BERNARDO DADDI (ACTIVE FLORENCE, C. 1318-1348) - photo 1
BERNARDO DADDI (ACTIVE FLORENCE, C. 1318-1348) - photo 2
BERNARDO DADDI (ACTIVE FLORENCE, C. 1318-1348) - photo 3

BERNARDO DADDI (ACTIVE FLORENCE, C. 1318-1348)

Lot 21
31.01.2024 10:00UTC -05:00
Classic
Starting price
$ 200 000
AuctioneerCHRISTIE'S
Event locationUSA, New York
Archive
The auction is completed. No bids can be placed anymore.
Archive
ID 1126242
Lot 21 | BERNARDO DADDI (ACTIVE FLORENCE, C. 1318-1348)
Estimate value
$ 200 000 – 300 000
BERNARDO DADDI (ACTIVE FLORENCE, C. 1318-1348)

Saint John the Evangelist: A predella panel from the S. Giorgio a Ruballa altarpiece

tempera and gold on panel

8 1⁄8 x 7 in. (20.7 x 17.8 cm.)

(2)



Provenance

Church of S. Giorgio a Ruballa, Bagno a Ripoli, near Florence, from where apparently removed before 1821.

with Ugo Jandolo, Rome, 1928, from whom acquired by,

Michel van Gelder, Château Zeecrabbe, Uccle, Belgium, 1928, and by descent until,

[The Property of a European Collection]; Christie's, New York, 25 January 2012, lot 6 (sold together with one further predella panel from the same altar), where acquired by the present owner.



Literature

L. Dumont-Wilden, La Collection Michel Van Gelder, n.d., p. 16, no. 105.

A. Morassi, 'La mostra della pittura italiana ad Amsterdam', Le vie d'Italia e del mondo, II, November 1934, p. 1316, as 'in the manner of Daddi'.

R. van Marle, 'La pittura italiana alla Esposizione d'arte antica italiana a Amsterdam', Bollettino d'Arte, VII, 1935, p. 302 and 305, fig. 17, as 'Bernardo Daddi (?) or a close associate'.

R. Offner, A Corpus of Florentine Painting, III, VIII, The Works of Bernardo Daddi, Florence, 1958, pp. 49-50, 56, pl. XX1-2, as 'Workshop of Daddi'.

U. Procacci, 'Review of R. Offner, Corpus of Florentine painting', Rivista d'Arte, XXXIII, 1956-1958, pp. 121-139.

F. Zeri, 'Qualche appunto sul Daddi', Quaderni di Emblema 1. Diari di Lavoro, Bergamo, 1971, pp. 15-16, as 'Daddi and workshop'.

G. Damiani, 'Bernardo Daddi', in Dizionario Biografico degli Italiani, XXXI, Rome, 1985, p. 625, as 'Daddi and workshop'.

R. Offner, A critical and historical corpus of Florentine painting, III, III, The works of Bernardo Daddi, revised and edited by M. Boskovits, Florence, 1989, pp. 340, 342-343, 348 and 377, pl. XX1-3, 6 (together with its two flanking predella panels), where marked with an asterix to indicate the editors' attribution to Daddi himself.

G. Freuler, Manifestosi delle cose miracolose: Arte italiana del '300 e '400 da collezioni Svizzera e nel Liechtenstein, Lugano-Castagnola, 1991, pp. 171-172, illustrated.

E. Moench-Scherer, Les Primitifs Italiens du Musée des Beaux-Arts de Strasbourg, Strasbourg, 1993, p. 24, under no. 9, as 'Bernardo Daddi and workshop'.

E. Skaug, Punch Marks from Giotto to Fra Angelico, I, Oslo, 1994, p. 105, no. 5.3.

M.S. Frinta, Punched Decoration on Late Medieval Panel and Miniature Painting, Prague, 1998, p. 265.

A. Labriola in, Italian Paintings from the 14th to 16th Century, The Alana Collection, S. Chiodo and S. Padovani eds., III, Rome, 2014, pp. 50-57, illustrated, as Bernardo Daddi and Workshop.



Exhibited

Amsterdam, Stedelijk Museum, Italiaansche Kunst in Nederlandsch Bezit, 1 July-1 October 1934, no. 103, as 'a master very near to Daddi'.
Artist:Bernardo Daddi (1280 - 1348)
Applied technique:Painted, Tempera
Medium:Gold ground panel
Place of origin:Italy
Auction house category:Paintings
Address of auction CHRISTIE'S
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