Conceptual art — Auction price
Larry Sultan was an American photographer and artist. He is known for his innovative and evocative photographic work that often explores the boundaries between documentary photography and staged narrative.
Sultan's work is characterized by his interest in the relationships between people and their environments, and he often incorporates everyday settings and objects into his photographs. He is perhaps best known for his seminal work, "Pictures from Home," which is a deeply personal exploration of his own family and their suburban life in Southern California.
Sultan's work has been exhibited in galleries and museums around the world, and he has received numerous awards and accolades for his contributions to the field of photography. He was also a highly respected teacher, and he taught photography at the California College of the Arts and other institutions for many years.
Sultan's legacy as an artist and photographer continues to influence new generations of artists. His innovative techniques and unique approach to photography have had a significant impact on the field of documentary photography, and his work remains an important contribution to the history of photography.
Laurie Simmons is an American artist, photographer and filmmaker. Since the mid-1970s, Simmons has staged scenes for her camera with dolls, ventriloquist dummies, objects on legs, and people, to create photographs that reference domestic scenes. She is part of The Pictures Generation, a name given to a group of artists who came to prominence in the 1970s. The Pictures Generation also includes Cindy Sherman, Barbara Kruger, and Louise Lawler.
Man Ray, born Emmanuel Radnitzky, was an American visual artist who played a significant role in the Dada and Surrealist movements. His pioneering efforts in photography, alongside his work in painting and sculpture, have cemented his place as a major figure in modern art. Known for his innovative techniques and the ability to convey complex ideas through simple, striking visuals, Man Ray's contribution to the art world is profound.
Throughout his career, Man Ray was celebrated for his avant-garde approach and his ability to transcend traditional boundaries between different artistic mediums. His photography, characterized by experimental techniques such as solarization and rayographs (cameraless photographs), challenged conventional perceptions of photography as merely a means of representation. These artistic innovations made him a central figure in both Parisian and American art circles.
Man Ray's works are housed in some of the world's most prestigious museums and galleries, including the Museum of Modern Art in New York and the Centre Pompidou in Paris. His pieces, such as "Le Violon d'Ingres" and "Noire et Blanche," are iconic images that continue to influence artists today. His ability to blend the abstract with the realistic, and the humorous with the serious, has left a lasting legacy in the world of art.
For collectors and experts in art and antiques, the work of Man Ray offers a glimpse into the revolutionary changes that shaped the visual arts in the 20th century. His unique perspective and pioneering techniques continue to inspire and challenge those interested in the boundaries of creativity and expression.
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Taryn Simon is an American photographer. She is known for her conceptual photography, which explores themes of power, control, and the hidden structures that shape our world.
Simon's work often involves extensive research and collaboration with experts in various fields. Her photographs are often large-scale and meticulously composed, featuring subjects ranging from political figures and cultural icons to everyday objects and places.
Some of Simon's most famous projects include "An American Index of the Hidden and Unfamiliar," which documented hidden sites and organizations throughout the United States, and "Contraband," a series of photographs of items seized by customs officials at JFK International Airport.
Simon's work has been exhibited in major museums and galleries around the world, and she has received numerous awards and honors for her contributions to the field of photography. She continues to produce new work and is widely regarded as one of the most important photographers of her generation.
Horst P. Horst, a German-American fashion photographer, is renowned for his significant contributions to the art and fashion industry. Born in 1906, Horst's career spanned several decades, during which he became famous for his distinct style that skillfully blends elements of surrealism, classicism, and avant-garde artistry. His work, characterized by meticulous preparation and an innovative use of lighting, frequently avoided the use of filters and shadows, focusing instead on the subject with an almost architectural precision.
Horst P. Horst's legacy in fashion photography is underscored by his famous portraits, including the iconic 1942 image of Marlene Dietrich, and his exploration of the high society lifestyle through his collaborations with Vogue editor Diana Vreeland. These projects featured portraits of illustrious figures from the realms of royalty, art, fashion, and high society, such as Andy Warhol, Jacqueline Kennedy Onassis, and Yves Saint Laurent, showcasing Horst's ability to navigate the glamorous and intimate worlds of his subjects.
His work extended beyond portraiture to include interior design photography, as seen in his documentation of notable interiors for magazines like House & Garden and Vogue. Horst's photographs often served as a bridge, introducing the public to the works of contemporary artists and designers through his editorial and commercial assignments.
Throughout his career, Horst received critical acclaim, with major retrospectives of his work being held at prestigious venues such as the International Center of Photography in New York, the Louvre in Paris, and the National Gallery in London. These exhibitions highlighted his contributions to fashion, portraiture, and art photography, cementing his status as one of the most influential photographers of the 20th century.
For those interested in the evolution of fashion photography and the intersection of art and culture, Horst P. Horst's work remains a significant point of study and admiration. Collectors and experts in art and antiques are encouraged to explore his extensive portfolio, which continues to inspire and influence the fields of photography and fashion design.
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Joseph Heinrich Beuys was a German artist, renowned for his significant contributions to the realms of sculpture, painting, and installation art, which have left a lasting impact on the culture and art world. His work transcended traditional boundaries, merging art with social theory and politics, thus redefining the role of the artist in society. Beuys's unique approach to materials, incorporating substances like fat and felt, symbolized healing and insulation, reflecting his broader philosophical and ecological concerns.
Beuys's art was deeply influenced by his experiences during World War II and his academic background in natural sciences and sculpture. His concept of "social sculpture" proposed that art could transform society, emphasizing creativity as a fundamental component of human existence. This vision led him to use his performances, or "actions," as a medium to communicate his ideas, making him a pivotal figure in the Fluxus movement. Notable works such as "How to Explain Pictures to a Dead Hare" and "7000 Oaks" exemplify his innovative use of performance and environmental art to engage and challenge the public.
His legacy is preserved in major museums and galleries worldwide, including the Museum of Modern Art in New York and the Tate Modern in London. These institutions house key pieces that exemplify Beuys's diverse artistic output, from his early drawings and sculptures to his later installations and public interventions. His influence extends beyond the art world, impacting environmental activism and educational reform, underscoring his belief in the transformative power of art.
For collectors and experts in art and antiques, Joseph Heinrich Beuys remains a figure of immense interest, not only for his groundbreaking artworks but also for his profound impact on contemporary art theory and practice. To stay informed about new product sales and auction events related to Beuys, we invite you to sign up for updates. This subscription ensures you are always in the loop regarding opportunities to engage with the enduring legacy of one of the most influential artists of the 20th century.
Sol LeWitt was an American artist linked to various movements, including conceptual art and minimalism.
LeWitt came to fame in the late 1960s with his wall drawings and «structures» (a term he preferred instead of «sculptures») but was prolific in a wide range of media including drawing, printmaking, photography, painting, installation, and artist's books.
Sol LeWitt was an American artist linked to various movements, including conceptual art and minimalism.
LeWitt came to fame in the late 1960s with his wall drawings and «structures» (a term he preferred instead of «sculptures») but was prolific in a wide range of media including drawing, printmaking, photography, painting, installation, and artist's books.
Hermann Josef Mispelbaum is a German painter, graphic artist and sculptor.
He studied applied art, painting and drawing at the Werkkunstschule Aachen under Ernst Wille. He then studied free art at the Düsseldorf Art Academy from 1971 to 1976 and became a master student and assistant to Rupprecht Geiger. During this time, he received a scholarship from the Studienstiftung des deutschen Volkes (German National Academic Foundation) from 1974 to 1975 and travel scholarships for England and Italy from the C. Rudolf Poensgen Foundation, Düsseldorf, from 1975 to 1976.
In 1977 and 1978 he received a teaching assignment for painting and drawing at the Düsseldorf Art Academy. From 1978 to 2007 he finally worked as a freelance artist in Düsseldorf. In 1990 he was awarded the Villa Romana Prize, Florence, which enabled him to spend ten months in Florence.
Since 1974 Mispelbaum has worked as a freelance artist in the field of drawing, achieving a path of his own. He has worked with great intensity, preferably with graphite pencils of various hardnesses in large and small formats on paper. Mispelbaum creates collages with scissors and knife, cuts figures and parts of figures out of drawings. He inserts these into other drawings, works on them further and mixes them with colour, which is often grey or black.
Around the turn of the century he began to create sculptures from cardboard and plaster with objects partly worked into the plaster.
Hermann Josef Mispelbaum was a member of the Deutscher Künstlerbund as well as the Westdeutscher Künstlerbund.
Mispelbaum has shown his works in numerous solo and group exhibitions at home and abroad. His works can be found in many public collections.
Jochen Gerz is a German conceptual artist who lived in France from 1966 to 2007. His work involves the relationship between art and life, history and memory, and deals with concepts such as culture, society, public space, participation and public authorship. After beginning his career in the literary field, Gerz has in the meantime explored various artistic disciplines and diverse media. Whether he works with text, photography, video, artist books, installation, performance, or on public authorship pieces and processes, at the heart of Gerz's practice is the search for an art form that can contribute to the res publica and to democracy. Gerz lives in Sneem, County Kerry, Ireland, since 2007.
Karl-Dietrich Roth was a Swiss artist best known for his artist's books, editioned prints, sculptures, and works made of found materials, including rotting food stuffs.
Nam June Paik (Korean: 백남준) was a Korean American artist. He worked with a variety of media and is considered to be the founder of video art. He is credited with the first use (1974) of the term "electronic super highway" to describe the future of telecommunications.
Dennis Oppenheim was an American conceptual artist, performance artist, earth artist, sculptor and photographer. Dennis Oppenheim's early artistic practice is an epistemological questioning about the nature of art, the making of art and the definition of art: a meta-art that arose when strategies of the Minimalists were expanded to focus on site and context. As well as an aesthetic agenda, the work progressed from perceptions of the physical properties of the gallery to the social and political context, largely taking the form of permanent public sculpture in the last two decades of a highly prolific career, whose diversity could exasperate his critics.
Piero Manzoni was an Italian artist. He was a leading figure in the Italian avant-garde movement of the 1950s and 1960s, and is best known for his conceptual and performance artworks.
Manzoni's works often involved the use of unconventional materials, such as his famous series of "Artist's Shit" cans, which were filled with his own excrement and sealed with a label that declared "Artist's Shit". He also created works using cotton balls, balloons, and even human hair.
One of Manzoni's most famous performances was "Living Sculptures," in which he covered himself in gold paint and posed as a living statue in a gallery. He also created a "Base of the World," a pedestal labeled with that phrase, and invited people to stand on it, thereby declaring themselves the center of the world.
Manzoni's works challenged traditional notions of art and pushed the boundaries of what was considered acceptable as artistic expression.
Joseph Kosuth an American conceptual artist, lives in New York and London, after having resided in various cities in Europe, including Ghent and Rome.
Kosuth belongs to a broadly international generation of conceptual artists that began to emerge in the mid-1960s, stripping art of personal emotion, reducing it to nearly pure information or idea and greatly playing down the art object. Along with Lawrence Weiner, On Kawara, Hanne Darboven and others, Kosuth gives special prominence to language. His art generally strives to explore the nature of art rather than producing what is traditionally called "art". Kosuth's works are frequently self-referential.