Cityscape — Auction price
Canaletto, born Giovanni Antonio Canal, was an illustrious Italian painter celebrated for his masterful cityscapes, particularly of Venice and London. Emerging as a topographical painter after 1719, Canaletto became renowned for his detailed and atmospheric views, known as vedute, which captured the essence of Venice and London with a unique blend of accuracy and artistic embellishment. Despite using a camera obscura to achieve precision in his architectural details, Canaletto often infused his paintings with creative adjustments to enhance their appeal.
His early works, such as "The Stonemason's Yard," are particularly prized for their vivid portrayal of Venice's daily life and architectural beauty. Canaletto's paintings were highly sought after by English aristocrats during their Grand Tours, leading him to spend a significant period in England, where he continued to produce esteemed works capturing the English landscape and urban scenes.
Despite his international success, Canaletto's work was less appreciated in his native Venice during his lifetime, only gaining broader recognition and appreciation in later years. His legacy, however, has had a lasting impact on landscape painting, influencing future generations of artists.
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Johan Barthold Jongkind was a Dutch painter and printmaker. He painted marine landscapes in a free manner and is regarded as a forerunner of Impressionism.
Jongkind's most frequent subject was the marine landscape, which he painted both in the Netherlands and in France. Many of his works depict the Seine, particularly the area near Notre-Dame Cathedral. He painted watercolors out-of-doors, and used them as sketches for oil paintings made in his studio. His paintings are characterized by vigorous brushwork and strong contrasts. Like the 17th-century Dutch landscape painters of the Golden Age of Dutch painting, he typically composed his landscapes with a low horizon, allowing the sky to dominate.
Edmund Lewandowski was an American pre-cisionist painter. He is known for creating murals in public buildings, and from 1942 to 1946 he made maps and camouflage for the U.S. Air Force.
Charles Ephraim Burchfield is an American artist known for his watercolor landscapes and mystical depictions of the world around him.
Edward Hopper was an American painter renowned for his skill in depicting the solitude of modern life with evocative uses of light and shadow. Born in 1882 in Nyack, New York, Hopper's early exposure to art came from his supportive parents who nurtured his talents. He began formal art studies at the New York School of Art, learning under influential teachers like William Merritt Chase and Robert Henri. Henri, in particular, encouraged his students to paint personal significance into their works.
Hopper’s style, characterized by its emphasis on solitude and the mundane aspects of American life, often featured settings such as diners, gas stations, and apartment interiors. One of his most famous works, Nighthawks, depicts patrons sitting in a brightly lit diner at night, each seemingly lost in their own thoughts—a perfect example of his theme of urban isolation.
Throughout his career, Hopper enjoyed considerable success and influence, culminating in several retrospectives, including a prominent one at the Museum of Modern Art. His approach to depicting light and his stark, realist views on everyday scenes influenced generations of artists and continue to captivate audiences today. His works are pivotal in understanding American realism and are held in high esteem in museums across the United States.
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Albert Marquet was a French painter, renowned for his affiliation with the Fauvist movement, a group characterized by their use of wild, vivid colors to depict emotional expression. Unlike his contemporaries who embraced bright and violent colors, Marquet distinguished himself with a more subdued palette, employing less intense tones by mixing complementary colors to achieve a naturalistic style, primarily in landscapes. His work is celebrated for its simplicity in form and color, often focusing on serene water scenes, bustling city views, and the animated life of waterfront cities, particularly in North Africa and across various European locales like Naples and Venice.
Marquet's technique involved painting water as a broad area of simple tone, which cleverly held the plane of the water's surface without resorting to illusionistic perspective, allowing ships to emerge into a different plane with ease. This method, alongside his unique approach to color and composition, drew parallels with Japanese Shijo style work, emphasizing simplicity, movement, and the effective use of color to capture scenes' essence.
Throughout his career, Marquet frequently returned to favored subjects, capturing subtle variations in light and atmosphere. His landscapes, cityscapes, and maritime scenes are noted for their tranquility and the artist's keen observation of light and color. His works are housed in prestigious museums worldwide, including the Musée National d'Art Moderne, the Metropolitan Museum of Art, and the Pushkin Museum, showcasing his versatile talent in capturing the natural and urban environment.
Marquet's legacy is significant, admired for his astute sense of color and the ability to convey atmospheric mood with minimal elements. His influence extends beyond the canvas, impacting subsequent generations of artists and collectors who appreciate the subtlety and depth of his work. For collectors and experts in art and antiques, Albert Marquet represents a pivotal figure in modern art, whose works continue to inspire and captivate audiences with their serene beauty and emotional depth.
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Maurice Utrillo was a French painter, celebrated for his depictions of cityscapes, particularly of the Montmartre district in Paris. His unique approach to painting, characterized by a vivid portrayal of urban landscapes, has captivated art collectors and experts alike. Utrillo's work is notable for its distinct use of color and perspective, offering viewers a glimpse into the picturesque and often serene streets of Montmartre. Despite challenges in his personal life, including struggles with alcoholism, Utrillo's artistry remained undiminished, showcasing his profound connection to the city he often portrayed from memory or postcards, especially in his later years when his health declined.
Utrillo's paintings are a testament to his skill in capturing the essence of Parisian life, with works such as "La Rue Norvins à Montmartre" and "Place du Tertre" highlighting his ability to blend color, light, and architecture into harmonious compositions. His "White Period" is particularly renowned, during which he used white zinc and sometimes plaster to achieve a unique texture and depth in his paintings. This period signifies a pivotal moment in Utrillo's career, marking a departure from Impressionism towards a style that emphasized the structural and geometric aspects of his subjects.
Utrillo's contributions to art extend beyond his innovative techniques and stylistic evolution. His life story, marked by periods of intense struggle and creativity, adds a layer of depth to his works, inviting viewers to explore not only the streets of Montmartre but also the complex landscape of the artist's inner world. His paintings, many of which are now housed in prestigious museums and galleries, continue to attract admiration from around the globe.
For collectors and experts in art and antiques, Maurice Utrillo's works offer a unique investment in the beauty and history of Parisian culture. His ability to capture the spirit of Montmartre, combined with his innovative use of materials and color, makes his paintings a valuable addition to any collection.
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Auguste Herbin was a French painter, celebrated for his contributions to modern art, particularly within the realms of Cubism and abstract painting. Born on April 29, 1882, in Quiévy, Nord, France, Herbin's artistic journey took a significant turn after he moved to Paris in 1903. Initially influenced by Impressionism and Post-Impressionism, his style evolved significantly after 1909 when he became acquainted with Cubism, a movement that significantly influenced his work thereafter. By 1917, Herbin was fully immersed in creating abstract compositions, pioneering a unique blend of geometric abstraction that became his signature style. His abstract work, characterized by simple geometric shapes and vivid, unmodulated colors, adhered to a personal theory of art he detailed in his 1949 book, "L'Art non-figuratif, non-objectif".
Herbin's influence extended beyond his paintings; he was a co-founder of the groups Abstraction-Création and Salon des Réalités Nouvelles, advocating for non-figurative abstract art. Despite facing a significant challenge in 1953, when he became paralyzed on the right side and had to adapt by painting with his left hand, Herbin continued to create art until his passing on January 31, 1960, in Paris. His unfinished work, themed around the word "Fin," marks the poignant end of his prolific career.
Today, Herbin's works are housed in prestigious public collections worldwide, including the Museum de Fundatie in Zwolle, The Netherlands; Kröller-Müller Museum in Otterlo, The Netherlands; National Galleries of Scotland; Matisse Museum in Le Cateau-Cambrésis, France; and the KUNSTEN Museum of Modern Art Aalborg in Denmark, among others. These institutions celebrate Herbin's legacy, showcasing his innovative approach to abstract art that continues to inspire artists and collectors alike.
For enthusiasts and collectors interested in modern art and the evolution of abstract painting, Auguste Herbin's works offer a rich exploration of geometric abstraction and its theoretical underpinnings. Sign up for updates on new product sales and auction events related to Auguste Herbin, and delve deeper into the vibrant world of one of France's pioneering abstract artists.
Paul Signac, a French Neo-Impressionist painter, played a pivotal role in the development of the Pointillist style alongside Georges Seurat. Born on November 11, 1863, in Paris, Signac's artistic journey was marked by significant collaborations and encounters, including meeting Vincent van Gogh and Toulouse Lautrec in Paris. His relationship with van Gogh was notably influential, as they painted together at Asnières-sur-Seine, focusing on river landscapes and cafés.
Signac was deeply invested in anarchist ideas, which he explored through his readings of Élisée Reclus, Kropotkin, and Jean Grave. His political leanings were also evident in his art, as seen in his 1893 painting, "In the Time of Harmony," which was initially titled "In the Time of Anarchy." This change was necessitated by the political repression of anarchists in France at the time.
A lover of sailing, Signac began traveling in 1892, which greatly influenced his art. He would sail to various ports, bringing back vibrant watercolors sketched from nature. These sketches later served as the basis for his larger studio canvases, which were composed of small, mosaic-like squares of color, differing from Seurat's tiny, variegated dots.
Signac's contribution to art extended beyond his own works. As president of the Société des Artistes Indépendants from 1908 until his death, he encouraged younger artists and exhibited controversial works of the Fauves and Cubists. He was notably the first patron to buy a painting by Henri Matisse, demonstrating his support for emerging artists.
In his personal life, Signac married Berthe Roblès on November 7, 1892, and his interactions with other artists, including Henri Matisse and André Derain, were instrumental in the evolution of Fauvism. Despite initially not admiring the Fauve style, Signac played a decisive role in its development.
Signac's impact on culture, art, and painting is undeniable. His works, found in various museums and galleries, continue to inspire art collectors and experts. For those interested in exploring Signac's contributions further, signing up for updates on new product sales and auction events related to Paul Signac is highly recommended. This subscription is an excellent way for collectors and art experts to stay informed about the latest developments and opportunities related to Signac's enduring legacy.
Alberto Giacometti was a Swiss sculptor, painter, draftsman, and printmaker, renowned for his distinctive elongated sculptures of solitary figures. Born in Borgonovo, Switzerland, in 1901, into a family of artists, Giacometti's talent was evident from an early age, encouraged by his father, Giovanni, a post-Impressionist painter, and his godfather, Cuno Amiet, a Fauvist painter. Moving to Paris in 1922 to study under the sculptor Antoine Bourdelle, Giacometti became a pivotal figure in Surrealism before focusing intensely on the human form, leading to his signature style of thin, elongated figures that evoke feelings of solitude and existential dread.
Giacometti's work spans several decades and various phases, including his early involvement with Surrealism and his later, more recognized existential and figurative sculptures. Notably, his sculptures, such as "Walking Man I" and "The Palace at 4 a.m.," reflect his unique view of reality and his relentless pursuit to capture the human essence. His approach was influenced by his associations with prominent figures of the art world, including Miró and Picasso, and intellectuals like Jean-Paul Sartre.
Despite facing challenges, including periods of self-doubt and the physical toll on his health, Giacometti's legacy as a master sculptor and artist remains influential. His works are celebrated worldwide and featured in major museums, such as the Museum of Modern Art in New York and the Tate Gallery in London, testament to his enduring impact on the art world.
Collectors and experts in art and antiques continue to revere Giacometti's work for its emotional depth and unique aesthetic. For those interested in the pioneering spirit of modern sculpture, Alberto Giacometti's oeuvre offers a profound exploration of the human condition and the artist's relentless pursuit of reality through art.
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Maximilien Émile Louis Maufra was a French painter known for his landscapes and seascapes. He was born in Nantes, France, and began his artistic training at the École des Beaux-Arts in Nantes before moving to Paris to study under the painter Alexandre Cabanel.
Maufra was a member of the Pont-Aven School, a group of artists who gathered in the Brittany region of France in the late 19th century. He was also influenced by the Impressionist and Post-Impressionist movements, and his paintings are characterized by loose brushwork, bright colors, and a focus on capturing the effects of light and atmosphere.
Maufra's paintings often depict the rugged coastlines of Brittany, as well as the forests and countryside of Normandy. He was also known for his depictions of the ports and harbors of Brittany, which he often painted in a bold, colorful style.
Maufra exhibited his work at many important exhibitions, including the Salon des Indépendants and the Salon d'Automne in Paris. His work is represented in many important collections, including the Musée d'Orsay in Paris and the National Gallery of Art in Washington, D.C.
Alfred Sisley was a Franco-British painter, celebrated as a key figure in the Impressionist movement. Born in Paris to British parents, Sisley dedicated his artistic career to capturing the tranquil landscapes of his adopted France, particularly the areas around Paris and Moret-sur-Loing, where he spent his later years.
From the beginning, Alfred Sisley was a devoted landscape artist, preferring to work en plein air to capture the subtle shifts in the atmosphere and light of his surroundings. Unlike some of his contemporaries who explored urban scenes or human figures, Sisley's works predominantly feature rural settings, quiet streets, and serene river scenes, often devoid of people. His approach was deeply influenced by earlier landscape painters like Jean-Baptiste-Camille Corot, yet his style embodies the quintessential Impressionist focus on light and color.
Despite his dedication and prolific output, Alfred Sisley's work did not gain significant recognition or financial success during his lifetime. It was only posthumously that his paintings began to receive the acclaim they deserved, with his canvases now held in prestigious collections worldwide, including the Musée d'Orsay and the National Gallery.
For collectors and experts in art and antiques, Alfred Sisley's works represent a poignant chapter in the history of Impressionism, characterized by a gentle yet profound rendering of the natural world. His paintings not only reflect the beauty of the French countryside but also encapsulate the fleeting moments of light and weather, making them timeless masterpieces of Impressionist art.
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Marc Chagall (Russian: Марк Заха́рович Шага́л), born Moishe Shagal in 1887 near Vitebsk, Belarus (then part of the Russian Empire), was a Belarusian and French artist celebrated for his pivotal role in the avant-garde movement and his unique integration of Eastern European Jewish culture into modern art. His contributions spanned several artistic formats including painting, stained glass, stage sets, ceramics, tapestries, and fine art prints. Chagall's early modernist tendencies were enriched by his experiences across Saint Petersburg, Paris, and Berlin before World War I, leading to a distinctive style that melded Cubism, Symbolism, and Fauvism with his Jewish heritage.
Chagall's work is recognized for its emotional depth, often exploring themes of love, memory, and Jewish folklore through vibrant colors and dreamlike imagery. Notably, art critic Robert Hughes described him as "the quintessential Jewish artist of the twentieth century," a sentiment echoed by art historian Michael J. Lewis who regarded Chagall as a significant figure within European modernism and as the world's preeminent Jewish artist of his time.
Among Chagall's famed contributions are his stained-glass windows for the cathedrals of Reims and Metz, the UN, and the Jerusalem Windows in Israel. His monumental paintings include parts of the ceiling of the Paris Opéra and works that explore biblical themes, a hallmark of his oeuvre that underscores his enduring engagement with spiritual and religious motifs.
For art collectors and antiques experts, Chagall's works are notable not only for their artistic innovation but also for their rich cultural and historical significance. His art is housed in many prestigious museums worldwide, including the Marc Chagall National Museum in Nice, France, which focuses on his works inspired by religion and houses the series of paintings illustrating the biblical message.
For those interested in exploring Chagall's legacy and the vibrant intersection of culture, art, and history his work represents, signing up for updates on new product sales and auction events related to Marc Chagall can provide invaluable insights and opportunities. This is an invitation to engage more deeply with the world of art and culture that Chagall so uniquely encapsulated in his work.
Marc Chagall (Russian: Марк Заха́рович Шага́л), born Moishe Shagal in 1887 near Vitebsk, Belarus (then part of the Russian Empire), was a Belarusian and French artist celebrated for his pivotal role in the avant-garde movement and his unique integration of Eastern European Jewish culture into modern art. His contributions spanned several artistic formats including painting, stained glass, stage sets, ceramics, tapestries, and fine art prints. Chagall's early modernist tendencies were enriched by his experiences across Saint Petersburg, Paris, and Berlin before World War I, leading to a distinctive style that melded Cubism, Symbolism, and Fauvism with his Jewish heritage.
Chagall's work is recognized for its emotional depth, often exploring themes of love, memory, and Jewish folklore through vibrant colors and dreamlike imagery. Notably, art critic Robert Hughes described him as "the quintessential Jewish artist of the twentieth century," a sentiment echoed by art historian Michael J. Lewis who regarded Chagall as a significant figure within European modernism and as the world's preeminent Jewish artist of his time.
Among Chagall's famed contributions are his stained-glass windows for the cathedrals of Reims and Metz, the UN, and the Jerusalem Windows in Israel. His monumental paintings include parts of the ceiling of the Paris Opéra and works that explore biblical themes, a hallmark of his oeuvre that underscores his enduring engagement with spiritual and religious motifs.
For art collectors and antiques experts, Chagall's works are notable not only for their artistic innovation but also for their rich cultural and historical significance. His art is housed in many prestigious museums worldwide, including the Marc Chagall National Museum in Nice, France, which focuses on his works inspired by religion and houses the series of paintings illustrating the biblical message.
For those interested in exploring Chagall's legacy and the vibrant intersection of culture, art, and history his work represents, signing up for updates on new product sales and auction events related to Marc Chagall can provide invaluable insights and opportunities. This is an invitation to engage more deeply with the world of art and culture that Chagall so uniquely encapsulated in his work.