Still life — Auction price
Man Ray, born Emmanuel Radnitzky, was an American visual artist who played a significant role in the Dada and Surrealist movements. His pioneering efforts in photography, alongside his work in painting and sculpture, have cemented his place as a major figure in modern art. Known for his innovative techniques and the ability to convey complex ideas through simple, striking visuals, Man Ray's contribution to the art world is profound.
Throughout his career, Man Ray was celebrated for his avant-garde approach and his ability to transcend traditional boundaries between different artistic mediums. His photography, characterized by experimental techniques such as solarization and rayographs (cameraless photographs), challenged conventional perceptions of photography as merely a means of representation. These artistic innovations made him a central figure in both Parisian and American art circles.
Man Ray's works are housed in some of the world's most prestigious museums and galleries, including the Museum of Modern Art in New York and the Centre Pompidou in Paris. His pieces, such as "Le Violon d'Ingres" and "Noire et Blanche," are iconic images that continue to influence artists today. His ability to blend the abstract with the realistic, and the humorous with the serious, has left a lasting legacy in the world of art.
For collectors and experts in art and antiques, the work of Man Ray offers a glimpse into the revolutionary changes that shaped the visual arts in the 20th century. His unique perspective and pioneering techniques continue to inspire and challenge those interested in the boundaries of creativity and expression.
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Charles Sheeler was an American realist painter, one of the greatest representatives of precursorism and American art photography of the twentieth century. He was educated at the Pennsylvania Academy of Fine Arts, after which he worked as a professional photographer. Later he began to create artistic works, the basis of which were made by his earlier photographs. The theme of his work is the beauty of modern production, the age of machines and mechanisms, and the industrial landscape.
Luigi Lucioni was an Italian-American painter known for his still-lifes, landscapes and portraits. He emigrated to the United States in 1911 and studied art at Cooper Union in New York.
Luigi Luccioni's style was influenced by Renaissance painting techniques, and he often used the glazing method to create vivid and detailed images. He was a member of the National Academy of Design and won many awards during his career.
Charles Louis Goeller was an American artist best known for his precise and detailed paintings and drawings, in which he once said he sought to achieve "emotion expressed by precision." Among the subjects of his work are still lifes, portraits, and cityscapes.
Alfred Henry Maurer was an American painter. He is considered one of the first artists of American modernism. His extensive and multifaceted oeuvre ranges from painterly realism, through a Fauvist and Cubist phase under clear European influence, to an independent pictorial language.
Alexander Coosemans was a Flemish painter of the Baroque period.
Coosemans studied under the masters of still life painting and became a member of the Guild of St. Luke of Antwerp in 1645.
Coosemans painted lush, fruit- and flower-rich still lifes, vanitas-style still lifes that evoke the transience of life. His compositions are often thought to have hidden, allegorical meanings: lobsters, wine and lemons - each subject is filled with references to biblical themes and history.
In collaboration with other artists, Coosemans created so-called garland paintings - a portrait or religious subject surrounded by garlands of flowers and fruit. The artist also decorated the villas of the nobility of Genoa and Rome with his works.
Osias Beert the Elder, a Flemish painter born around 1580 and active until his death in 1623, was a key figure in the development of still life painting in Northern Europe. His work, primarily focused on flower and banquet (or "breakfast") pieces, showcased a pioneering approach to these genres, setting a precedent for future artists.
Beert's technique involved painting on oak panels and copper, employing a glazing method that layered very fluid oil paints to achieve transparency and a rich color palette. This method allowed him to create still lifes that were not only visually appealing but also rich in detail and depth. He was known for his intricate compositions that often featured a high viewpoint and compact arrangements, providing a better sense of spatial coherence in his later works.
Despite the significant impact of his work, only a few signed pieces by Beert are known, making the attribution of his works challenging. His influence extended to his pupils and his nephew Frans Ykens, as well as other Antwerp artists such as Jacob Foppens van Es and Jacob van Hulsdonck, indicating his pivotal role in the early still life painting tradition in Flanders.
For collectors and experts in art and antiques, Osias Beert the Elder's contributions to the evolution of still life painting represent an essential chapter in the history of art. His ability to depict the transient beauty of flowers and the lavish detail of banquet scenes continues to captivate audiences and serves as a testament to his skill and creativity.
To delve deeper into the fascinating work of Osias Beert the Elder and to stay informed about new discoveries or auction events related to his oeuvre, consider signing up for updates tailored to enthusiasts of art history and antique collections. This subscription will ensure you are well-informed about the latest developments and opportunities related to this influential artist's work.
Simon Pietersz Verelst was a Dutch painter, son and pupil of the founder of the dynasty, Pieter Verelst, and brother of Hermann and Johannes. He painted mostly elegant portraits surrounded by garlands of flowers and fruit, as well as still lifes.
Balthasar van der Ast was a Dutch Golden Age painter who specialized in still lifes of flowers and fruit, as well as painting a number of remarkable shell still lifes; he is considered to be a pioneer in the genre of shell painting. His still lifes often contain insects and lizards.