Metalwork Copper — Auction price
Claude Lalanne is a French artist, sculptor and ceramicist known for her chimerical sculptures. Since the 1960s, she has worked as a couple with her husband François-Xavier Lalanne.
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Jean Elysée Puiforcat was a French silversmith, sculptor and designer. Miller's Antiques Encyclopedia calls Puiforcat the «most important French Art Deco silversmith».
Claude Lalanne is a French artist, sculptor and ceramicist known for her chimerical sculptures. Since the 1960s, she has worked as a couple with her husband François-Xavier Lalanne.
Jean Elysée Puiforcat was a French silversmith, sculptor and designer. Miller's Antiques Encyclopedia calls Puiforcat the «most important French Art Deco silversmith».
Claude Lalanne is a French artist, sculptor and ceramicist known for her chimerical sculptures. Since the 1960s, she has worked as a couple with her husband François-Xavier Lalanne.
Jean Elysée Puiforcat was a French silversmith, sculptor and designer. Miller's Antiques Encyclopedia calls Puiforcat the «most important French Art Deco silversmith».
Claude Lalanne is a French artist, sculptor and ceramicist known for her chimerical sculptures. Since the 1960s, she has worked as a couple with her husband François-Xavier Lalanne.
Jean Elysée Puiforcat was a French silversmith, sculptor and designer. Miller's Antiques Encyclopedia calls Puiforcat the «most important French Art Deco silversmith».
Claude Lalanne is a French artist, sculptor and ceramicist known for her chimerical sculptures. Since the 1960s, she has worked as a couple with her husband François-Xavier Lalanne.
Jean Elysée Puiforcat was a French silversmith, sculptor and designer. Miller's Antiques Encyclopedia calls Puiforcat the «most important French Art Deco silversmith».
Johann Georg Platzer was a distinguished Austrian Rococo painter and draughtsman, renowned for his vibrant and intricate historical and mythical scenes. Born in 1704 in Eppan, South Tyrol, Platzer belonged to a lineage of painters, which significantly influenced his career path. His work is celebrated for its dynamic compositions, detailed figures, and the ability to imbue scenes with a sense of vitality and opulence characteristic of the Rococo period.
Johann Georg Platzer's oeuvre includes a variety of subjects, from allegorical representations, such as the "Allegory of the Four Seasons," to scenes of courtly life and mythological narratives. His technique, marked by meticulous attention to detail and a masterful use of color, allowed him to create paintings that were not only visually stunning but also rich in narrative. Notably, his self-portrait and works like "Dancing Scene with Palace Interior" and "Fountain Scene in Front of a Palace" exemplify his skill in depicting intricate details and textures, from the luxurious fabrics of the figures' clothing to the architectural elements surrounding them.
The Joanneum Alte Galerie in Graz, Austria, holds the most significant collection of Platzer's paintings under a single roof, indicating the artist's prominence within the Austrian art scene of the 18th century. Furthermore, his paintings are housed in prestigious institutions worldwide, including the Art Institute of Chicago, showcasing his international recognition.
For collectors and experts in art and antiques, Johann Georg Platzer represents a pivotal figure in the Rococo movement, with his works offering a glimpse into the opulence and dynamic culture of 18th-century Austrian society. His paintings not only appeal to those interested in the artistic styles of the Rococo period but also to anyone fascinated by the historical and mythological narratives of the era.
To stay informed about new discoveries, sales, and auction events related to Johann Georg Platzer's works, signing up for updates is recommended. This will ensure enthusiasts and collectors are promptly informed about opportunities to acquire works by this illustrious artist, further enriching their collections with the vibrant history and culture encapsulated in Platzer's paintings.
Parmigianino, an Italian Mannerist painter born Girolamo Francesco Maria Mazzola, was a pivotal figure in the development of the Mannerist style, known for his sophisticated and elegant approach to painting. He was a leading figure in Parma's art scene following Correggio and had a significant influence on the artistic developments during the post-High Renaissance period through his expressive and stylish works.
Parmigianino's journey as an artist took him from Parma to Rome and then to Bologna, with his last years spent in Parma. His works, including the renowned "Madonna with the Long Neck," display a unique blend of grace and elegance, coupled with an idiosyncratic use of elongation and distortion, typical of Mannerist aesthetics. This painting, in particular, is noted for its unusual composition and the elongation of figures, embodying the Mannerist style's departure from the proportional norms established during the Renaissance.
He was also an early Italian etcher, utilizing this technique to express the spontaneity of an artist's hand. His etchings and drawings had a considerable influence on printmaking and the visual arts in Italy and Europe. In addition to his paintings, Parmigianino's contributions to the arts include his work in the church of the Steccata in Parma and his innovative approach to integrating painting with architectural elements.
For art collectors and experts, Parmigianino's work represents a critical link between the High Renaissance and the emergence of Baroque and Rococo styles, offering a unique insight into the evolution of European art. His works continue to be celebrated for their originality and mastery, making him a subject of enduring interest in the study of art history.
For those interested in exploring Parmigianino's contributions to art further, subscribing to updates from art institutions or platforms specializing in Renaissance and Mannerist art could provide valuable insights into his life, works, and ongoing exhibitions or sales of his artworks.
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