the late 1960s, he began to create minimalist sculptures and installations that explored the interactions between natural and industrial materials such as stone, metal, and glass.
In addition to his work as a visual artist, Lee Ufan is also a noted writer and philosopher. He has written extensively on aesthetics, contemporary art, and Zen Buddhism.
Lee Ufan's work has been exhibited in major museums and galleries around the world, including the Guggenheim Museum in New York, the Centre Georges Pompidou in Paris, and the National Museum of Modern and Contemporary Art in Seoul. He has also been the subject of several major retrospectives, including exhibitions at the Solomon R. Guggenheim Museum in New York in 2011 and the Centre Pompidou in Paris in 2014.
Stickymonger is a New York-based artist of South Korean origin whose paintings transform ordinary places into dreamy, eerie spaces, filled with an amalgam of emotions conveyed through her big-eyed, animation-inspired women.
Eddie Kang is a contemporary korean artist. His brightly colored paintings depict doodles of toys and animals rendered in the Asian “Animamix” style, which melds the languages of animation and comics. Kang received his BFA from the Rhode Island School of Design. Early in his career, he caught the attention of curator Victoria Lu —who coined the term “Animamix” —and has since been included in a number of exhibitions she has organized. Among these are the inaugural Animamix Biennial at the Museum of Contemporary Art in Shanghai in 2007 and “Future Pass,” a collateral exhibition of the 2011 Venice Biennale. Kang’s playful paintings feature a cast of teddy bears, puppies, and dolls meant to serve as companions to city dwellers who feel isolated in an increasingly digital world. In addition to creating artworks, Kang has collaborated with fashion brands such as MCM and Paul Smith to create wearable goods that further circulate his characters.
Lee Ufan is a Korean-Japanese artist. He is a leading figure of the Mono-ha movement, which emerged in Japan in the late 1960s and emphasized the relationships between natural and industrial materials, space, and perception.
Lee Ufan moved to Japan in 1956 and studied philosophy at Nihon University in Tokyo. In the late 1960s, he began to create minimalist sculptures and installations that explored the interactions between natural and industrial materials such as stone, metal, and glass.
In addition to his work as a visual artist, Lee Ufan is also a noted writer and philosopher. He has written extensively on aesthetics, contemporary art, and Zen Buddhism.
Lee Ufan's work has been exhibited in major museums and galleries around the world, including the Guggenheim Museum in New York, the Centre Georges Pompidou in Paris, and the National Museum of Modern and Contemporary Art in Seoul. He has also been the subject of several major retrospectives, including exhibitions at the Solomon R. Guggenheim Museum in New York in 2011 and the Centre Pompidou in Paris in 2014.
