Oil on canvas — Auction price
Max Pechstein, a German Expressionist painter and printmaker, was a significant figure in the art world known for his vibrant use of color and dynamic compositions. Born in Zwickau in 1881, Pechstein's journey into the realms of expressionism began with his training as a decorator's apprentice before moving to Dresden to further his studies at the Kunstgewerbeschule. His career took a pivotal turn in 1906 when he met Erich Heckel and joined the Die Brücke group, alongside other notable artists such as Ernst Ludwig Kirchner and Karl Schmidt-Rottluff, which marked the beginning of his foray into revolutionary art and expressionism.
Pechstein's art was not just confined to painting; he was also a master printmaker, with a prolific output that included 421 lithographs, 315 woodcuts and linocuts, and 165 intaglio prints, predominantly etchings. His works often depicted scenes from nature, social gatherings, and elements of primitive art, reflecting his interest in the raw and unrefined aspects of culture and humanity. This diverse body of work was recognized for its bold innovation and unique perspective, which significantly contributed to the expressionist movement.
The Nazis' rise to power in 1933 had a profound impact on Pechstein's career. His works were deemed degenerate, and he faced severe repression, including the removal of 326 of his paintings from German museums and his dismissal from his teaching position at the Preussische Akademie der Künste. Despite these challenges, Pechstein's legacy endured, and after World War II, he was reinstated to his teaching post and received numerous accolades for his contributions to art.
Pechstein's works are held in high esteem in museums and galleries worldwide. Notably, his etchings, which depicted the grim realities of war, are housed in the Imperial War Museum in London, showcasing his ability to convey profound emotional and psychological experiences through art. Additionally, his painting "Summer in Nidden," which captures the idyllic beauty of the Baltic coast, is part of the collection at the Museo Nacional Thyssen-Bornemisza in Madrid, illustrating his love for natural landscapes and vibrant, expressive use of color.
For collectors and experts in art and antiques, Hermann Max Pechstein's works offer a fascinating glimpse into the early 20th-century expressionist movement, characterized by a bold exploration of color, form, and social commentary. His contributions to modern art are invaluable, providing insight into the cultural and historical context of his time.
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Philippe Rousseau was a French painter, acclaimed for his detailed still life and landscape paintings. Born in Paris in 1816, Rousseau's artistic journey was nurtured under the tutelage of Baron Antoine-Jean Gros and Jean-Victor Bertin at the École des Beaux-Arts. Initially venturing into landscapes, his artistry soon blossomed to encompass still life and animal subjects, earning him significant recognition at the Paris Salon from as early as 1834.
Philippe Rousseau's work is characterized by its meticulous attention to detail and a masterful use of light and shadow, which brought everyday objects and scenes to life with remarkable realism. His still lifes, often compared to those of the 18th-century French master Jean Siméon Chardin, demonstrate Rousseau's skill in creating texture and depth, making mundane subjects captivating through his lens. This skill earned him accolades, including medals at the Salon and the honor of being made a Knight of the Legion of Honor in 1852, later promoted to Officer in 1870.
His notable works span from early landscapes to intricate still lifes, reflecting his evolution as an artist. Among these, "Still Life with Ham" and "Still Life with Oysters" are celebrated examples housed in prestigious institutions like The Metropolitan Museum of Art and The National Gallery, London, showcasing his ability to elevate the still life genre to new heights. Another significant piece, "Still Life with Asparagus," illustrates his continued exploration of texture and light, held by the Cleveland Museum of Art.
Philippe Rousseau's legacy lies in his ability to merge the traditional with the innovative, influencing the art world well beyond his passing in 1887. His paintings, rich in detail and steeped in cultural significance, continue to attract art collectors and experts in art and antiques, offering a window into the refined aesthetic of 19th-century French art.
For those captivated by the elegance and historical depth of Philippe Rousseau's work, signing up for updates can provide exclusive access to new sales and auction events featuring his art. This opportunity invites collectors and enthusiasts alike to further explore the nuanced world Philippe Rousseau depicted, ensuring they remain at the forefront of the market for these timeless pieces.
Dame Laura Knight was an English artist who worked in oils, watercolours, etching, engraving and drypoint. Knight was a painter in the figurative, realist tradition, who embraced English Impressionism. In her long career, Knight was among the most successful and popular painters in Britain. Her success in the male-dominated British art establishment paved the way for greater status and recognition for women artists.
In 1929 she was created a Dame, and in 1936 became the second woman elected to full membership of the Royal Academy. Her large retrospective exhibition at the Royal Academy in 1965 was the first for a woman. Knight was known for painting amidst the world of the theatre and ballet in London, and for being a war artist during the Second World War. She was also greatly interested in, and inspired by, marginalised communities and individuals, including Romani people and circus performers.
Benjamin Williams Leader was an English landscape painter.
Johann Liss was a German painter of the first third of the 17th century. He is known as a painter, draughtsman and printmaker, who worked in Italy for much of his life, and as the son and namesake of Johann Liss, a painter at the court of the Dukes of Holstein.
Johann Liss worked primarily in the mythological genre. He is considered one of the key artists of the German Baroque and a prominent representative of the Venetian school. Early in his career, the artist traveled to the Netherlands, where he was influenced by a number of Dutch and Flemish masters. Italy inspired him to synthesize Dutch genre painting, Venetian style and Roman realism.
His paintings are in numerous European collections as well as in Russia and the United States.
Solomon Joseph Solomon was a British painter, a founding member of the New English Art Club and member of the Royal Academy.
He made an important contribution to the development of camouflage in the First World War, working in particular on tree observation posts and arguing tirelessly for camouflage netting.
Edward Brian Seago was an English artist who painted in both oils and watercolours.
Dame Laura Knight was an English artist who worked in oils, watercolours, etching, engraving and drypoint. Knight was a painter in the figurative, realist tradition, who embraced English Impressionism. In her long career, Knight was among the most successful and popular painters in Britain. Her success in the male-dominated British art establishment paved the way for greater status and recognition for women artists.
In 1929 she was created a Dame, and in 1936 became the second woman elected to full membership of the Royal Academy. Her large retrospective exhibition at the Royal Academy in 1965 was the first for a woman. Knight was known for painting amidst the world of the theatre and ballet in London, and for being a war artist during the Second World War. She was also greatly interested in, and inspired by, marginalised communities and individuals, including Romani people and circus performers.
William Russell Flint was a Scottish artist and illustrator who was known especially for his watercolours of women. He also worked in oils, tempera, and printmaking.
George Clausen was a British artist working in oil and watercolour, etching, mezzotint, dry point and occasionally lithographs. He was knighted in 1927.
Johan Frederik Thaulov was a Norwegian painter known for his landscapes, cityscapes, and genre scenes. He studied at the Royal Danish Academy of Fine Arts in Copenhagen, where he was influenced by the Danish Realist painters. He also studied in Karlsruhe, Germany and Paris, France, where he was exposed to French Impressionism.
Thaulov's style was characterized by loose brushwork, a sensitive use of color, and an ability to capture the effects of light and atmosphere. He was particularly skilled at depicting water, whether it was the calm surface of a river or the choppy waves of the sea.
Thaulov was a prolific artist, and he traveled extensively throughout Europe, painting scenes from Norway, France, Italy, and England, among other places. He was a member of many important art societies, including the Royal Norwegian Society of Fine Arts and the Société Nationale des Beaux-Arts in Paris.
Thaulov's work was widely exhibited during his lifetime, and his paintings are now included in many important collections, including the National Museum of Art, Architecture and Design in Oslo and the Musée d'Orsay in Paris.
Edward Brian Seago was an English artist who painted in both oils and watercolours.
Jacques François Joseph Carabain was a Dutch-Belgian painter, known primarily for his scenes of cities and buildings in the Romantic-Realist style. He was especially interested in Medieval and Baroque structures, and was often attracted to busy market places.
Arthur Hughes was an English painter and illustrator associated with the Pre-Raphaelite Brotherhood.
Nicolaas van der Waay was a Dutch decorative artist, watercolorist and lithographer. He worked in many genres, including stamp, coin and banknote designs. He is perhaps best known for the allegorical illustrations he created for the Golden Coach and a series of paintings depicting the lives of girls from the Amsterdam Orphanage. His work was also part of the painting event in the art competition at the 1928 Summer Olympics.