British & European Art
Eugène Galien-Laloue was a French artist. He was a populariser of street scenes, usually painted in autumn or winter.
His paintings of the early 1900s accurately represent the era in which he lived: a happy, bustling Paris, la Belle Époque, with horse-drawn carriages, trolley cars and its first omnibuses. Galien-Laloue's works are valued not only for their contribution to 20th-century art, but for the actual history, which they document. His work can be seen at the Musée des Beaux-Arts, Louvier; Musée des Beaux-Arts, La Rochelle; Mulhouse, France.
Hermenegildo Anglada Camarasa was a Spanish painter.
Camarasa studied at the Llotja de Barcelona School of Fine Arts under Modeste Urgel, whose work influenced his first landscapes. He moved to Paris in 1894, studying at the Académie Julian and the Académie Colarossi. His colorful style of painting shows a strong Oriental and Arabic influence, and his decorative style is associated with the work of Gustav Klimt.
In the early 1990s, Camarasa opened a painting school attended by many students, including Marie Blanchard. He was one of the founders of the Autumn Salons of Paris and was associated with the artists of the Vienna Secession. Camarasa's works from these years, depicting nighttime street scenes, Parisian cabarets and music halls, attracted the attention of Pablo Picasso, who had recently arrived in Montmartre; he even painted a profile portrait of Anglade.
In 1901 Camarasa took part in an international exhibition in Dresden, where he was a great success. He subsequently exhibited all over the world and was awarded gold medals in Venice (1907) and Buenos Aires (1910). During the war years 1939-1947 the artist lived in exile in France.
Eugène Galien-Laloue was a French artist. He was a populariser of street scenes, usually painted in autumn or winter.
His paintings of the early 1900s accurately represent the era in which he lived: a happy, bustling Paris, la Belle Époque, with horse-drawn carriages, trolley cars and its first omnibuses. Galien-Laloue's works are valued not only for their contribution to 20th-century art, but for the actual history, which they document. His work can be seen at the Musée des Beaux-Arts, Louvier; Musée des Beaux-Arts, La Rochelle; Mulhouse, France.
William Russell Flint was a Scottish artist and illustrator who was known especially for his watercolours of women. He also worked in oils, tempera, and printmaking.
Eugène Galien-Laloue was a French artist. He was a populariser of street scenes, usually painted in autumn or winter.
His paintings of the early 1900s accurately represent the era in which he lived: a happy, bustling Paris, la Belle Époque, with horse-drawn carriages, trolley cars and its first omnibuses. Galien-Laloue's works are valued not only for their contribution to 20th-century art, but for the actual history, which they document. His work can be seen at the Musée des Beaux-Arts, Louvier; Musée des Beaux-Arts, La Rochelle; Mulhouse, France.
Alfred James Munnings was known as one of England's finest painters of horses, and as an outspoken critic of Modernism. Engaged by Lord Beaverbrook's Canadian War Memorials Fund, he earned several prestigious commissions after the Great War that made him wealthy. Between 1912 and 1914 he was a member of the Newlyn School of artists. His work was part of the art competitions at the 1928 Summer Olympics, the 1932 Summer Olympics, and the 1948 Summer Olympics.
Munnings was president of the Royal Academy of Arts from 1944 until his death.
Alfred James Munnings was known as one of England's finest painters of horses, and as an outspoken critic of Modernism. Engaged by Lord Beaverbrook's Canadian War Memorials Fund, he earned several prestigious commissions after the Great War that made him wealthy. Between 1912 and 1914 he was a member of the Newlyn School of artists. His work was part of the art competitions at the 1928 Summer Olympics, the 1932 Summer Olympics, and the 1948 Summer Olympics.
Munnings was president of the Royal Academy of Arts from 1944 until his death.
William Russell Flint was a Scottish artist and illustrator who was known especially for his watercolours of women. He also worked in oils, tempera, and printmaking.
Eugène Galien-Laloue was a French artist. He was a populariser of street scenes, usually painted in autumn or winter.
His paintings of the early 1900s accurately represent the era in which he lived: a happy, bustling Paris, la Belle Époque, with horse-drawn carriages, trolley cars and its first omnibuses. Galien-Laloue's works are valued not only for their contribution to 20th-century art, but for the actual history, which they document. His work can be seen at the Musée des Beaux-Arts, Louvier; Musée des Beaux-Arts, La Rochelle; Mulhouse, France.
Norbert Goeneutte was a French impressionist painter, printmaker, and illustrator.
Goeneutte is best known as the author of drawings for the novel Earth by Emile Zola. He also created more than 150 etchings and lithographs.
Jacques Joseph Tissot, anglicized as James Tissot, was a French painter and illustrator. He was a successful painter of fashionable, modern scenes and society life in Paris before moving to London in 1871. A friend and mentor of the Impressionist painter Edgar Degas, Tissot also painted scenes and figures from the Bible.
Edmund Blair Leighton was a British Romantic and Pre-Raphaelite painter.
Edmund Leighton received his first lessons from his artist father and perfected his skills at the Royal Academy School. He painted genre pictures, but often favored historical themes, especially from the medieval life of knights and their ladies, when choosing subjects. Romantic illusions about the beautiful, mythical world of King Arthur attracted the Victorian bourgeoisie. Thanks in large part to Leighton's paintings, modern people still make up their minds about medieval legends and subtle romantic sentiments. The sad beautiful maiden on the steps of a stone castle, the knight in shining armor on a white horse and other symbols have firmly established themselves for that generally gloomy era.
Fernand Khnopff, full name Fernand-Edmond-Jean-Marie Khnopff, was a Belgian Symbolist painter, graphic artist, sculptor and art historian.
Born into a wealthy family, Fernand attended the Royal Academy of Fine Arts in Brussels, where he studied painting with Xavier Mellerie. Throughout his years at the academy, Khnopff spent summers in Paris studying art, and at the 1878 World's Fair he saw the works of Pre-Raphaelite Edward Burne-Jones and Symbolist Gustave Moreau, which had a decisive influence on his work.
In the early 1880s Khnopff began to exhibit his Symbolist works, often inspired by literary works, particularly by Gustave Flaubert. His paintings combined precise realism with an ethereal fairy-tale atmosphere, and he also painted portraits.
In 1883 Khnopff co-founded Les Vingt, a group of Belgian avant-garde artists. From the early 1990s, he collaborated regularly with the Brussels opera house Royal de la Monnaie, designing costumes and sets for many productions. He also designed the interiors of Brussels' landmark buildings: the Maison Stoclet and the Hôtel de Ville in Saint-Gilles.
Fernand Khnopff, full name Fernand-Edmond-Jean-Marie Khnopff, was a Belgian Symbolist painter, graphic artist, sculptor and art historian.
Born into a wealthy family, Fernand attended the Royal Academy of Fine Arts in Brussels, where he studied painting with Xavier Mellerie. Throughout his years at the academy, Khnopff spent summers in Paris studying art, and at the 1878 World's Fair he saw the works of Pre-Raphaelite Edward Burne-Jones and Symbolist Gustave Moreau, which had a decisive influence on his work.
In the early 1880s Khnopff began to exhibit his Symbolist works, often inspired by literary works, particularly by Gustave Flaubert. His paintings combined precise realism with an ethereal fairy-tale atmosphere, and he also painted portraits.
In 1883 Khnopff co-founded Les Vingt, a group of Belgian avant-garde artists. From the early 1990s, he collaborated regularly with the Brussels opera house Royal de la Monnaie, designing costumes and sets for many productions. He also designed the interiors of Brussels' landmark buildings: the Maison Stoclet and the Hôtel de Ville in Saint-Gilles.
Edward John Poynter was a prominent British painter, known for his historical and mythological artworks that resonate with art collectors and experts. Born in Paris and educated in Britain, Poynter's career flourished with his detailed and evocative paintings, like "Israel in Egypt" and "The Visit of the Queen of Sheba to King Solomon," which reflect his profound historical knowledge and artistic skill. These works are celebrated for their intricate detail and vibrant storytelling, captivating viewers and holding significant positions in galleries and Masonic lodges globally.
Edward John Poynter's dedication to art education was evident through his roles as the Slade Professor at University College London and the principal of the National Art Training School. His contribution extended to administrative roles, notably as the Director of the National Gallery, where he played a pivotal role in the establishment of the Tate Gallery. His legacy in the art world is also marked by his presidency at the Royal Academy, demonstrating his influence and standing in the British art scene.
For those intrigued by Edward John Poynter's mastery and the historical depth of his work, his contributions to art literature, such as "Ten Lectures on Art," offer further insight into his artistic philosophy and approach. These works underscore his commitment to integrating art and archaeology, providing a richer understanding of his creative process and the era he depicted.
For art collectors and enthusiasts interested in Poynter's work and related auction events, staying updated through a subscription service can be invaluable. This ensures you receive timely information on sales and exhibitions featuring Edward John Poynter's art, allowing you to engage deeply with his historical and artistic legacy.