ID 1126242
Лот 21 | BERNARDO DADDI (ACTIVE FLORENCE, C. 1318-1348)
Оценочная стоимость
$ 200 000 – 300 000
Saint John the Evangelist: A predella panel from the S. Giorgio a Ruballa altarpiece
tempera and gold on panel
8 1⁄8 x 7 in. (20.7 x 17.8 cm.)
(2)
Provenance
Church of S. Giorgio a Ruballa, Bagno a Ripoli, near Florence, from where apparently removed before 1821.
with Ugo Jandolo, Rome, 1928, from whom acquired by,
Michel van Gelder, Château Zeecrabbe, Uccle, Belgium, 1928, and by descent until,
[The Property of a European Collection]; Christie's, New York, 25 January 2012, lot 6 (sold together with one further predella panel from the same altar), where acquired by the present owner.
Literature
L. Dumont-Wilden, La Collection Michel Van Gelder, n.d., p. 16, no. 105.
A. Morassi, 'La mostra della pittura italiana ad Amsterdam', Le vie d'Italia e del mondo, II, November 1934, p. 1316, as 'in the manner of Daddi'.
R. van Marle, 'La pittura italiana alla Esposizione d'arte antica italiana a Amsterdam', Bollettino d'Arte, VII, 1935, p. 302 and 305, fig. 17, as 'Bernardo Daddi (?) or a close associate'.
R. Offner, A Corpus of Florentine Painting, III, VIII, The Works of Bernardo Daddi, Florence, 1958, pp. 49-50, 56, pl. XX1-2, as 'Workshop of Daddi'.
U. Procacci, 'Review of R. Offner, Corpus of Florentine painting', Rivista d'Arte, XXXIII, 1956-1958, pp. 121-139.
F. Zeri, 'Qualche appunto sul Daddi', Quaderni di Emblema 1. Diari di Lavoro, Bergamo, 1971, pp. 15-16, as 'Daddi and workshop'.
G. Damiani, 'Bernardo Daddi', in Dizionario Biografico degli Italiani, XXXI, Rome, 1985, p. 625, as 'Daddi and workshop'.
R. Offner, A critical and historical corpus of Florentine painting, III, III, The works of Bernardo Daddi, revised and edited by M. Boskovits, Florence, 1989, pp. 340, 342-343, 348 and 377, pl. XX1-3, 6 (together with its two flanking predella panels), where marked with an asterix to indicate the editors' attribution to Daddi himself.
G. Freuler, Manifestosi delle cose miracolose: Arte italiana del '300 e '400 da collezioni Svizzera e nel Liechtenstein, Lugano-Castagnola, 1991, pp. 171-172, illustrated.
E. Moench-Scherer, Les Primitifs Italiens du Musée des Beaux-Arts de Strasbourg, Strasbourg, 1993, p. 24, under no. 9, as 'Bernardo Daddi and workshop'.
E. Skaug, Punch Marks from Giotto to Fra Angelico, I, Oslo, 1994, p. 105, no. 5.3.
M.S. Frinta, Punched Decoration on Late Medieval Panel and Miniature Painting, Prague, 1998, p. 265.
A. Labriola in, Italian Paintings from the 14th to 16th Century, The Alana Collection, S. Chiodo and S. Padovani eds., III, Rome, 2014, pp. 50-57, illustrated, as Bernardo Daddi and Workshop.
Exhibited
Amsterdam, Stedelijk Museum, Italiaansche Kunst in Nederlandsch Bezit, 1 July-1 October 1934, no. 103, as 'a master very near to Daddi'.
| Автор: | Бернардо Дадди (1280 - 1348) |
|---|---|
| Техника исполнения: | Расписанный, Темпера |
| Материал: | Золоченая панель |
| Место происхождения: | Италия |
| Категория аукционного дома: | Картины |
| Автор: | Бернардо Дадди (1280 - 1348) |
|---|---|
| Техника исполнения: | Расписанный, Темпера |
| Материал: | Золоченая панель |
| Место происхождения: | Италия |
| Категория аукционного дома: | Картины |
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