Drawings — Auction
Erich Heckel was a German painter and printmaker, and a founding member of the group Die Brücke ("The Bridge") which existed 1905–1913. His work was part of the art competitions at the 1928 Summer Olympics and the 1932 Summer Olympics.
Erich Heckel was a German painter and printmaker, and a founding member of the group Die Brücke ("The Bridge") which existed 1905–1913. His work was part of the art competitions at the 1928 Summer Olympics and the 1932 Summer Olympics.
Norbert Tadeusz was a German artist and well-known representational painter of the present day.
Jan Lievens was a Dutch painter, draughtsman, and engraver of the Golden Age and a member of the Guild of St. Luke in Antwerp.
It is known that while still very young, at the age of twelve, Lievens already created skillful paintings that amazed art lovers of Leiden. He was later friendly with Rembrandt, shared a studio with him, and painted in a similar style. Lievens was also a court painter in England and elsewhere.
Jan Leavens created genre scenes, landscapes, ceremonial portraits and sketches on various themes, as well as religious and allegorical images, which were already highly valued during his lifetime.
Hans Mielich was a German painter of the late Renaissance, mid-16th century. He is known as a painter, graphic artist, and court painter to Duke Albrecht V of Bavaria.
Mielich painted many religious paintings, portraits, and historical canvases (usually on boards), and he also decorated altars in churches. After a trip to Rome, his style became close to Italian Mannerism. His most famous work is the altarpiece of the Cathedral of Our Lady of Ingolstadt. He was also famous as the author of miniatures for manuscripts, including the Duchess Anna of Bavaria's Treasure Book, made for Duke Albrecht V and his wife Anna of Bavaria in 1555. In the same year, Milich became head of the Munich Artists' Guild.
Leonard Bramer, Leonaert Bramer or Leendert Bramer, war a Dutch painter best known for his genre, religious, and historical paintings.
Jakob Philipp Hackert was a German painter of the second half of the 18th and early 19th centuries. He is known as a landscape painter and printmaker, a representative of neoclassicism and romanticism.
Hackert reached the peak of creative activity in 1770-1780. He was recognized by the European aristocracy, and for a time served as court painter to King Ferdinand IV of Naples, as well as receiving commissions from representatives of the Russian imperial family, such as Empress Catherine II and the heir to the throne, Paul Petrovich. His work, according to critics, was characterized by high craftsmanship and aristocratic elegance.
Carlos Schwabe (born Émile Martin Charles Schwab) was a Swiss Symbolist painter and printmaker.
Franz von Stuck was a German painter, sculptor, printmaker, and architect. Stuck was best known for his paintings of ancient mythology, receiving substantial critical acclaim with The Sin in 1892.
Giacomo Guardi was an Italian painter from Venice. The son of famous veduta painter Francesco Guardi, he continued his father's line of work, though without the same level of renown. The majority of his works are quite small views of only minor artistic interest, more akin to postcards than to his father's grand scenes, but he produced several paintings showcasing a notable level of artistic skill as well. Evaluating his legacy is somewhat complicated due to the frequency with which paintings are misattributed to him.
Luca Giordano, born on October 18, 1634, in Naples, emerged as the most celebrated Neapolitan painter of the late 17th century, known for his quick workmanship, which earned him the nickname "Luca Fa Presto" from his father's frequent admonitions to work quickly. His profound contribution to the development of Italianate landscape painting marked a significant chapter in art history.
Giordano's works are celebrated for their dynamic compositions, vibrant color palette, and the ability to infuse his subjects with vitality and emotion. His prolific career saw him working across Italy and Spain, leaving behind a legacy that includes monumental works such as the frescoes in the Palazzo Medici-Riccardi in Florence and the ceiling paintings in Santa Brigida Church in Naples. His late works, lighter and prefiguring the Rococo movement, were particularly influential and admired by later artists such as Fragonard.
Giordano's artistic prowess was not confined to a single genre; his oeuvre includes religious and mythological scenes, landscapes, and portraits. His versatility and ability to adapt his style to suit different subjects and patrons' preferences made him a pivotal figure in the transition from the Baroque to the Rococo style. Despite criticisms of superficiality due to his rapid execution, Giordano's work was fundamentally rooted in a deep understanding of his predecessors, combining the dramatic intensity of the Baroque with the emerging lighter Rococo aesthetic.
For collectors and experts in art and antiques, Luca Giordano's paintings represent a significant period in art history, bridging the gap between two major stylistic periods and reflecting the vibrant cultural exchanges of 17th-century Europe. His works, found in esteemed collections worldwide, continue to be studied and admired for their technical brilliance and artistic innovation.
To explore more about Luca Giordano's masterful contributions to the world of art and to stay updated on exhibitions or sales featuring his work, consider signing up for updates from art institutions. This subscription ensures enthusiasts and collectors are well-informed about developments related to Giordano's oeuvre, enhancing their appreciation and understanding of his enduring legacy.
Alessandro Turchi was an Italian painter of the early Baroque, born and active mainly in Verona, and moving late in life to Rome. He also went by the name Alessandro Veronese or the nickname L'Orbetto. His style has been described as soft and Caravaggesque at the same time.
Anselm Feuerbach was a famous 19th-century German painter, an outstanding master of the historical genre.
Anselm Feuerbach was also a skilful portrait painter, the majority of his paintings are in the style of Neoclassicism. His finest masterpieces are nowadays kept in museums in Germany, and his biography is closely linked to Italy, where the artist lived for a considerable part of his life.