Paintings 19th Century — A508 Fine Art
Wouterus Verschuur the Younger (Dutch: Wouterus Verschuur, also Wouter Verschuur) was a Dutch painter, student and follower of his painter father Wouterus Verschuur the Elder. The main theme of his work is horses, genre rural scenes, and landscapes.
Carl Hilgers was a 19th century German landscape painter.
Carl Hilgers liked to paint winter landscapes shrouded in mist, often of locations around Düsseldorf. The paintings have a romantic character which is enhanced by occasional figures.
Andreas Schelfhout was a distinguished Dutch painter, etcher, and lithographer, celebrated for his exquisite landscape paintings. Born and based in The Hague, Schelfhout initially trained as a gilder and framemaker before apprenticing to a decorative painter between 1811 and 1814. This period marked the beginning of his journey into landscape painting, with his works being exhibited from 1815 onwards. Andreas Schelfhout's artistry is deeply rooted in the Romantic movement, with his Dutch winter scenes and frozen canals featuring skaters becoming particularly renowned during his lifetime. These works, showcasing a meticulous attention to detail and atmospheric quality, cemented his status as one of the most influential landscape artists of the 19th century.
A notable aspect of Andreas Schelfhout's career was his impact on other artists. He provided training to many painters who would later gain fame in their own right, such as Johan Jongkind, a forerunner of the Impressionists, and Charles Leickert. His advocacy for the use of watercolour in en plein air sketching significantly influenced his students and contemporaries, particularly enhancing the techniques of Jongkind, Jan Hendrik Weissenbruch, and Willem Roelofs.
Andreas Schelfhout's legacy is not only reflected in his influential teaching but also in the breadth of his creations. His works include not just winter scenes but also seascapes and landscapes depicting various aspects of Dutch scenery. His paintings often evoke a nostalgic longing for the past, a characteristic trait of the Romantic style, with elements like the ruins of castles or chapels adding a historical dimension to the landscapes.
Several of Andreas Schelfhout's masterpieces are displayed in prominent museums and galleries, evidencing his significant contribution to the art world. His works can be found in the Rijksmuseum in Amsterdam, the Museum Boymans-van Beuningen in Rotterdam, the Dordrechts Museum in Dordrecht, the Teylers Museum in Haarlem, and the National Gallery in London, among others.
Andreas Schelfhout was not just an artist; he was a pivotal figure in the Dutch Romantic landscape painting scene. His influence extended beyond his own works to shape the styles and techniques of future generations of artists. For collectors and experts in art and antiques, Schelfhout's works represent a significant era in art history, embodying the essence of Romanticism in Dutch landscape painting.
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Andreas Achenbach was a German landscape and seascape painter in the Romantic style. He is considered to be one of the founders of the Düsseldorf School.[citation needed] His brother, Oswald, was also a well known landscape painter. Together, based on their initials, they were known as the "Alpha and Omega" of landscape painters.
Andreas Achenbach was a German landscape and seascape painter in the Romantic style. He is considered to be one of the founders of the Düsseldorf School.[citation needed] His brother, Oswald, was also a well known landscape painter. Together, based on their initials, they were known as the "Alpha and Omega" of landscape painters.
Attilio Pratella was an Italian marine and landscape painter.
Attilio Pratella received his first professional skills at the Trisi College, continued his studies at the Bologna Academy of Fine Arts and at the Academy of Fine Arts in Naples. His first paintings received positive feedback from the juries of exhibitions.
The artist executed miniature Neapolitan views for tourists and made sketches of paintings of products of the ceramic factory of the Cacciapoti brothers. After moving to the Neapolitan neighborhood of Vomero, Pratella began to paint views of the picturesque surroundings, the Gulf of Naples and Vesuvius. Soon a group of Vomeresi ("Vomeristi") formed around him, and the neighborhood where he lived gradually became an entire colony of artists.
In addition to Neapolitan landscapes, the artist created cityscapes of Paris and other European cities. In 1899 Attilio Pratella participated in the Paris Salon and received great recognition. Today his works are in the collections of the Museo del Capodimonte and the Galleria dell'Arte Ricci Oddi.
Oswald Achenbach was a German painter associated with the Düsseldorf school of painting. Though little known today, during his lifetime he was counted among the most important landscape painters of Europe. Through his teaching activities, he influenced the Kunstakademie Düsseldorf. His brother, Andreas Achenbach, who was twelve years older, was also among the most important German landscape painters of the 19th century. The two brothers were humorously called "the A and O of Landscapes" (a reference to their initials matching a common German reference to the Alpha and Omega).
Carl Wuttke was a German painter of the last quarter of the nineteenth and first quarter of the twentieth centuries. He is known as a landscape and architectural painter.
Carl Wuttke traveled extensively, visiting Italy, Spain, Norway, Africa, the United States, China and Japan. He created many paintings, including paintings for German Emperor Wilhelm II. Wuttke, although he specialized in landscape, also painted genre scenes. His vivid colors and style make him one of the forerunners of Impressionism
Peder Mork Monsted (Danish: Peder Mørk Mønsted) was a Danish realist painter, representative of the Golden Age of Danish painting.
Monsted studied at the Royal Academy of Fine Arts and gradually developed his own style of academic naturalism, almost photorealistic. During his long career, P. Monsted traveled extensively, often visiting Switzerland, Italy, North Africa, Greece, where he was a guest of the royal family and for a year painted their portraits.
Favorite themes of the artist were Danish landscapes - snowy winter or summer landscapes with boats on the water, forest. From the beginning of the XX century and until his death P. Monsted was one of the most popular and wealthy artists. He was especially popular in Germany among the Munich public.
Eugène Joseph Verboeckhoven a Belgian painter, was born at Warneton in West Flanders. He was a painter, a sculptor, an etcher, an engraver, and a lithographer of animals, animated landscapes, and portraits.
Jacques François Joseph Carabain was a Dutch-Belgian painter, known primarily for his scenes of cities and buildings in the Romantic-Realist style. He was especially interested in Medieval and Baroque structures, and was often attracted to busy market places.
Johann Jakob Frey was a Swiss landscape painter.
Johann Jakob Frey travelled extensively in Italy, especially in and around Rome, making landscape sketches. In his studio he used these sketches to create paintings. He also traveled to Spain and Egypt to sketch for later works.
Frey's pictorial style is based on paintings by Josef Koch or Franz Horny. For example, they often feature a richly detailed foreground, which often shows elements such as winding paths or rivers drawing the viewer's attention away.
Otto Grashof was a German painter of the mid-nineteenth century. He is known as a draftsman, engraver, and portrait painter. He also did historical painting, battle-painting, animal studies, and landscape art. Grashof is considered one of the founders of Chilean painting.
Grashof went to St. Petersburg in 1838, where he carried out portrait commissions for the aristocracy, and some of his works ended up in the collection of Emperor Nicholas I. Later he visited Chile as well as Brazil. He held the titles of "painter to the Russian emperor and Brazilian court painter."
Otto Grashof was a German painter of the mid-nineteenth century. He is known as a draftsman, engraver, and portrait painter. He also did historical painting, battle-painting, animal studies, and landscape art. Grashof is considered one of the founders of Chilean painting.
Grashof went to St. Petersburg in 1838, where he carried out portrait commissions for the aristocracy, and some of his works ended up in the collection of Emperor Nicholas I. Later he visited Chile as well as Brazil. He held the titles of "painter to the Russian emperor and Brazilian court painter."
Otto Grashof was a German painter of the mid-nineteenth century. He is known as a draftsman, engraver, and portrait painter. He also did historical painting, battle-painting, animal studies, and landscape art. Grashof is considered one of the founders of Chilean painting.
Grashof went to St. Petersburg in 1838, where he carried out portrait commissions for the aristocracy, and some of his works ended up in the collection of Emperor Nicholas I. Later he visited Chile as well as Brazil. He held the titles of "painter to the Russian emperor and Brazilian court painter."
Otto Grashof was a German painter of the mid-nineteenth century. He is known as a draftsman, engraver, and portrait painter. He also did historical painting, battle-painting, animal studies, and landscape art. Grashof is considered one of the founders of Chilean painting.
Grashof went to St. Petersburg in 1838, where he carried out portrait commissions for the aristocracy, and some of his works ended up in the collection of Emperor Nicholas I. Later he visited Chile as well as Brazil. He held the titles of "painter to the Russian emperor and Brazilian court painter."
Otto Grashof was a German painter of the mid-nineteenth century. He is known as a draftsman, engraver, and portrait painter. He also did historical painting, battle-painting, animal studies, and landscape art. Grashof is considered one of the founders of Chilean painting.
Grashof went to St. Petersburg in 1838, where he carried out portrait commissions for the aristocracy, and some of his works ended up in the collection of Emperor Nicholas I. Later he visited Chile as well as Brazil. He held the titles of "painter to the Russian emperor and Brazilian court painter."