BERNARDO DADDI (ACTIVE FLORENCE, C. 1318-1348) - photo 1
BERNARDO DADDI (ACTIVE FLORENCE, C. 1318-1348) - photo 2
BERNARDO DADDI (ACTIVE FLORENCE, C. 1318-1348) - photo 3

BERNARDO DADDI (ACTIVE FLORENCE, C. 1318-1348)

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$ 529 200
Auction dateClassic
09.06.2022 10:00UTC -04:00
Auctioneer
CHRISTIE'S
Event location
USA, New York
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ID 773298
Lot 35 | BERNARDO DADDI (ACTIVE FLORENCE, C. 1318-1348)
BERNARDO DADDI (ACTIVE FLORENCE, C. 1318-1348)
Saints Lucy and Catherine of Alexandria: A Predella panel from the S. Giorgio a Ruballa altarpiece
tempera and gold on panel
8 1⁄4 x 15 1⁄4 in. (21 x 38.8 cm.)




Provenance

Church of S. Giorgio a Ruballa, Bagno a Ripoli, near Florence, from which apparently removed before 1821.
with Ugo Jandolo, Rome, from whom acquired in 1928 by,
Michel van Gelder, Château Zeecrabbe, Uccle, Belgium, where recorded in the Salle Itallienne II by Dumont-Wilden (infra), and by descent until,
[The Property of a European Collection]; Christie's, New York, 25 January 2012, lot 6 (sold together with its two flanking predella panels), where acquired by the present owner.



Literature

L. Dumont-Wilden, La Collection Michel Van Gelder, n.d., p. 16, no. 105.
A. Morassi, 'La mostra della pittura italiana ad Amsterdam', Le vie d'Italia e del mondo, II, November 1934, p. 1316, as 'in the manner of Daddi'.
R. van Marle, 'La pittura italiana alla Esposizione d'arte antica italiana a Amsterdam', Bollettino d'Arte, VII, 1935, p. 302 and 305, fig. 17, as 'Bernardo Daddi (?) or a close associate'.
R. Offner, A Corpus of Florentine Painting, III, VIII, The Works of Bernardo Daddi, Florence, 1958, pp. 49-50, 56, pl. XX1-2, as 'Workshop of Daddi'.
U. Procacci, 'Review of R. Offner, Corpus of Florentine painting', Rivista d'Arte, XXXIII, 1956-1958, pp. 121-139.
F. Zeri, 'Qualche appunto sul Daddi', Quaderni di Emblema 1. Diari di Lavoro, Bergamo, 1971, pp. 15-16, as 'Daddi and workshop'.
G. Damiani, 'Bernardo Daddi', in Dizionario Biografico degli Italiani, XXXI, Rome, 1985, p. 625, as 'Daddi and workshop'.
R. Offner, A critical and historical corpus of Florentine painting, III, III, The works of Bernardo Daddi, revised and edited by M. Boskovits, Florence, 1989, pp. 340, 342-343, 348 and 377, pl. XX1-3, 6 (together with its two flanking predella panels), where marked with an asterix to indicate the editors' attribution to Daddi himself.
G. Freuler, Manifestosi delle cose miracolose: Arte italiana del '300 e '400 da collezioni Svizzera e nel Liechtenstein, Lugano-Castagnola, 1991, pp. 171-172, illustrated.
E. Moench-Scherer, Les Primitifs Italiens du Musée des Beaux-Arts de Strasbourg, Strasbourg, 1993, p. 24, under no. 9, as 'Bernardo Daddi and workshop'.
E. Skaug, Punch Marks from Giotto to Fra Angelico, I, Oslo, 1994, p. 105, no. 5.3.
M.S. Frinta, Punched Decoration on Late Medieval Panel and Miniature Painting, Prague, 1998, p. 265.
S. Chiodo and S. Padovani eds., Italian Paintings from the 14th to 16th Century, The Alana Collection, Newark, Delaware, USA, III, Rome, 2014, pp. 50-57, illustrated (entry by A. Labriola).



Exhibited

Amsterdam, Stedelijk Museum, Italiaansche Kunst in Nederlandsch Bezit, 1 July-1 October 1934, no. 103 (together with its two flanking predella panels), as 'a master very near to Daddi'.
Artist:Bernardo Daddi (1280 - 1348)
Applied technique:Painted, Tempera
Medium:Gold ground panel
Art style:Baroque, Renaissance, Old Masters
Place of origin:Italy, Europe
Auction house category:Paintings
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