Old and 19th century drawings
Vittore Carpaccio, an illustrious Italian painter, was a master of narrative storytelling and vivid detail, flourishing in Venice between 1465 and 1526. His specialization in religious and historical scenes set him apart, with a particular knack for infusing life and emotion into every brushstroke. Carpaccio's work exemplifies the Venetian School's richness, noted for its deep colors and intricate details that capture the viewer's imagination.
Carpaccio is renowned for his ability to weave intricate narratives through his paintings, often depicting scenes from the lives of saints with both devotion and a keen eye for daily Venetian life. His works are celebrated for their meticulous attention to architectural and costume details, offering a window into the Renaissance period's social and cultural contexts.
Among his known masterpieces, the cycle of paintings dedicated to the legend of Saint Ursula in the Scuola di San Giorgio degli Schiavoni in Venice stands as a testament to his narrative prowess and technical skill. These works, alongside others housed in prestigious galleries worldwide, underscore Carpaccio's significant contribution to the art world, making him a subject of admiration among collectors and art historians alike.
For those fascinated by the splendor of the Renaissance and the beauty of Venetian artistry, Vittore Carpaccio's oeuvre offers a rich tapestry of historical and religious narratives brought to life through his exceptional talent. His legacy continues to inspire and captivate, embodying the essence of one of the most vibrant periods in art history.
To delve deeper into the world of Vittore Carpaccio and stay informed about upcoming sales, exhibitions, and auction events featuring his work, signing up for updates is your gateway to the exclusive circle of Renaissance art enthusiasts. This subscription is a commitment to keeping you at the forefront of new discoveries and opportunities to enrich your collection with pieces by this Venetian master.
Giovanni Francesco Grimaldi was an Italian painter, draughtsman, printmaker and architect. He was an accomplished fresco painter of classical landscapes which were popular with leading Roman families.
Giovanni Benedetto Castiglione or Il Grechetto was an Italian Baroque painter, draftsman and printmaker.
He is one of the prominent representatives of the Genoese school, working at various times in Genoa, Venice and Rome. Castiglione is believed to be the author of monotype, a type of graphic art and a technique of printmaking that is not engraving.
Castiglione was a versatile and prolific painter, while working in a wide variety of styles that he studied carefully. His paintings pay tribute to Rubens, Van Dyck and Bernardo Strozzi, who worked in Genoa, and his etchings pay tribute to Rembrandt. Castiglione painted expressive portraits, historical and religious works and landscapes, and excelled in rural scenes with animals.
Camillo Procaccini was an Italian painter. He has been posthumously referred to as the Vasari of Lombardy, for his prolific Mannerist fresco decoration. He was the son of the painter Ercole Procaccini the Elder, and older brother to Giulio Cesare and Carlo Antonio, both painters.
Tommaso Redi was an Italian late Baroque painter.
Tommaso Redi studied painting with the Florentine artist Anton Domenico Gabbiani before moving to Rome to work in the Medici Academy.
The master was a respected portrait painter. When Tsar Peter visited Florence, he was particularly struck by the works of Redi and, wishing to found an academy in Moscow to develop the fine arts, tried to get Redi to run the academy, but the latter did not accept the offer.
Giovanni Francesco Barbieri, better known as Guercino, was an Italian Baroque painter and draftsman from Cento in the Emilia region, who was active in Rome and Bologna. The vigorous naturalism of his early manner contrasts with the classical equilibrium of his later works. His many drawings are noted for their luminosity and lively style.
Giovanni Francesco Barbieri, better known as Guercino, was an Italian Baroque painter and draftsman from Cento in the Emilia region, who was active in Rome and Bologna. The vigorous naturalism of his early manner contrasts with the classical equilibrium of his later works. His many drawings are noted for their luminosity and lively style.
Marten de Vos (or Maarten de Vos, or Maerten de Vos) was a Dutch painter, draughtsman and graphic artist, dean of the Antwerp Guild.
After studying in Rome and Venice, de Vos returned to his native Antwerp in 1558 and became one of the city's leading artists. He created altarpiece images for many of Antwerp's churches. Many of his religious and historical paintings were later engraved, making him known throughout Flanders.
De Vos was also the founder of the Society of Romanists, whose members were famous artists and humanists of the time who appreciated the humanistic culture of Rome.
Jean-Baptiste-Camille Corot was a French landscape and portrait painter as well as a printmaker in etching. He is a pivotal figure in landscape painting and his vast output simultaneously referenced the Neo-Classical tradition and anticipated the plein-air innovations of Impressionism.
Jan Josephsz. van Goyen was a Dutch landscape painter and draftsman of the Golden Age, a member of the Guild of St. Luke of Leiden, and a representative of the so-called tonal landscape. Van Goyen specialized in landscape painting and left many paintings depicting forest paths, rivers, lakes, and canals. He also painted peasant huts and the outskirts of towns.
Jan van Goin was one of the most prolific painters of the 17th century: some 1,200 paintings he created and some 800 drawings have survived.
Jacob van Strij was a Dutch painter and printmaker, a member of the Guild of St. Luke in Dordrecht, his older brother Abraham van Strij. Jacob created wall decorations, decorative panels and was mainly interested in landscape painting, including mountain, sea and especially winter landscapes.
Jacob Cats was a Dutch painter, printmaker and graphic artist.
He was famous for his urban landscapes and landscapes with realistic portrayals of people and animals. His works were distinguished for their originality, poetic rendering of the features of nature and depth.
His works are represented in almost all major public collections in the Netherlands.
Charles Parrocel is a French painter-batalist and printmaker of the early rococo era.
Charles is a member of the Parrocel dynasty of artists and received his first lessons in painting from his father - the famous painter Joseph Parrocel, and then studied at the French Academy in Rome. Returning in 1721 in Paris, Charles Parrocel engaged exclusively in battle painting. For the painting "Battle of Infantry and Cavalry" in 1737 he was awarded the title of academician of painting and was admitted to the Royal Academy.
Charles Parrocel was a court battle painter and also painted paintings of hunting scenes. In the first half of the 18th century, he was one of the most famous and respected painters in Europe.
.jpg)
Antoine Coypel was a French painter, known for his versatile and eclectic style, which blended the French classical tradition with influences from Pieter Paul Rubens and the Roman Baroque. His career flourished thanks to his role as a court painter and his positions within the French art world, including his tenure as a professor and director at the Académie Royale.
Antoine Coypel's artistry was evident in his ability to infuse classical subjects with a vibrant color palette and dynamic compositions, reflecting a transition in French painting towards a lighter 18th-century style. His notable works include "Democritus" at the Louvre and "Susan accused of adultery" at the Museo del Prado, demonstrating his range from philosophical figures to biblical narratives. Beyond painting, Coypel was also a master draughtsman, with many of his drawings preserved at the Louvre, showcasing his skill in figure studies and preparatory sketches.
Antoine Coypel's legacy extends through his family, with his son Charles-Antoine and half-brother Noël-Nicolas also being recognized painters. His works are held in esteemed collections globally, from the Louvre in Paris to the Metropolitan Museum of Art in New York, and continue to be celebrated for their artistic merit and historical significance.
For collectors and art experts, understanding Antoine Coypel's contributions provides valuable insights into the evolution of French art and the interplay between classical influences and personal creativity.
If you're interested in staying informed about upcoming sales and auction events related to Antoine Coypel's works, sign up for updates to ensure you don't miss out on these exclusive opportunities.