Paintings — Post-War to Present
Jaune Quick-to-See Smith is a Native American visual artist and curator.
She is also an art educator, art advocate, and political activist. She has been prolific in her long career, and her work draws from a Native worldview and comments on American Indian identity, histories of oppression, and environmental issues.
In the mid-1970s, Smith gained prominence as a painter and printmaker, and later she advanced her style and technique with collage, drawing, and mixed media. Her works have been widely exhibited and many are in the permanent collections of prominent art museums.
Bob Thompson was an African-American figurative painter known for his bold and colorful canvases, whose compositions were influenced by the Old Masters. His art has also been described as synthesizing Baroque and Renaissance masterpieces with the jazz-influenced Abstract Expressionist movement.
Edward (Ed) Clark was an abstract expressionist painter known for his broad, powerful brushstrokes, radiant colors and large-scale canvases. An African-American, he wasn’t widely recognized as a major modernist until relatively late in a seven-decade career, during which he pioneered the use of shaped canvases and of the everyday push broom to create striking works of art.
Lynne Mapp Drexler was an American abstract and representational artist, painter and photographer.
In the late 1950s, she was an abstract expressionist and was "counted among an important group of women artists whose figural and landscape works were often overlooked during the heyday of post-abstract expressionist modernism — artists such as Jane Freilicher, Lois Dodd, and Jane Wilson."
She would often go to opera and symphony performances with a sketchpad and colored crayons in hand to make sketches inspired by the music.
Rashid Johnson is an American artist who produces conceptual post-black art. Johnson first received critical attention in 2001 at the age of 24, when his work was included in Freestyle (2001) curated by Thelma Golden at the Studio Museum in Harlem. He studied at Columbia College Chicago and the School of the Art Institute of Chicago and his work has been exhibited around the world.
Anna Weyant is a Canadian New York City–based artist whose figurative paintings blend influence from the Dutch Golden Age with an awareness of contemporary popular culture and social media.
Weyant has been represented globally since May 2022 by Gagosian Gallery, owned by Larry Gagosian.
Lynne Mapp Drexler was an American abstract and representational artist, painter and photographer.
In the late 1950s, she was an abstract expressionist and was "counted among an important group of women artists whose figural and landscape works were often overlooked during the heyday of post-abstract expressionist modernism — artists such as Jane Freilicher, Lois Dodd, and Jane Wilson."
She would often go to opera and symphony performances with a sketchpad and colored crayons in hand to make sketches inspired by the music.
Yayoi Kusama is a Japanese contemporary artist who works primarily in sculpture and installation, but is also active in painting, performance, video art, fashion, poetry, fiction, and other arts. Her work is based in conceptual art and shows some attributes of feminism, minimalism, surrealism, Art Brut, pop art, and abstract expressionism, and is infused with autobiographical, psychological, and sexual content. She has been acknowledged as one of the most important living artists to come out of Japan.
Katherine Bradford, née Houston, is an American artist based in New York City, known for figurative paintings, particularly of swimmers, that critics describe as simultaneously representational, abstract and metaphorical. She began her art career relatively late and has received her widest recognition in her seventies. Critic John Yau characterizes her work as independent of canon or genre dictates, open-ended in terms of process, and quirky in its humor and interior logic.
Ugo Rondinone is a Swiss-born artist widely recognized for his mastery of several different media — most prominently sculpture, drawing and painting, but also photography, architecture, video and sound installation — in the largely figurative works he has made for exhibitions in galleries, museums and outdoor public spaces around the world. He has never limited himself to a particular material, no more than he has to a single discipline. Lead, wood, wax, bronze, stained glass, ink, paint, soil and stone are all tools in a creative arsenal that the artist has employed to extend the Romantic tradition in works that are as sensitive to the passage of time as to the nuances of body language and the spoken word.
Loie Hollowell is an American painter. She currently lives and works in New York City.
Hollowell creates abstract biomorphic paintings that suggest spirituality and sexuality. Hollowell's work is inspired by tantric painting traditions, and she has been compared to the artist Georgia O'Keeffe.
Joan Snyder is an American painter from New York. She is a MacArthur Fellow, a Guggenheim Fellow, and a National Endowment for the Arts Fellow (1974).
Often referred to as an autobiographical or confessional artist, Snyder's paintings are narratives of both personal and communal experiences. Through a fiercely individual approach and persistent experimentation with technique and materials, Snyder has extended the expressive potential of abstract painting, inspiring generations of emerging artists.
Pat Steir is an American painter and printmaker. Her early work was loosely associated with conceptual art and minimalism, however, she is best known for her abstract dripped, splashed and poured "Waterfall" paintings, which she started in the 1980s, and for her later site-specific wall drawings.
Steir has had retrospectives and exhibitions all over the world.
Vivian Springford was an American painter and assemblage artist active in the second half of the 20th century. Springford's abstract paintings and collages are best known for their focus on using color to express captivating patterns and phenomena found in nature as well as from Chinese Calligraphy and Eastern forms of thought such as Taoism and Confucianism.
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Josef Albers was a German-born artist and educator. The first living artist to be given a solo shows at MoMA and at the Metropolitan Museum of Art in New York, he taught at the Bauhaus and Black Mountain College, headed Yale University's department of design, and is considered one of the most influential teachers of the visual arts in the twentieth century.
As an artist, Albers worked in several disciplines, including photography, typography, murals and printmaking. He is best known for his work as an abstract painter and a theorist. His book Interaction of Color was published in 1963.
Josef Albers was a German-born artist and educator. The first living artist to be given a solo shows at MoMA and at the Metropolitan Museum of Art in New York, he taught at the Bauhaus and Black Mountain College, headed Yale University's department of design, and is considered one of the most influential teachers of the visual arts in the twentieth century.
As an artist, Albers worked in several disciplines, including photography, typography, murals and printmaking. He is best known for his work as an abstract painter and a theorist. His book Interaction of Color was published in 1963.
Morton Wayne Thiebaud war ein US-amerikanischer Maler und bedeutender Vertreter der amerikanischen Pop Art.
Morton Wayne Thiebaud was an American painter known for his colorful works depicting commonplace objects — pies, lipsticks, paint cans, ice cream cones, pastries, and hot dogs — as well as for his landscapes and figure paintings. Thiebaud is associated with the pop art movement because of his interest in objects of mass culture, although his early works, executed during the fifties and sixties, slightly predate the works of the classic pop artists. Thiebaud used heavy pigment and exaggerated colors to depict his subjects, and the well-defined shadows characteristic of advertisements are almost always included in his work.
Roy Fox Lichtenstein, an American icon of the Pop Art movement, is celebrated for his comic strip-inspired art. Born in 1923 in New York City, Lichtenstein's journey into the art world was marked by various phases, evolving from Cubism and Abstract Expressionism to the distinctive Pop Art style he is renowned for.
Roy Lichtenstein's artistic career gained momentum in the 1960s, a period during which he embraced the comic strip as his primary source of inspiration. His pioneering use of Ben-Day dots, a technique borrowed from commercial printing, became his signature style, bringing a new visual language to fine art. His approach transformed mundane subjects from popular culture into compelling fine art, challenging traditional notions of artistry.
Among his most notable works, "Drowning Girl" (1963), displayed at the Museum of Modern Art in New York, exemplifies his iconic style with its bold lines, vivid colors, and Ben-Day dots. This piece, along with others like "Look Mickey" and "Whaam!", played a critical role in establishing Pop Art as a major art movement, contrasting starkly with the Abstract Expressionism prevalent at the time.
Roy Lichtenstein's art was not just limited to canvas; he explored multiple media, showcasing his versatility. His shift to Pop Art marked a significant turn in his career, bringing him fame and controversy alike. His works, often based on comic strips and advertisements, were both a parody and homage to the mass-produced, consumerist culture of his time.
For art collectors and experts, Lichtenstein's works offer a fascinating glimpse into a transformative era in art history. His approach to Pop Art remains influential, and his works are celebrated worldwide for their innovative and provocative style.
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Philip Guston, born Phillip Goldstein, was a Canadian American artist, muralist, printmaker and draftsman. He was one of the most important exponents of abstract expressionism. He is considered a forerunner of the New Figurative Painting.
Philip Gaston was a member of the New York School, which included many representatives of abstract expressionism, such as Jackson Pollock and Willem De Kooning.
Philip Guston, born Phillip Goldstein, was a Canadian American artist, muralist, printmaker and draftsman. He was one of the most important exponents of abstract expressionism. He is considered a forerunner of the New Figurative Painting.
Philip Gaston was a member of the New York School, which included many representatives of abstract expressionism, such as Jackson Pollock and Willem De Kooning.
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Ethel Kremer Schwabacher was an abstract expressionist painter, represented by the Betty Parsons Gallery in the 1950s and 1960s. She was a protégé and first biographer of Arshile Gorky, and friends with many of the prominent painters of New York at that time, including Willem de Kooning, Richard Pousette-Dart, Kenzo Okada, and José Guerrero. She was also the author of a monograph on the artist John Ford and a memoir, "Hungry for Light".